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Trees and Pasture, Central Valley

Trees and Pasture, Central Valley
Trees and Pasture, Central Valley

Trees and Pasture, Central Valley. San Joaquin Valley, California. December 11, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Hazy light in clearing tule fog on solitary trees in California Central Valley pasture land

This is another in a series that might perhaps be called “accidental landscapes.” We were actually at a wildlife refuge not to photograph landscape subjects but to photograph migratory birds – mostly geese, herons, ibises, cranes, egrets and the like. Part of that activity involves driving around trying to find the darn critters! And sometimes during these drives my eyes wander over to something that is much more like a landscape than a bird. I have photographed this very tree in the past, most recently a matter of weeks earlier when I shot it from a slightly different angle that made it appear more isolated, and when it was full of a flock of red-winged blackbirds.

The first thing that attracted my attention this time was something small, the bit of warm side-light on the trunk of the foreground tree. Seeing that, I wondered how I might come up with a composition that made sense and included this little feature. First, I wanted this tree to fill a good portion of the frame. However that seemed a bit too straightforward, so I just moved around a bit until the more distant near-twin tree was just to the left of the foreground tree, being careful to not let them overlap. The photograph was shot handheld, with the same lens that stayed on my camera all day long, a 100-400mm zoom. We moved on and soon found lots of Ross’s geese on the far side of this pasture.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Red on White, Sandstone

Red on White, Sandstone - A vestigial layer of red sandstone forms small, layered mounds atop patterned white rock, Zion National Park
A vestigial layer of red sandstone forms small, layered mounds atop patterned white rock, Zion National Park

Red on White, Sandstone. Zion National Park, Utah. October 22, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A vestigial layer of red sandstone forms small, layered mounds atop patterned white rock, Zion National Park

All over the southwest, where various layers of sedimentary rock meet, it is possible to find odd and surprising juxtapositions of the different layers. In many places a bit of a higher, harder layer will remain above the softer material below, creating hoodoos and mushroom-shaped structures. Sometime the upper rim of a canyon will be lined with a layer of the harder rock, while there is a steep drop-off below. Here, bits of the darker read sandstone, with different types of layering and different texture, sit on top of the smoothly curving and finely layered underlying lighter rock.

I had seen this spot in Zion in the past – it isn’t all that hard to find – and even photographed it from a greater distance and different angles. This time I decided to approach more closely, walking out on the wave-like formation of the lower, lighter rock and passing around these small reddish prominences. I made this photograph on the same day I made many of my other most recent Zion photographs, a day when the light varied tremendously due to winds and cloud cover. One moment this spot was hit by brilliant sunshine, and a moment later it was in shade – and the changes did not always synchronize between the near and far elements. I made this photograph during a moment when the direct sun was largely muted by passing clouds.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Ross’s Geese, Tree and Marsh

Ross's Geese, Tree and Marsh
Ross’s Geese, Tree and Marsh

Ross’s Geese, Tree and Marsh. Central Valley, California. December 11, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A thick flock of Ross’s geese flies above a marsh and a solitary tree in California’s Central Valley

After a full morning (and then some!) of photographing mostly Ross’s geese at a Central Valley wildlife refuge, we took a short break for a mid-afternoon lunch and then hurried back to the refuge by about 3:30 for evening photography. One of the last things we did before taking this break was to briefly assemble at the main overlook near the entrance to the refuge, where we were a bit surprised to see lots of geese settling in on one of the nearby ponds, and from which we could look back and see still more geese at the edges of the pasture where we had been photographing them.

As is often the case on a tule fog day like this one in the Central Valley, while the fog did “clear,” the general haziness never did completely go away. Instead the atmosphere remained mildly opaque, and it glowed in the late afternoon sunlight. Looking west, it was almost hard to see into this glow, but that is the direction we looked to see the pond and beyond it some isolated trees and the wetlands disappearing into the distance. Behind us, back on that pasture, the flock suddenly lifted off all at once and the birds made a large loop or two around us. I could see that they were likely to pass by the far edge of this pond and by the silhouetted tree, so I did a “landscape on the fly,” shooting handheld with a 100-400mm zoom as the birds came into the composition that I quickly found.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Trumpeter Swans and Clouds

Trumpeter Swans and Clouds Trumpeter Swans and Clouds
Trumpeter Swans and Clouds Trumpeter Swans and Clouds

Trumpeter Swans and Clouds. Skagit Valley, Washington. December 3, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Four trumpeter swans on a raining day in Skagit Valley, Washington

I visited the Seattle area in early December for mostly non-photographic purposes, but found myself with with an open schedule on the day when my departing flight was not scheduled to leave until evening. I wasn’t about to pass up the opportunity to do some photography, so I considered street photography in downtown Seattle (plus a museum visit). Then I remembered that I had shot in Skagit Valley last year at roughly the same time and had found lots of interesting birds to photograph – trumpeter swans, eagles, snow geese, and more.

On this trip I wasn’t exactly equipped for bird photography, at least not the sort I would usually do, but I did have a 70-200mm zoom and I know it is possible to make interesting bird photographs with such a lens. So I was up fairly early for the one hour drive north. It rained off and on during my drive, and it was still mostly cloudy and gray when I arrived to find trumpeter swans in their usual spots on the winter fields. (Later I would also find some snow geese, but I’ll save that story for now.) Typically, I would photograph this subject with my 100-400mm zoom, but having nothing longer than 200mm in my bag, I had to think a bit differently about how to photograph these birds. Several strategies worked. One was to use my rental car as a “blind” and slowly and carefully position myself where they might be close enough to photograph with that lens. Another approach was to basically shoot landscape, but include the birds in the scene. The third option, used in this photograph, was to find a spot along one of the country roads where the birds were likely to pass directly overhead or nearly so and wait. These birds have a style of flight that somehow reminds me of a very large jetliner. The use a very low angle take-off, seeming almost as if they are too massive to climb much faster. But once in flight they are beautiful and graceful with their long necks and generally smooth mode of flight. In this photograph I watched as they passed in front of darker rain clouds before making the exposure, isolating the birds against the clouds and with no frame of reference on the ground.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.