Yellow Doorway

Yellow Doorway
Yellow light in a doorway along a Manhattan sidewalk at twilight.

Yellow Doorway. © Copyright 2020 G Dan Mitchell – all rights reserved.

Yellow light in a doorway along a Manhattan sidewalk at twilight.

As we walked south from midtown to lower Manhattan on this winter day, afternoon turned to early evening, and down along the streets of the city, in the valleys between tall buildings, the light began to feel more and more like evening. As we walked I photographed, looking for light, color, and people that stood out to me. I made most of the photographs on the move, barely pausing long enough to make and exposure and then moving on.

I now barely remember making this exposure. I’m pretty certain it was somewhere in the vicinity fo Chinatown, and it may have actually been within the rough boundaries of that district. I de recall being fascinated — as I often am — by the patterns and textures of the roll-up doors on the closed shops, and by the warm yellow color of the doorway and the light emerging from it.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Avocet and Geese, Fog

Avocet and Geese, Fog
An avocet crosses a marsh in front of a flock of geese on a foggy winter morning

Avocet and Geese, Fog. © Copyright 2020 G Dan Mitchell – all rights reserved.

An avocet crosses a marsh in front of a flock of geese on a foggy winter morning.

The two types of birds in this photograph could hardly be more different that those in this photograph — geese (Snow geese, if I recall correctly) and a solitary American avocet. The snow geese are annual visitors on the west coast of North American, migrating down from the arctic each winter. Avocets, as I understand it, a permanent residents of wet areas like this one. These migrating geese almost always flock together in very large groups, while I typically see avocets alone or possible in very small, loosely bound groups. And while these geese appeared to be mostly… just hanging out, this avocet was quite busy at feeding.

Of course, the birds aren’t the only story here. Winter brings wetlands fog, and on this morning it was thick. It had been even thicker when I started photographing just before sunrise, so much so that I really wan’t able to photograph much until it began to thin a bit, allowing in a bit more light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Morning Clouds, Salt Playa

Morning Clouds, Salt Playa
Winter dawn clouds over Death Valley and the Panamint Mountains, reflected in seepage streams on the salt playa.

Morning Clouds, Salt Playa. © Copyright 2020 G Dan Mitchell – all rights reserved.

Winter dawn clouds over Death Valley and the Panamint Mountains, reflected in seepage streams on the salt playa.

Sometimes landscape photograph is almost easy and beautiful conditions, spectacular light, and wonderful subjects just seem to appear. It is a joy when it happens — and I think that when we imagine going into the field to photograph it is these conditions that we think of. The truth is more complex and often less exciting. There is the matter of travel to get from subject to subject. The best light and conditions are typically somewhat short-lived. It is fairly typical to spend many hours not photographing, perhaps waiting for light, traveling to a new location, or trying to figure out the best options. And sometimes the conditions don’t really cooperate.

I have understood this for a long time, but it was many years ago in Death Valley when the idea crystalized for me. On a weeklong shoot that had me traveling every day, I recall waking up one morning and realizing how much work was involved. And, yes, I got up, headed out, and found more wonderful subjects. On my recent mid-January visit the challenges were bigger than usual — often heavy overcast, atmospheric haze made it difficult to find what I was looking for. Even so, with patience and persistence I found myself in beautiful conditions more than once, as I did on this morning when clouds became transparent and then dissipated as the sun ruse over the salt playa.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Flower District, Manhattan

Flower District, Manhattan
Vendors work on sidewalk plant displays on a winter day in Manhattan’s flower dsitrict.

Flower District, Manhattan. © Copyright 2019 G Dan Mitchell – all rights reserved.

Vendors work on sidewalk plant displays on a winter day in Manhattan’s flower dsitrict.

We were in New York City for a week near the end of 2019, visiting family, doing the usual New York stuff, and staying at a hotel located at an intersection in the Manhattan Flower District. If you have visited Manhattan, you are probably familiar with at least some of the various districts, where those in various specific trades congregated — the garment district, the meatpacking district, diamond district, and so on. The idea was that resources were all in one place and everyone knew were to go to find these things. As I understand it, the character of many of these districts is changing, as it does in all large cities, and in some cases the designation is more historic than real these days.

But you can still most certainly find flowers in the Flower District, even if there are now hotels, lounges, restaurants, and fast-food joints among the flower sellers. Every morning as we left our hotel and every evening as we returned we passed by these businesses, traveling along a sidewalk lined with plants and blooming flowers, even though it was winter. Each morning crews were hard at work moving the stock out onto the sidewalks (as you see here) and in the evening it was all moved back inside again.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.