Category Archives: Photographs: Desert

Dusk Clouds, Badwater Basin Panorama

Dusk Clouds, Badwater Basin Panorama
Dusk Clouds, Badwater Basin Panorama

Dusk Clouds, Badwater Basin Panorama. Death Valley National Park, California. March 29, 2010. © Copyright G Dan Mitchell – all rights reserved.

Colorful dusk clouds against darkening sky above the salt flats of Badwater Basin and the distant ridges of the Amargosa and Panamint mountain ranges.

This was one of the final photographs I made in fading light on this evening. (I made another series a few minutes later when the sky and clouds and salt flats were all various stages of blue – I may ultimately post that image here as well.) The very last light was catching the clouds above Badwater and the central portions of Death Valley, and the color was already fading quickly in the darker area to the east over the Amargosa Range.

As I have mentioned before, the very wide dynamic range between the shaded surface of the salt flats and the bright bit of sunlit cloud and sky at the far left necessitated the use of two exposures which were then combined in post. (Even after this light finally faded I was not yet finished for the day. An hour or so later I was doing night photography under the light of the rising full moon at Zabriskie Point.)

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Technical Data:
Canon EOS 5D Mark II
Canon EF 17-40mm f/4 L USM at 17mm
ISO 100, f/16, composite of two exposures in the 1/2 to 1/4 second range.

keywords: badwater, basin, salt, flat, polygon, pattern, white, texture, panorama, evening, sunset, twilight, dusk, dark, sky, color, orange, pink, blue, amargosa, panamint, mountain, range, ridge, horizon, death valley, national, park, california, usa, north america, landscape, travel, scenic, nature, stock

Detail, Zabriskie Point Formations

Detail, Zabriskie Point Formations
Detail, Zabriskie Point Formations

Detail, Zabriskie Point Formations. Death Valley National Park, California. March 29, 2010. © Copyright G Dan Mitchell – all rights reserved.

Detail photograph of patterns of barren hills and gullies at Zabriskie Point, Death Valley National Park, California.

From my series of detail photographs of smaller elements of the landscape at Zabriskie, and another one shot during atypical times of day – in this case in very bright afternoon sunshine. Because of these lighting conditions – color, intensity, and angle, the quality of the image is less “dreamy” than the typical early morning soft-light photographs of this area. Here you see more clearly the rough texture of the material making up the folds and gullies of these interesting hills that drop into Gower Gulch.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography | Twitter | Friendfeed | Facebook | Facebook Fan Page | Email

Technical Data:
Canon EOS 5D Mark II
Canon EF 100-400mm f/4.5-5.6 L IS USM at 330mm
ISO 100, f/16, 1/50 second

keywords: zabriskie, point, detail, hills, gullies, barren, dry, earth, dirt, afternoon, light, diagonal, forms, abstract, geology, nature, landscape, patterns, death valley, national park, scenic, travel, california, usa, north america, stock, eroded

Eroded Formations, Zabriskie Point

Eroded Formations, Zabriskie Point
Eroded Formations, Zabriskie Point

Eroded Formations, Zabriskie Point. Death Valley National Park, California. March 29, 2010. © Copyright G Dan Mitchell – all rights reserved.

A small dry wash runs past folded patterns of eroded hills in morning light at Zabriskie Point, Death Valley National Park, California.

This is another in my “up close and personal” sequence of photographs of details of the geology at Zabriskie Point. Zabriskie is undeniably an incredibly beautiful spot, but after photographing “the view” a number of times my attention was drawn to some of the smaller details of the surrounding terrain. While I’ll still shoot the famous view(s) from this location when conditions are special, I now spend more time using a long lens to pick out small elements of the scene – and there are a lot of them to work with!

On this morning the light was, at times, very special. When I made this photograph the typical sidelight from the early sun was diffused and filtered by some high clouds in the east, and this soft light is different than what I’ve seen here before – it seems to me to have a subtle glow.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography | Twitter | Friendfeed | Facebook | Facebook Fan Page | Email

Technical Data:
Canon EOS 5D Mark II
Canon EF 100-400mm f/4.5-5.6 L IS USM at 150mm
ISO 200, f/14, 1/40 second

keywords: zabriskie, point, gower, gulch, wash, folds, eroded, hills, formations, crack, earth, desert, barren, morning, light, sand, gravel, tan, brown, death valley, national, park, california, usa, north america, detail, landscape, nature, stock, geology, scenic, travel, dry, hill, gully

Badwater Basin Salt Flats, Dusk

Badwater Basin Salt Flats, Dusk
Badwater Basin Salt Flats, Dusk

Badwater Basin Salt Flats, Dusk. Death Valley National Park, California. March 29, 2010. © Copyright G Dan Mitchell – all rights reserved.

Newly formed salt polygons extend to the horizon as evening clouds gather above the Badwater Basin salt flats, Death Valley National Park, California.

This is one more – and perhaps the last – in a series of photographs I shot on a late-March evening in the Badwater Basin of Death Valley National Park. The light goes through a long and interesting transitional process at this location. Because of the tall Panamint Mountain range to the west, the direct sun leaves the surface of the salt flats quite early, though the hills along the east side of the valley and the more distant mountains can still be sunlit for some time. Once the sun drops behind the Panamints, the “white” salt actually can end up being quite blue since it is illuminated entirely by the diffused light from the blue sky. As I have mentioned before this creates some interesting subjective questions for the photographer. Should the salt be white? Should it be as blue as it looks in the capture? Should it be somewhere in between? I’ve seen interesting and effective photographs that seemed to take each of these approaches.

In this case, because I shot a bit before actual sunset and while some clouds reflected less blue light onto the playa surface, the need to alter to color balance was diminished a bit – which is not to say that I didn’t do some work to balance the colors so that they looked more like what I remembered. A second issues is related, namely that the sky remains very bright while the salt flat surface, in deep shade, is very dark by comparison. On the scene, the eyes/brain compensate and the difference seems less than what the camera records. So, again, some adjustment in post is needed. In this case I made two exposures one stop apart. On just barely handled the brightest portions of the sky without blowing out, while the other did a better job of holding the details for the shadowed salt formations. I combined the two source images in post.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography | Twitter | Friendfeed | Facebook | Facebook Fan Page | Email

Technical Data:
Canon EOS 5D Mark II
Canon EF 17-40mm f/4 L USM at 17mm
ISO 100, f/16, composite of 1/13 second and 1/6 second exposures

keywords: badwater, basin, salt, flat, desert, polygon, water, playa, crust, pattern, sky, cloud, evening, dusk, sunset, blue, mountain, ridge, range, distant, death valley, national, park, california, usa, north america, landscape, nature, scenic, travel, geology, horizon, stock