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Eureka Dunes and Last Chance Range, Morning

Eureka Dunes and Last Chance Range, Morning - Morning light on the Eureka Dunes and the hills of the Last Chance Range, Death Valley National Park.
Morning light on the Eureka Dunes and the hills of the Last Chance Range, Death Valley National Park.

Eureka Dunes and Last Chance Range, Morning. Death Valley National Park, California. January 6, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Morning light on the Eureka Dunes and the hills of the Last Chance Range, Death Valley National Park.

While I love – who doesn’t? – the golden hour light on the desert dunes and hills and valleys, I also like to seek out the subtler and more “atmospheric” effects that are often frequently seen in this terrain. I had spent the (very cold!) night alone out here in Eureka Valley. I woke up fairly early, though with the sun having to rise past the ridge of the Last Chance Range, the light did not come early. I soon packed up my camp – which largely meant rearranging stuff in my vehicle – and before long started the drive out toward Lone Pine and my trip back home over Tioga Pass.

But first I planned to stop just a ways away from the camping area so that I could use a long lens to photograph the dunes against the background of the higher surrounding peaks. By the time I did this it was after 9:00 a.m. and the early morning golden hour light was long gone, replaced by the soft and hazy bluish light that is more typical during daylight hours. However, the sun was still low enough to glance across the dunes at a fairly low angle and to backlight the dunes and the mountains behind them. The idea here was to juxtapose some of the different textures, lines, curves, and angles of this landscape – the curving forms of the dunes near the bottom of the frame, the sharply delineated sunlit ridges of the upper dunes, the faint view of jagged and stratified rocks in the low peaks beyond them, the further ridge inclining the opposite direction from the dunes, and the much fainter texture of the huge valley in the distance.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Migratory Birds, Ponds, Pre-Dawn Light

Migratory Birds, Ponds, Pre-Dawn Light - Large flocks of migratory birds stand in ponds and take to the sky in predawn light.
Large flocks of migratory birds stand in ponds and take to the sky in predawn light.

Migratory Birds, Ponds, Pre-Dawn Light. Central Valley, California. January 28, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Large flocks of migratory birds stand in ponds and take to the sky in predawn light.

I almost didn’t stop to photograph these birds and this scene. I had just driven close to two hours to meet a friend and photograph in this area, and I was running late. (It is a long story involving an early alarm, someone sleepily turning the alarm off as to not wake his spouse, and that same someone beginning to form a vague thought that an alarm should have gone off or something, and then looking at the clock and realizing that it was now nearly one hour later than planned.) I turned off the main highway and called my friend to see where he was and then started down Woodbridge road to his location. Within a minute or see I passed an official-looking viewing spot, saw a bunch of other photographers, thought about stopping, but decided to continue on.

Shortly after this – probably within a matter of seconds – I passed by these flooded fields and saw huge number of birds, sandhill cranes and who knows what others, crowding the ponds in numbers I had not seen before. I quickly pulled over, assembled some camera stuff, all the while listening to the absolutely astonishing sound of thousands of migratory birds greeting the dawn. As amazing as the visual spectacle of these birds can be, I am at least as impressed by the wild sounds that they make, especially when assembled in these huge flocks. In any case, I quickly attached my long lens to my camera and my camera to the tripod and lined up a shot out over the ponds and towards the deeply colorful predawn sky just as flocks of birds took off and strung out across the sky.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Death Valley Buttes, Morning

Death Valley Buttes, Morning - Early morning light on the summit of the Death Valley Buttes, with the Panamint Range in the distance, Death Valley National Park, California.
Early morning light on the summit of the Death Valley Buttes, with the Panamint Range in the distance, Death Valley National Park, California.

Death Valley Buttes, Morning. Death Valley National Park, California. January 3, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Early morning light on the summit of the Death Valley Buttes, with the Panamint Range in the distance, Death Valley National Park, California.

I found several things in this scene that I often look for in Death Valley, or in other similar places for that matter. I’m always intrigued by the small plants that grow along these very barren and rocky areas, sometimes – as here – along with a few cacti. And of course it is hard to resist the golden early morning light, especially when it is juxtaposed with one of my favorite subjects, more distant mountains somewhat obscured by haze. On top of that, I liked the almost abstract shapes of these forms and combination of the warm sunlight on the foreground hills and the cooler, blue-tone light beyond.

I made this photograph on a morning when I really did not have a specific shooting plan, or perhaps I might say that I had a “negative plan” defining what I was not going to photograph – I set out to not go to some of the familiar and more iconic locations in Death Valley, on this morning and to some extent on this trip. So I ended up on a road that eventually crosses the Amargosa Range and heads off toward Beatty Nevada. I knew I was looking for some sort of juxtaposition of the forms on the outcroppings and buttes up higher on the large gravel fan in this part of the Valley and I knew that I wanted to photograph the early light – but exactly where to do this was not clear. As I drove I passed some promising locations and finally stopped at a pull-out near this site, put on a long lens, and made this and several other photographs from this spot.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Levee, Fog, and Sandhill Cranes

Levee, Fog, and Sandhill Cranes - A row of sandhill cranes pass above a levee on a foggy winter morning, Central Valley of California.
A row of sandhill cranes pass above a levee on a foggy winter morning, Central Valley of California.

Levee, Fog, and Sandhill Cranes. Central Valley, California. January 28, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A row of sandhill cranes pass above a levee on a foggy winter morning, Central Valley of California.

This is yet another photograph in which my landscape photographer brain perhaps took over from my wildlife photographer brain. I wrote elsewhere that even when I shoot wildlife, I often catch myself thinking about the landscape in any of several ways. While the birds are overhead, I’m purely in wildlife photographer mode, but during pauses in the action my eyes drift off to fix on elements of the landscape that might make interesting photographs.

Sometimes I put the two together and use a technique that, perhaps oddly, I also apply when doing some kinds of street photography. In essence, I think about what I can control in the scene, namely the fixed landscape elements, and I more or less create a composition with a “hole” in it where transient elements like birds might fit. Now I obviously have no control at all over what the birds will do or when and where they will pass through the frame, so there is an element of chance in all of this. Using a zoom lens helps, in that I can quickly reframe the scene if the birds happen to be lower or higher when they pass by. Needless to say, there is a lot of waiting involved, some of it which could be slightly frustrating as birds fly past just above the frame or too far away, or too low. But every so often they do pass though in an appealing location. To further blur the landscape/wildlife photography lines, I frequently do what I did in the sequence of images from which this frame comes – I pan with the camera on the tripod as the birds move along. In this case, I have to make instant landscape decisions as the background, formerly-fixed elements are now moving in the frame. Yes, landscape photography as an action sport!

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.