Surf, Bluff, Sea Stacks

Surf, Bluff, Sea Stacks
Surf, a steep bluff, and sea stacks lead toward a foggy horizon, Big Sur Coast

Surf, Bluff, Sea Stacks. Big Sur Coast, California. May 1, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Surf, a steep bluff, and sea stacks lead toward a foggy horizon, Big Sur Coast

I sometimes forget how long this coast has been a part of my consciousness, but a visit or two quickly remind me. I have lived in the San Francisco Bay area since I was four-years-old. Weekend and summer visits to the Monterey Bay beaches and the tide pools of Point Lobos were regular events, and the effect of those visits remains all these years later — and all it takes is a quick visit to remind me of what it means to live this close to the Pacific Ocean.

On this first day of May I made a morning visit to the upper Big Sur coast, getting to some of the best parts before the inevitable weekend crowds arrived. It was a beautiful day, at first looking like it might turn out to be “yet another blue sky day,” but soon becoming more interesting, at least from the photographic point of view, as thin fog began to form just about the meeting of the ocean and land. When I made this photograph looking south down the coastline, it was still early enough that the bluffs and coastal mountains cast shadows along the surf line.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Rocks, Wave, Horizon

Rocks, Wave, Horizon
Shoreline rocks, an incoming wave, and the Pacific Ocean horizon on a gray morning

Rocks, Wave, Horizon. Coastal California. May 13, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Shoreline rocks, an incoming wave, and the Pacific Ocean horizon on a gray morning

I knew I wanted to photograph today, but the conditions in the Bay Area were perhaps less than inspiring, at least for the subjects I had initially thought to explore. It was a gray morning all up and down the coast and the high fog extended well inland, producing lots and lots of flat light. I stalled for a bit and then, after reading a weather forecast offering the hope of some breaks my late morning, I headed over the hills to the coast and began to work my way north from the Santa Cruz area. Some days the photographs just seem to appear almost of their own accord, but this was not going to be one of those days.

There are several ways to deal with this eventuality. One is, of course, to give up and go home — and, in truth, sometimes that is the most reasonable choice. There will always be another day with better conditions. A second option is to continue to look, holding out hope that something special will eventually happen. (I can tell plenty of stories of unpromising conditions that offered up astounding light surprises.) A third is to look for some completely different subject. For a moment today I thought about doing some urban photography. A fourth — and this may be the best in the long run — is to try to “see” the conditions as they are and find some way to photograph them, perhaps even going with the gray, so to speak. So that is what this photograph is — a very simple and quiet image that perhaps reflects the nature of this day.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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First Light, Cottonwood Mountains

First Light, Cottonwood Mountains
First dawn light descends the eastern face of the Cottonwood Mountains and touches the desert floor

First Light, Cottonwood Mountains. Death Valley National Park, California. March 30, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

First dawn light descends the eastern face of the Cottonwood Mountains and touches the desert floor

A morning like this on the desert flats, surrounded by arid and rugged mountains, waiting for the sun to rise, is very special. We arrived in the dim, pre-dawn light and set out across the flats toward the edge of dunes, passing across scrubby desert plants and over rocky and sandy ground, listening to the steady crunching of footsteps in the silent landscape. We probably should have started a bit earlier, but we lingered a bit too long over coffee, and as we approached the edge of the dunes the sun began to move down the face of the mountains to the west.

The light on the mountains  was set off against a sky darkened by the clouds of a passing weather front, and thin clouds intermittently shadowed the dawn light. It worked its way down from the ridges to the base of the mountains and then it very quickly began to light the terrain around us, first with gently cloud filtered light and soon more intensely. We quickly stopped walking and looked around for any nearby subject that might serve as a canvas for this light — I found a few long plants nearby growing in sand and moved to position them in front of the mountains as the soft light touched them.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Cliffs, Ocean, Fog

Cliffs, Ocean, Fog
Cliffs, Ocean, Fog

Cliffs, Ocean, Fog. Big Sur Coast, California. May 1, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Rugged cliffs drop into Pacific Ocean surf along the foggy Big Sur coastline

In some ways, cliffs like these are a “dime a dozen” along the California coast — and isn’t that wonderful!? From the north to the south, with the exception of places where the land drops right down to the ocean, spectacular headlands are almost the rule. If you don’t see them where you are at the moment, a reasonable drive north or south should find some.

This set of headland bluffs, dropping abruptly to the edge of the great Pacific Ocean, is located on the upper Big Sur coast along the Pacific Coast Highway south of Monterey. I’m fortunate to live a short drive away, and this time I had headed down that direction in the morning, initially planning to visit a particular spot but spontaneously modifying my plans when I saw the combination of surf and fog forming along the cliffs. Since I know this spot well, I only stopped briefly, but I knew I wanted a photograph of this morning-shadowed terrain marching off to the south.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.