Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Winter Sky, Big Sur Coast

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Winter Sky, Big Sur Coast
Winter storm clouds, fog, and light along the Big Sur Coast of California

Winter Sky, Big Sur Coast. © Copyright 2019 G Dan Mitchell – all rights reserved.

Winter storm clouds, fog, and light along the Big Sur Coast of California.

The right kind of summer day along the Big Sur coast of Central California can be beautiful in every way. Imagine a morning with a bit of fog, mid-morning clearing, then brilliant sunshine and comfortably warm (sometimes even hot) temperatures, with a fog bank appearing offshore close to sunset. The ocean would likely be calm and — this is critical — you would probably stop along the way more than once, for coffee, for lunch, and perhaps for dinner.

As lovely as that sounds, it is my least favorite season along this coast. I prefer the changing and sometimes moody conditions of winter. The surf may rise to 30 feet or higher, storms may threaten to (or actually) close the main road, winds sweep across the tall headlands, whales pass close to the shore, and clearing weather may bring towering clouds. I made this photograph on the first day of March, when another Pacific weather front was just arriving, using a wide angle lens to include the sky above a bit of the headlands landscape.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: San Francisco, Photographs: Urban/Street

Wet Sidewalk, Shadows

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Wet Sidewalk, Shadows
Shadows and a man walking on a wet sidewalk, San Francisco

Wet Sidewalk, Shadows. © Copyright 2019 G Dan Mitchell – all rights reserved.

Shadows and a man walking on a wet sidewalk, San Francisco.

Street photographs come about in all sorts of ways. Quite often my approach is to locate an “urban landscape” composition and then wait for people to populate it. Sometimes I photograph without people in the scene at all. On other occasions the person may be the triggering subject, and instead of finding a person to fill the landscape I try to find a landscape to build around the person. In other photographs the primary objects may by colors or geometry. And often it all happens so quickly that there is almost no time to contemplate before making the photograph — do it now or it is gone.

This photograph brings a few of these threads together. It was most certainly one of those “no time to contemplate” photographs. As I walked down this street I realized that the sidewalk held both reflecting water and the angles of shadows. (Every time I see something like this I remember a particular winter photograph I made in New York City a few years back.) Both I and the subject were in motion, walking along this sidewalk in the direction of the Caltrain station, so almost without breaking step I raised the camera and managed to get one frame.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Storm Approaches

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Storm Approaches
Approaching storm, sunlight on water, clearing fog along the Big Sur coast

Storm Approaches. © Copyright 2019 G Dan Mitchell – all rights reserved.

Approaching storm, sunlight on water, clearing fog along the Big Sur coast.

While summer is the most popular time for tourists to visit California’s spectacular Big Sur coastline, I’d rather go there in the winter — which is just what I did today. This is the season of the most interesting and dynamic conditions — storms approaching and departing, big surf, clouds and mist, and the low sun reflecting on the water.

To be honest, I initially thought that I might get ahead of the next Pacific weather front, which was scheduled to arrive in the evening. The weather forecast was calling for partly sunny morning conditions, and I planned this little trip with that in mind. But as I headed south from the Carmel area it was obvious that there were plenty of clouds to the south and offshore. Here and there the clouds thinned enough to bring a bit of directional light or reflect off the surface of the Pacific, but overall the sky leaned in the “ominous” direction. I stopped briefly at this familiar spot to photograph this cliff descending steeply into the water, with a few thinning fog clouds dissipating along the ridge of the mountains extending to teh south.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: Germany, Photographs: Structures and Objects

Windows, Oblique Light

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Windows, Oblique Light
The shadows of windows in oblique lighting on a Berlin building

Windows, Oblique Light. © Copyright 2018 G Dan Mitchell – all rights reserved.

The shadows of windows in oblique lighting on a Berlin building.

You might regard this as “what happens when they let landscape photographers do street photography.” For me, street photography combines a bunch of possible components — the human element, the crystallization of a “moment,” the light and color and patterns, and the nature of urban landscape. I do think of the urban scene as a landscape, and in some ways — though not all! — I approach it that way. (Depending on how far you want to go with that thought… it does have “valleys,” and “faces,” and “peaks,” and even flora and wildlife.)

We had spent the day walking through parts of Berlin, starting at our hotel a way off from the central city, heading past the East Side Gallery area of the Wall, then walking back toward the central area of the Brandenburg Gate. As we got closer to this center we improvised a route that did not take the largest, most popular streets, and it a few places we ended up in rather non-touristy spots. I’d have to go back and consult a map to see precisely where this was photographed, but I was intrigued by the minimalist quality of the architecture, the shadows cast by the protruding window frames, and the contrast between the warm red-brown tones of the wall and the cool blue tones of the windows — and even a resonance with the landscapes of the American Southwest.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.