Category Archives: Photographs: Northern California

Photographs from Northern California

Three Towers, Morning

Three Towers, Morning - Three tufa towers in morning light, surrounded by wind-blown patterns on the surface of Mono Lake, California.
Three tufa towers in morning light, surrounded by wind-blown patterns on the surface of Mono Lake, California.

Three Towers, Morning. Mono Lake, California. July 14, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Three tufa towers in morning light, surrounded by wind-blown patterns on the surface of Mono Lake, California.

In mid-July I was in the Tuolumne/Tioga Pass area of the Sierra for a few days of photograph. In the end, I decided to stay over one extra night so that I could drive down to photograph around Mono Lake early in the morning before heading home. I was up before dawn, quickly in my car, and down to the shoreline of Mono Lake before sunrise. My first objective was to try to photograph sand tufa formations – not the more famous tufa towers. I found what I was looking for, and spend the sunrise period photographing them in first light. However, this opportunity quickly ended, so I turned my attention to the lake itself, along with its surroundings of low hills.

While the tufa towers are the iconic visual symbols of Mono Lake, I have some other and perhaps strong associations with the place. Most of them are connected to a time of day, early morning, when I most often visit. They involve near silence, broken only by the sounds of the many gulls and other birds that are found in and around the lake. In my memories, the air is still, and it is warm, the warm of early an early desert morning that holds the smell of sage and dust. And while the moment of sunrise is what I often go there to find, in the end it is the light that comes a bit later that sticks most in my mind. This light is bright – almost too bright to look into if the lake is hazy – and it is blue with distance. This is the light that I saw on this morning, with a bit of very light breeze forming slight patterns on the surface of the lake near three isolated tufa towers.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Urban Canyons, Evening

Urban Canyons, Evening - An urban landscape photograph in evening light, downtown San Francisco.
An urban landscape photographed in evening light, downtown San Francisco.

Urban Canyons, Evening. San Francisco, California. July 9, 2012. @ Copyright 2012 G Dan Mitchell – all rights reserved.

An urban landscape photographed in evening light, downtown San Francisco.

I spent a couple of days in downtown San Francisco earlier this month, with opportunities to photograph early and late in the day. Late in the afternoon I headed out and down Market street, starting out in less that amazing light but anticipating that things would certainly become more interesting as the evening wore on. On this particular walk I mostly headed to places that I already knew from many previous visits. I have often looked at this building and thought that it held to potential for a photograph that wasn’t just a “shot of the building,” but so far I had not actually come up with on. As I walked along the east side of the structure I saw that the very bright early evening sun was streaming across and between other tall buildings to the west and then past and through the columns in the left side of the frame. I positioned myself so that one of the columns just blocked the direct sun to make this photograph.

While I am perhaps mainly oriented to landscapes, both small and large, in my photography, I really enjoy shooting urban subjects as well. In some ways the experiences are very different – obviously the hustle and bustle of a major metropolitan downtown area feels a lot different from the quiet and solitude of the mountains, desert, or shoreline. But I respond to many of the same things in both places – juxtapositions of shapes, textures, and most important, the light. In the latter context, this photograph is not all that different from, say, one that features light flowing over the peaks of a Sierra ridge and down a canyon to pass between the trunks of trees. It is, after all, the same light.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Seaweed and Pebbles, Weston Beach

Seaweed and Pebbles, Weston Beach - Shoreline debris, including pebbles and seaweed, at Weston Beach, Point Lobos State Reserve.
Shoreline debris, including pebbles and seaweed, at Weston Beach, Point Lobos State Reserve.

Seaweed and Pebbles, Weston Beach. Point Lobos State Reserve, California. July 16, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Shoreline debris, including pebbles and seaweed, at Weston Beach, Point Lobos State Reserve.

During virtually every visit to the Point Lobos State Reserve I end up shooting at Weston Beach (named after photographer Edward Weston) at least once. Perhaps the Weston name is part of what attracts me… though the easy parking might have something to do with it, too. ;-) But seriously, this beach is a special place that I have visited for decades, starting when my family went to Point Lobos so that I can my siblings could wander about and inspect the tide pools.

Weston Beach has always seemed to me to barely qualify as what I think of when I hear the word “beach.” That word, to me, suggests a strand of fine sand that runs along the edge of the ocean. But this beach is more of a cove, and the its shore is emphatically not that kind of “sand.” Instead, it is mostly rocky with broken ledges full of channels that run down and into the water. It is separated from the open ocean by another wall of rocks that almost closes it off from the rougher water, though wave spill in through the gap. Instead of fine sand, there is gravel, consisting mostly of smooth rocks that are almost golf ball sized. During much of the year, but especially in winter when Pacific storms bring the highest surf, all sorts of interesting stuff washes up on this beach – shells, drift wood, seaweed – and I love to walk here slowly, looking for seemingly random juxtapositions and forms that might make a photograph.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Reflective Building

Reflective Building
“Reflective Building” — Reflections in the windows of a downtown tower, San Francisco

I photographed the exterior of this building while walking in the financial district of San Francisco in the early evening. I was mainly shooting street subjects with a 50mm prime, but fortunately I had a telephoto zoom in my bag that I could use to isolate this section of the building from its surrounding context. In addition, I decided to take some liberties with the image in post, including some serious perspective adjustments that brought the vertical lines into nearly parallel alignment.

When walking around in an urban environment like this one, it is easy to focus on the grit and “reality” and noise and all the rest. But if you look past that you can find some astonishing images in this environment, some of which are quite abstract and perhaps border on hallucinations. This is a building – that is fairly obvious. But what in this photograph is actually the building? Not much. The thin, darker vertical lines are the frames around the window glass, as are the even thinner diagonal lines running upward from left to right. If you look closely you can see a few bits and pieces of what is inside the building, mostly in the form of interior lighting. But the main portion of the image is not really the building at all, instead consisting of warped and distorted forms that are the reflections of its surroundings, reflected in its glass surface.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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