Curving Trees, Falling Snow

Curving Trees, Falling Snow
Snow falls among winter dormant trees in a Yosemite meadow

Curving Trees, Falling Snow. © Copyright 2018 G Dan Mitchell – all rights reserved.

Snow falls among winter dormant trees in a Yosemite meadow

I have known for a month or so that I’d be in Yosemite for the last full week of February. That lead-in month was a very strange one for California weather. We had virtually no precipitation, and warm temperatures often made if feel more like summer than winter. These are not happy conditions for wintertime photography in the park, when a lot of the plant life is dormant and when snow and storm clouds usually provide more interesting conditions.

But immediately upon my arrival — literally the first moments I spent in the Valley — the weather changed. Not only did winter weather return, but it did so with a vengeance, and temperatures dropped much lower than would be typical for the date. On most days of my stay there were at least some clouds and on several days there was snowfall. The day I made this photograph brought the most daytime snow. In the afternoon a weak front worked its way into the Valley, and there were periodic snow showers. I headed to a tree-filled meadow when this shower arrived, and there I photographed juxtapositions of the interestedly shaped trees silhouetted against the falling snow.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Winter Light, Granite And Snow

Winter Light, Granite And Snow
Winter sunset light on a granite face and distant mountains fade into falling snow

Winter Light, Granite And Snow. © Copyright 2018 G Dan Mitchell – all rights reserved.

Winter sunset light on a granite face and distant mountains fade into falling snow

I spent the last week in Yosemite National Park, as an artist-in-residence sponsored by Yosemite Renaissance. (Thank you!) I stayed in the Wawona area and made the drive to the Valley every day. It was wonderful to have a full week in the park and, especially, in the Valley. I spend a lot of time in Yosemite, but most of it is in the high country during summer and into the beginning of fall, so having this unbroken block of time in winter was a special treat. Making it even better, I got some weather luck. Recently California has again been in drought conditions, and last month we had record high temperatures that often felt more like spring or even summer. But I arrived to find cold (at times very cold) conditions, and a series of weak cold fronts brought snow to the Valley.

If I recall correctly, I had spent much of this afternoon photographing in the eastern part of the Valley, and as the weather closed in the light there began to die. I finished up my work in that area and prepared to depart for Wawona, but leaving enough to time to stop along the way should interesting light appear. In fact, further to the west the skies were trying to clear, and intermittent light made its way through breaks in the clouds to spotlight various areas. I stopped here and waited a few minutes, at which point almost the very last light of the day cut across the edge of the El Capitan monolith as the snow storm closed in on the upper Valley.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Layers, Contre-Jour

Layers, Contre-Jour
People sitting in Metropolitan Museum windows, plus worlds on both sides

Layers, Contre-Jour. © Copyright 2017 G Dan Mitchell – all rights reserved.

People sitting in Metropolitan Museum windows, plus worlds on both sides

This is yet another take on the scene in this room at the New York Metropolitan Museum, on a cold day when hordes of people went to a warm museum instead of wandering outside. The window faces south, into the midday and afternoon sun, and the window sills provided an inviting and warm place for people to sit. I spend a bit of time here and observed as people passed by, came in and sat down, and moved on.

There may be more going on here than is immediately apparent. The first impression is of a half-dozen people sitting in or near the windows, with outdoor backlight providing the illumination. (Hence the “contre-jour” indication in the title of the photograph.) But there are several other layers. In the far distance Manhattan buildings near the south end of Central Park, whose trees are providing silhouetted shapes below the skyline. There are also reflections from the interior of this room in the windows — keep in mind that elements near my camera position were front-lit by the windows. There is actually quite a crowd reflected in the windows, and if you look closely you can even spot the photographer.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Museum Windows, Shadows

Museum Windows, Shadows
Silhouetted figures, windows, and beams of light, Metropolitan Museum

Museum Windows, Shadows. © Copyright 2017 G Dan Mitchell – all rights reserved.

Silhouetted figures, windows, and beams of light, Metropolitan Museum

This is a second “take” on a location I photographed between Christmas and New Year’s Day last year, when we spent a week in New York. It was an exceptionally cold week, and on a few days we decided that we really needed to find indoor activities. (On other days we defied the cold and wind and walked all over Manhattan anyway.) One of the reliable options is a visit to a museum, so we headed to the Metropolitan, where we wanted to see the David Hockney show. You can’t see it in this photograph, but the museum was packed with other visitors who were also looking for a warm, indoor option.

We passed through this room twice, on our way to and from a section of the museum with relatively modern art that we wanted to view. This space is really essentially a very wide walkway, though I suspect that it could also be used for exhibits at times. The row of tall windows along the southern wall opened to Central Park and, further away, the Manhattan skyline. Lots of people took advantage of the wide window sills as a place to sit. The resulting effects of light were intriguing — backlit people in a variety of poses, the faint image of the park and city outside, and the alternative effects of shadows and reflections from the bright light streaming through the windows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.