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Two Peaks, Aspens

Two Peaks, Aspens
“Two Peaks, Aspens” — Two peaks surrounded by autumn aspen forest.

When I became aware of the Eastern Sierra Nevada autumn aspen color spectacle a few decades ago, I became obsessed. I traveled there every autumn over a period of several weeks, often visiting three or more times, and photographing up and down the range. I got to know this subject quite well — so well that I eventually was asked to write a book about it! I still love those trees during fall, my favorite season in the Sierra. However, as the area became more popular I began to look to other areas besides the Sierra.

This photograph comes from one of many areas east of the Sierra where you can find fall color. I first spotted this general location years ago on a drive through a section of high desert, and wondered how to get up there. I figured it out before long, and on my first visit I found vast forests of aspens and great long views of the Eastern Sierra. As I continued to explore I found even more color, often in places that are barely visited.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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The Quiet Pacific

The Quiet Pacific
“The Quiet Pacific” — The Pacific Ocean on a quiet, overcast morning on the Big Sur Coast.

There is not a lot happening in this photograph. In fact, the scene was as close to static as ocean scenes can be. It can be quite dramatic and dynamic here, especially if the sun is out, a big swell is generating high surf, the wind is blowing, and wildlife is present. But on this unexpectedly foggy morning it was quite still and most of the tourists were still sipping coffee back in town.

The location is a very high overlook along the Pacific Coast Highway south of Carmel. Several things intrigued me about the scene on this morning — not just the unusual stillness. The boundary between the ocean and sky was muted by the fog bank, and the light was soft and gray. A mysterious line of foam led from the foreground rocks far out into the ocean.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Aspens and Evening Shadows

Aspens and Evening Shadows
“Aspens and Evening Shadows” — Long evening shadows creep across aspen groves in the Eastern Sierra Nevada.

This photograph comes from one of those evenings when I almost packed up and left too soon. At this location there is beautiful late afternoon back-light on aspen groves in the fall, but then the sun quickly drops behind higher peaks and “turns out the lights.” That had already happened on the trees that were my primary subject, and I thought it was time to leave. But hen I noticed that the long shadows from the peaks were stretching across the trees and the rolling hills of this Eastern Sierra landscape.

It is hard to know when to stick around to see what will happen versus when it is time to move on to a different subject. I wish there was a simple rule to apply to this conundrum, but I’ve never discovered it. Sometimes staying is the right choice, but sometimes I stick around and the light just… goes away. And, of course, sometimes when I move on I do encounter something remarkable that I might have missed. However (you saw this coming, right?) I’ve also driven or walked away to look for a better subject only to be stumped.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Alpenglow, Dissipating Thunderhead

Alpenglow, Dissipating Thunderhead
“Alpenglow, Dissipating Thunderhead” — An afternoon thunderstorm dissipates above developing alpenglow on Sierra Nevada peaks and flower-filled meadow, John Muir Wilderness.

I remember this evening well. I’m not always sure why, but the details of certain specific days in the Sierra stick with me. As I recall, it was a quiet evening well into our weeklong stay near the lower end of this high basin. We were relaxed and enjoying the spectacle of large storms dissipating to our south as the evening approached.

These peaks and ridges and this meadow were our friends for that week, and we saw them in diverse conditions and light. Even though it was late summer, the wildflowers peaked near our arrival and were perhaps just beginning to fade. We viewed and photographed that ridge in morning and evening light, on days that were clear and when the view was obstructed by haze, clouds, or rain.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

Scroll down to share comments or questions. (Click post title first if viewing on the home page.)


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.