Tag Archives: atmoshpere

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Badlands, Desert Valley

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Badlands, Desert Valley
The view across eroded badlands hill and up a broad wash toward desert mountains.

Badlands, Desert Valley. © Copyright 2023 G Dan Mitchell.

The view across eroded badlands hills and up a broad wash toward desert mountains.

This scene has intrigued and challenged me for quite a while, and this is certainly not the first time I have photographed it. I is near an area where I frequently photograph in Death Valley, and for a variety of reasons I typically arrive at this spot after completing work in nearly locations. The view opens suddenly from a high perspective at a turn in the route, and I hardly ever pass without stopping.

As can be the case in the desert landscape distance, atmospheric contact, lighting, and subjects of low contrast are both pluses and minuses. Landscapes that may look well-defined in person are not always easy to translate to a photograph. This time I decided to render this subject in monochrome, which gives me more control over some of these parameters and try to register the depth of the scene.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Dunes, Sandstorm

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Dunes, Sandstorm
Diffused light and atmosphere as a sandstorm rises above desert dunes.

Dunes, Sandstorm. © Copyright 2013 G Dan Mitchell – all rights reserved.

Diffused light and atmosphere as a sandstorm rises above desert dunes.

This photograph comes from a memorable early spring visit to Death Valley National Park back in 2013. (I know… what visit to Death Valley isn’t memorable, right?!) This day brought a fairly big sandstorm to the Valley, and I worked on photographing it in different locations and in a variety of ways — trying to focus on the atmosphere itself, on subjects made nearly opaque by the dust and brilliant light, attempts to capture the power of the dust-laden wind. This photograph perhaps comes closer to most of them in representing a subject that might be recognizable.

Photographing in these conditions is quite an experience, one that I’ve had more than a few times. On one hand, the scene can be overpowering and quite astonishing. Typically, aside from heat, these desert scenes can seem quite benign, mostly nearly static and quiet — in fact, immense stillness and quiet are among the most characteristic qualities of the desert landscape. But when such storms arise the experience is completely different and quite overpowering. It becomes difficult — sometimes bordering on impossible — to do much besides hunker down and wait for the conditions to subside.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Cove, Haze, Evening Light

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Cove, Haze, Evening Light
Cove, Haze, Evening Light

Cove, Haze, Evening Light. Big Sur Coast, California. July 24, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Hazy sunset light on a small cove and successive ridges along the Pacific Coast Highway

The California Big Sur coast along the Pacific Coast Highway is a place of extraordinary beauty, but also light and conditions that change on a scale ranging from daily to seasonally. Summer often brings a lot of fog — enough fog to sometimes perplex and disappoint visitors who have seen photographs of beautiful summer vistas and imagine that they are the norm. They aren’t. Summer is the season of almost daily fog here. Fall and winter are more likely to provide those vistas, especially between the passage of great Pacific storms that sweep the atmosphere clear of fog and which may bring dramatic clouds. The “off-season” is also the time of the most impressive seascape, as those same winter storms can bring very high surf.

The foggy time of summer does have its attractions, especially when you become aware of the daily cycles. It is often foggy early in the morning, but the fog usually clears back to and beyond the coast later in the day. Photographing in the fog is special, though it can require you to look at the landscape in quite different ways. But as the fog clears you can follow the edges of the fog and light and discover all sorts of interesting and dynamic conditions. Once the fog does clear, the atmosphere often remains somewhat hazy. I know that some people think they want perfectly clear air, but I’ll take a bit of atmospheric haze over perfect clarity almost any day! This was a day of such haze, and very late in the day it began to glow in golden hour light and obscure the farthest parts of the seemingly unending series of Big Sur ridges dropping to the sea.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Dawn, San Francisco Bay

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Dawn, San Francisco Bay
Dawn, San Francisco Bay

Dawn, San Franicsco Bay. San Francisco, California. March 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Dawn light, fog, and high clouds over the northern shoreline of San Francisco Bay

This early morning late-winter view of San Francisco Bay looks back to the east from the Marin Headlands. The morning had started with somewhat murky conditions—high clouds above, atmospheric haze over the bay, and for along the San Francisco waterfront and across the bay toward Oakland. I was hoping for color, but the moment of sunrise was a bit disappointing in that regard. The probably was some color, but it was muted by the high clouds and haze and it happened mostly behind that fog bank floating above the East Bay.

But soon the high clouds began to pick up some color, and this pinkish glow reflected down towards the water, the fog, and the haze, gently coloring the scene. I thought that I might break up the many horizontal layers of light and color by including a it of the foreground land, and I experimented with several compositions: one that centered Angel Island in the scene, one that caught a bit of the edge of Angel Island and a bit of the Tiburon shoreline, and then this one which just included a bit of the north bay shoreline instead. Having watched so many sunrises, I still am struck by how this visual beauty arrives without a sound.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.