Photographs: Europe, Photographs: Italy, Photographs: Travel, Photographs: Urban/Street

Deserted Street, Orvieto

Image May 16, 2024 G Dan Mitchell Leave a comment

It can be a challenge to photograph these narrow streets without people in a popular town such as Orvieto. One strategy is to photograph late in the day and even into the evening, but sometimes an even more promising approach is to go out very early. Most of the tourists aren’t out then, instead sleeping in before a leisurely breakfast in the morning or sitting in a restaurant in the evening. The difference is even greater in Orvieto, where many of the visitors only come for the day, heading back to their “home base” for the evening.

All of the streets here are narrow, but this is an even narrower side street. Unlike the familiar American grid street layout, there the narrow passageways curve and twist and take off in surprising directions. Several things in this photograph intrigue me. First, essentially everything you see is stone masonry, from the cobbled path to the walls and arches. Second, I suspect that these arches serve multiple purposes — both as passageways and to brace the facing buildings.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dune Shadow

Image May 15, 2024 G Dan Mitchell Leave a comment

On some of my Death Valley visits I photograph dunes many times — at dawn and at sunset, and especially if there is a dust storm or interesting clouds. But on this trip I really only made one serious foray into the dunes, since other rarer features distracted me — most notably the reemergence of a remnant of prehistoric Lake Manly. But it wouldn’t have seemed like a real Death Valley visit without at least one dune adventure.

I made this photograph late in the day, just before the shadows of the Cottonwood Mountains angled across the valley and” dimmed the lights.” (No matter how many times I photograph there, I am still always surprised by how quickly this happens.) Despite first appearances, things do live in the sand, and here an old plant (barely) grows in the shelter of a small dune. Beyond, more dunes stretch across the valley floor, then a gravel fan rises toward desert mountains.

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Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Eroded Layers

Image May 14, 2024 G Dan Mitchell Leave a comment

These rock formations have fascinated me since I first saw them decades ago as a child. My parents used to take us on family outings to Point Lobos, and very early on I began to photograph the place. (I am pretty sure that I went there on an elementary school field trip, a memory brought back to me on this visit when I saw a busload of kids eating lunch at picnic tables.) This little intimate landscape includes forms which seem to suggest the sea itself — I can see waves and inlets and more in it.

This particular spot at the reserve has a variety of interesting features. Stratified rock layers descend to the water of a cove, and they are twisted all sorts of interesting ways as the work of the water exposes them. There are colorful bands and intrusions. Sometimes the layers are turned on their sides. And, as here, the action of waves gradually peels back the layers, leaving abstract forms. (Hint: If you look closely you might spot a tiny tide pool and a few of its small inhabitants.)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

Photographs: Architecture, Photographs: Europe, Photographs: Italy, Photographs: Travel

Detail, Duomo of Orvieto

Image May 13, 2024 G Dan Mitchell Leave a comment

As per the common pattern, the hilltop town of Orvieto Italy has a large “duomo” on a central square. As is also typical, the facade of this church is packed with remarkable visual features — statuary, columns and arches, and fascinating details like this twisting column. Much of it is high enough that it can only be seen at a distance, but this bit is right for eye-level viewing.

You can read about these places and look at pictures of them for years (as I, a late-in-life traveler, did) and not really understand the effect of their physical reality. In particular, if you imagine them in the times when they were first created you start to understand how astonishing and even magical they must have been (and still are). It is remarkable that those who produced a structure that depends so much on massive scale for its effect also had the energy to attend to such tiny details with so much precision.

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G Dan Mitchell Photography

Deserted Street, Orvieto

Dune Shadow

Eroded Layers

Detail, Duomo of Orvieto

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.