Photographs: Europe, Photographs: Portugal, Photographs: Travel, Photographs: Urban/Street

Republica dos Kagados

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Republica dos Kagados
“Republica dos Kagados” — The well-worn front of a building in Coimbra, Portugal.

During our travels this past May (and early June) we spent several weeks in Portugal. We returned to Lisbon and Porto, but we also visited some new (to us) places, one of which was the town of Coimbra. It isn’t the same kind of tourist center as the other two, larger cities — tourists (like us) do visit, but Coimbra perhaps has a few more rough edges. That’s part of its charm.

The popular part of the town, it seems to us, lies between the river and the University, which is perched on top of the tallest hill. (If you walk in Coimbra — and you should — be prepared to do some climbing!) I do not know exactly what this building represents, but its weathered appearance, numerous posters and bits of graffiti, and name caught my attention. (Update: I did find some information on Republica dos Kagados — it is apparently some sort of historic student housing.)

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada

Morning Shadows and Symmetry

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Morning Shadows and Symmetry
“Morning Shadows and Symmetry” — The line between morning light and shadow descends a talus slope toward a lake, revealing mirror image symmetries.

Getting out of your tent before dawn isn’t easy when it is cold and dark outside and you have to leave a warm sleeping bag. But if you don’t rise early you miss some of the most sublime moments of the day in the high country. And, I promise, once you are up and about you’ll be glad that you made the effort.

On this morning it was almost too dark to photograph when I unzipped the tent, and for the first half hour or longer I photographed in the soft blue hour light. Eventually the first direct sunlight touched peaks high above me and gradually worked its way down the steep slopes toward “my” lake. (At about the time I made this photograph, my non-photographer backcountry partners were starting to awaken in their tents on the peninsula at the right.)

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Europe, Photographs: Portugal, Photographs: Travel, Photographs: Urban/Street

Window 15

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Window 15
“Window 15” — A window in a stone wall in the Alfama, Lisbon.

This is another photograph from our stroll through Lisbon’s Alfama district — the oldest part of the city, and a place of narrow, twisting walkways and steep hills. It is also an area with a history of poverty. Here a window is open to reveal plants growing in pots.

I have a theory about a difference between dwellings in places like this and in American suburbia. In the US, where people may have front yards, a few trees, and possibly a single-family dwelling, they use that front space to present themselves — decorating, maintaining, and designing it with appearance in mind. In places like Alfama, the opportunities to do this area far more limited — and my notion is that perhaps more attention is spent on the interior space and that front exterior is often left as is.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada

Evening Light, Trees

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Evening Light, Trees
“Evening Light, Trees” — Just before sunset, evening light slants across trees high in the Eastern Sierra.

In late July a group of us camped for two nights at a lake just east of the Sierra Nevada crest. The lake is at about 10,000′ of elevation, and peaks to the west tower almost 3000′ higher. That tall ridge (the Sierra crest) begins to block the direct light remarkably early, in some places an hour and a half or longer before actual sunset. To photograph the “late” light close to this ridge I had to start quite early!

I had a rough plan to start closer to the ridge and catch the last direct light there on this rocky rise, and to then work my way to the east, following that edge of the light. This was one of the first photographs I made, and you can see the alpine terrain beyond these trees growing in this rocky landscape..

Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.