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Moving Water

Moving Water
A small wave crosses kelp and sand in shallow water at the Pacific Ocean shoreline.

Moving Water. © Copyright 2022 G Dan Mitchell.

A small wave crosses kelp and sand in shallow water at the Pacific Ocean shoreline.

This is the second of a pair of somewhat abstract water photographs I made on a quick visit to the California coast last week. I just had a few hours, so I went up the coast from Santa Cruz to Half Moon Bay, then over the coast range and returned to Silicon Valley. It was an “extremely typical” day in this part of the world, by which I mean that the conditions were “typical” (cool and foggy) for this time of the year, but even more so to the point that I encountered coastal drizzle heavy enough to feel like rain.

I paused at one overlook high above the Pacific, hoping to photograph pelicans that often coast past on updrafts from the incoming ocean winds. I just missed oen flock as I arrived, but I quickly attached the long lens and… waited… for the next flock… which never showed up. Since I had that lens on the camera I decided to point down rather than up and photograph the shallow water at the edge of the ocean far below.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Lake, Trees, and Mountains at Dawn

Lake, Trees, and Mountains at Dawn
A quiet morning at a High Sierra backcountry lake in Sequoia National Park.

Lake, Trees, and Mountains at Dawn. © Copyright 2022 G Dan Mitchell.

A quiet morning at a High Sierra backcountry lake in Sequoia National Park.

As is often the case, one thing leads to another, and I sometimes end up in a place I did not anticipate. I saw a question online about a particular sort of landscape subject, and I immediately thought of a photograph of mine that was related to that discussion. But after finding my photograph and thinking how it might inform that discussion… I decided not to share it. But looking for that photograph sent me back into an archive of photographs from a wonderful trans-Sierra pack trip I made almost fifteen years ago — and that’s where I found this photograph. (Perhaps not surprisingly, I’m now revisiting that entire archive!)

That trip was a wonderful one. A small group of friends(1) spent almost two weeks on the trail, crossing the range from west to east. On such a long trip some days are devoted to just moving onward toward the eventual goal, and this was one of those days. We selected this camp location because it was conveniently located along our route. This lake is not what I regard as an alpine spectacle — instead it is a quiet place, and a fine spot to just slow down for a moment. I was up early the next day to photograph the first light on nearby peaks in the morning quiet.

1 — Bonus photo! Here’s a picture of our little gang on the summit of Mount Whitney near the end of the trip.

Talusdancers on Mount Whitney, 2008
The Talusdances on the summit of Mount Whitney, August 11, 2008. (L-R: Ernie, Caroline, Owen, Emily, Steve, Dan)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Monterey Cypress, Fog

Monterey Cypress, Fog
A gnarled Monterey Cypress tree tops a rocky promontory on a foggy morning and Point Lobos.

Monterey Cypress, Fog. © Copyright 2022 G Dan Mitchell.

A gnarled Monterey Cypress tree tops a rocky promontory on a foggy morning at Point Lobos.

Finally, this should be the last in the four-photograph series of images that focus on this gnarled and weathered tree standing on top of a rocky prominence along the exposed north shore of Point Lobos. The tree is always impressive, but I was fortunate to catch it on a morning when persistent coastal fog was thinning and creating glowing light that was just slightly directional.

Of the four interpretations of this scene, this one fits with the earlier portrait-mode version as one of the two most conventional views. In both cases the tree is clearly the primary subject, more tightly framed in the portrait mode interpretation and including a bit more background in this landscape mode version. (The other two used wider formats and included additional elements of the larger scene — a clearer view of the white rocks and cormorants in one case, and some nearby trees in the other.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Clearing Coastal Fog

Clearing Coastal Fog
Morning coastal fog begins to break up over the Pacific Ocean off the California coast.

Clearing Coastal Fog. © Copyright 2022 G Dan Mitchell.

Morning coastal fog begins to break up over the Pacific Ocean off the California coast.

Conditions were both odd… and very normal for June on this recent visit to the Pacific coastline between Santa Cruz and San Francisco. The odd? In some spots the drizzle was heavy enough to almost count as rain, something quite unusual in these parts of California in June. The usual? We have a term for it here: “June Gloom,” when the influence of cooler ocean waters creates a lot of coastal fog, often sufficient to spread inland throughout the Bay Area.

The three things that will usually bring me to the coast to photograph are fog, a storm, and/or high surf. This was obviously a foggy day, and my general strategy is to photograph in the moody, murky fog until it begins to clear. At that point I chase the fog line, where all kinds of wonderful things happen with light and color. The blue of the sky intensifies the color of the water, and the contrasts grow between shaded ocean and the places where it is either still in fog or catching the first sun.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.