Tag Archives: arch

Photographs: France, Photographs: Travel, Photographs: Urban/Street

Wall, Rue de Braque

Image August 26, 2019 G Dan Mitchell Leave a comment

Detail of a wall next to sidewalk on Rue de Braque, Le Marais, Paris.

I photographed this little vignette while walking around Le Marais in Paris during our visit last summer. We stayed on the edge of this historic district of old buildings and very narrow streets, and we had lots of opportunities to walk everywhere. I’m happy to simply wander here, looking and seeing what shows up.

The street name caught my attention, of course, and to my eye (which is not profoundly sophisticated when it comes to art history) the color palette and the shapes brought to mind the work of the artist himself. I would usually choose to photograph in earlier or later soft light, but I’ve learned to like the start summer light here, too.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Headlands, Surf, Natural Bridge

Image January 7, 2019 G Dan Mitchell Leave a comment

Storm surf raises spray among rocky headlands along the Big Sur coast

This is a scene that is very familiar to me at this point, though it is never exactly the same twice. Even when I try to resist the urge to rephotograph the familiar scene, I almost always end up stopping at least briefly. One reason is that I recall fondly the serendipitous story of the first time I photographed there. I had gone somewhere else initially, but it was too early for that location so I decided to go somewhere else before returning. I made a more or less random decision to head south — I think that a right turn was easier than a left — and headed down the coast to discover, to my surprise, that the surf was raising a cloud of spray along the shoreline. I happened to stop at this spot and I happened to have a new lens, without which the particular photograph would not have been possible.

Above, a mentioned that this location is never the same twice. I’ve been there in every season, during storms and fog and clearly, sunlit days. On the occasion when I made the photograph seen here it was rather nice weather, but the sea was angry, with swells of up to forty feet rolling onto the rocks and headlands, raising fog of ocean spray that was backlit by the low angle, late-autumn sun. I timed this exposure to be just after a big set of waves, and while the surf had calmed a bit the spray still filled the air.

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Photographs: Austria, Photographs: People, Photographs: Travel, Photographs: Urban/Street

Child In The Street

Image November 16, 2018 G Dan Mitchell Leave a comment

A toddler walks in the street in front of arches, Vienna

There are probably multiple ways to think about this photograph. It is, obviously, a photograph of a small child in a roadway. Is the child actually alone? Why is he/she in the street? Why did I make a photograph rather than running to protect the child? I’m not going to answer those questions here — partly because I think it is better to let the viewer wonder, and partly because there is no scandal in any of the actual answers. But questions remain? What IS this child doing? What, if anything, does this mean?

On a practical note, this is an example of the sort of photograph that would be pretty much impossible to make using the equipment or techniques of my landscape and similar photography. A scene like this happens instantaneously, usually with little or no warning, and it is gone almost as soon as you see it. For this sort of thing I work with a small handheld camera with a prime lens, which lets me respond to such scenes almost without taking (much) time for conscious thought.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: People In Landscape

Hiker, Desert Canyon, Natural Bridge

June 2, 2018 G Dan Mitchell Leave a comment

A hiker passes under a natural bridge in a Death Valley National Park canyon

Timing seems to matter a lot when photographing and hiking in Death Valley. A whole range of factors come into play: distances between locations, times of day with best light, concerns about temperature, and so on. Over the years I have come up with the rough outlines of a daily schedule — which I frequently violate! — to adapt to the general patterns. I usually start the day with a pre-dawn and sunrise location, and then move to a second early to mid morning place. In many cases I take a midday break — when camping I use this to lounge around camp, eat, nap, or else to drive to more distant spots — Then there is often an afternoon location, followed by a sunset and early evening spot. The dawn and sunset angle is probably obvious to most readers, but what about the mid-morning and afternoon spots? These are often in canyons, which can be a bit too dark at the edges of the day, but which often get nice light a bit after sunrise and before sunset. Bonus benefit: they produce shade during hot parts of the day.

On this day we were using this plan, so we took a mid-morning hike up this narrow canyon, enjoying the opportunities to escape the direct sun and the beautiful light in the bottom of the canyon, as it bounced down from above and between the canyon walls. Here a hiker (my wife Patty) went ahead of me beneath this big natural bridge and headed on towards the mouth of the canyon not far beyond.