Category Archives: Photographs: Northern California

Photographs from Northern California

The Shadow Line

The Shadow Line
The boundary between morning sunlight and shadow traverses granite slabs

The Shadow Line. Yosemite Valley, California. February 26, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

The boundary between morning sunlight and shadow traverses granite slabs

These slabs on the lower face of the Glacier Point apron always attract me, especially in the morning. I go way back with them — many years ago when I was, for a short time, a budding rock climber, we climbed on them, testing the limits of our trust in friction. Today, when I’m in this section of the Valley early in the morning, I always watch for the arrival of the first sun on the slopes.

I was in a cold meadow before sunrise on this winter morning. Soon the first light began to touch the cliffs along the north side of the Valley, and then trees along the upper rim near Glacier Point picked up the light. It worked its way slowly down the immense face, and the light final streamed through gaps behind Half Dome and slanted across this slope and revealed the cracks and scallops on the weathered granite.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dormant Oaks

Dormant Oaks
Winter-dormant oak trees in Yosemite Valley

Dormant Oaks. Yosemite Valley, California. February 26, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Winter-dormant oak trees in Yosemite Valley

Many things characterize Yosemite Valley. To a first-time visitor the cliffs, famous prominent peaks, and waterfalls are the main attraction — and the most common subjects of photographs. Spend a bit more time there and your awareness of other things increases: the river and its many tributaries, the forests and meadows, the boulder piles along the edges of the Valley. If your visits encompass more than one season your conception of the place expands to include not only the sunny summers but also the colorful autumn, the cold and occasional snow of winter, and the water-everywhere season of spring.

For me the oak trees are a big part of what makes the Valley the Valley, from their brilliant new growth in late spring, through autumn’s color change, to their bare and skeletal winter forms. I was photographing something else in one of the Valley’s meadows early on this morning, at a time when the first light was just beginning to touch the upper rim. I took a short break from my subject and just looked around, spotting this dense and detailed by of oak branch texture, form, and color nearby.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Sunset Tree, Granite Cliff

Sunset Tree, Granite Cliff
A solitary tree caught in a beam of sunset light beneath El Capitan

Sunset Tree, Granite Cliff. Yosemite Valley, California. February 25. 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A solitary tree caught in a beam of sunset light beneath El Capitan

As a friend recently wrote, lots of photography stories begin with a recounting of how bad the light was and end with an unexpected miracle of light. I’m not sure that this event qualifies as a miracle, but it certainly was unexpected. After a day of photographing in Yosemite Valley I was more or less ready to take a break and clouds were closing in, so I decided I might as well head to Tunnel View and just take a look. I had no plan to photograph. I arrived and parked, got out of my vehicle, and walked to the overlook unburdened by any photographic equipment at all. Clouds were thickening above the Valley and it looked like a predicted weather front was probably approaching from the west, meaning that more clouds would be blocking the light from the west. I decided to go back to my car to get my smart phone so that I could walk back and make a “Hi, I’m here!” photo to send to my family.

As I returned, I saw a beam of light start to illuminate the opposite valley wall to the west-northwest, and I quickly figured out that it was gradually angling toward the base of El Capitan. There are no guarantees of how such an event will unfold, but it is better to be prepared and end up disappointed than to not be ready and miss photographing something glorious. So I dashed back to the car again, grabbed camera gear, rushed back, and set up. By now the narrow beam of light was traversing the valley wall almost all the way to the base of El Capitan, and for a brief moment it caught this solitary tree in its spotlight as another band of golden hour light washed across the upper face and lit the edge of the monolith.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Water Plants, Reflections

Water Plants, Reflections
Water plants reflected in the surface of a wetland pond

Water Plants, Reflections. San Joaquin Valley, California. December 3, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Water plants reflected in the surface of a wetland pond

Subjects like these are almost easy to find and almost irresistible to photograph when I’m out chasing wild geese in the California Central Valley wetlands. While the birds are the main subject, or so I tell myself, there is much else to look at — the trees and grasses, the immense sky, the effects of fog and haze, and the patterns and reflections on the surface of the wetland ponds.

This was a very foggy morning, somewhat to my surprise. I always check the weather conditions before heading out here, usually in the hope that there will be at least some fog. But this time there were no indications that it would be anything but sunny and clear, at least not until my pre-departure final weather check, where I found one report of ground fog at a nearby airport. And, sure enough, once I got within a half hour of my destination the fog began to develop, and after my arrival in continued to build. So much of my morning was spent photographing in Central Valley tule fog.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.