G Dan Mitchell, photographer and visual opportunist focusing on the Pacific coast, the Sierra Nevada, redwood forests, California oak/grasslands, California deserts, urban landscapes, night photography and more. Posting daily photographs since 2005, along with articles, reviews, news, and ideas.
“Woman in Sunshine” — A woman looks upwards in the sunshine, Lisbon.
I made this photograph on our first foray in Lisbon during our visit this past May. If I recall correctly, after arriving late the previous night, we were up (and quite jet-lagged) and out the door to walk some of the surrounding streets. We joined the crowd and made our way down to the popular Praça do Comércio square.
I made this photograph quickly, since photographing such subjects happens in real time — there’s little opportunity to stop and carefully consider. There’s an element of serendipity in such photographs. The right person has to be in the right place and light at the right time, I have to be there, I have to look the right direction, and I have to react quickly.
“Pond, Forest, and Fog” — Fog rising from a subalpine pond drifts through pine forest, Yosemite.
This is one of several photographs I made in this area on the morning after a significant storm moved through the Yosemite high country. It rained for hours and made photography virtually impossible. But it also primed conditions for beautiful morning fog the next day, so I was up very early and out looking for it before sunrise.
Before long I passed a small lake that I’ve known about for decades but rarely photographed. This time the scene was sublime — fog was rising from the surface of the little lake and slowly drifting into the forest. The early morning light (from the now-clear sky) illuminated the scene, but there was no direct sun to overwhelm it. I began photographing, walking slowly along the shoreline and into the forest, eventually tearing myself away in order to seek out some other subjects.
“Alfama Street Art” — Detail of street art on a wall in the Alfama district of Lisbon.
This detail of a bit of Portuguese street art comes from the Alfama district of Lisbon. This is the oldest neighborhood of the city, with tightly spaced buildings and streets so narrow and twisting that vehicles cannot pass. It was (and reputedly still is) a neighborhood where the poor are more likely to live — though one can see a creeping urbanization occurring around the edges.
I don’t generally photograph graffiti — the “I am here” initials and other personal marks made in public spaces. But there’s a fine line between that and what I think of as street art. I will photograph the latter. Here the imagery covers of a mundane wall — look closely and you can make it out beneath the paint — and uses wildly exuberant patterns and colors.
“Trees in Morning Light, Granite Dome” — Trees grow on a bit of talus at the base of a Yosemite dome.
Scenes like this are a big part of what characterizes Yosemite, especially the park’s high country: trees growing on granite, domes, forests, and that “range of light” atmosphere. The features are so common that it is possible for a longtime visitor to almost take them for granted.
I have paused at this spot on virtually every visit to the Yosemite high country for decades. The dome rising to the left in the photograph was my original interest — it is a beautiful dome in an especially aesthetic location. But later on the trees became an equal attraction — easy to overlook among millions of other trees, but once you see them you don’t forget.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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