Tag Archives: atmosphere

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dusk, Death Valley Ridges

April 13, 2011 G Dan Mitchell Leave a comment

Dusk light on ridges above Death Valley, California.

This photograph was made in the evening from Aguereberry Point, high in the Panamint Mountain Range along the west side of Death Valley. The point is a spectacular overlook with panoramic views in all directions. The number of visitors is relatively low since it is at the end of a gravel road and is a good long drive from most of the places where people tend to stay when they visit the park. It is also windy!

(Those who read the brief technical information about the photographs might wonder at my use of ISO 400 for a landscape photograph – but when shooting at 400mm in windy conditions, a lower ISO makes it darn near impossible to deal with camera vibrations.)

The range of lighting conditions and effects as the day comes to an end at Aguereberry Point is tremendous. To the west (roughly behind me and over my left shoulder as I shot this photograph) the sky is very bright as the sun drops towards the distant Sierra Nevada. Below the Valley and the canyons along the mountains on either side gradually dim and become hazy. As the sun drops and is blocked by intervening peaks and mountain ranges, even the higher peaks and ridges take on these subtle and pastel shadings. It probably isn’t too important to identify the specific ridges in this image, but they are to the northeast of the point. The nearer ridge is along the west side of the Valley (probably part of the Tucki Mountain complex) and the further ridges are a much greater distance to the northeast across the upper Valley.

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Photographs: Northern California, Photographs: San Francisco

Richardson Bay, Morning

February 23, 2011 G Dan Mitchell Leave a comment

This photograph was shot from essentially the same position as the previous one, a black and white photo of the same vista, though with shorter focal length. I used a longer focal length here to try to enlarge to closer elements and leave out some of the stuff along the edges, and to minimize the amount of sky to some extent. I liked the color version of this – it was hard for me to think about giving up the nice overall blue haze, but even more to give up the was of light on some of the green grassy areas at the bottom of the frame.

There is quite a bit of stuff in this image, so let me describe what you see. At the bottom of the frame are hills above Marin City. Beyond the foreground hills you see Richardson Bay, which is an arm of San Francisco Bay near the entrance to Golden Gate. Across the bay we see the hills of the Tiburon Peninsula and beyond that looms the peak of Angel Island. In the distance and across San Francisco the buildings of downtown Oakland are visible through the low level backlit morning haze. Beyond are the East Bay Hills and the furthest peak is Mount Diablo, all the way out past Concord.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Northern California, Photographs: San Francisco

Richardson Bay and Tiburon, San Francisco Bay Morning Haze

February 21, 2011 G Dan Mitchell Leave a comment

The San Francisco Bay and the haze covered East Bay beyond the waters of Richardson Bay.

When I headed over the Golden Gate on this early February winter morning I intended to end up photographing redwoods or along the coast north of San Francisco in the morning before heading south to go back home by midday. I ended up getting distracted by very interesting shooting conditions in the Marin Headlands of the Golden Gate National Recreation Area and by the time I finished there I didn’t have enough remaining time to carry through on my original plans. But I did have a little time left, so I headed up to this spot along a ridge above Marin City where I know of a great view out over Richardson Bay, the Tiburon Peninsula, Angel Island, the Bay, past fog-shrouded Oakland, and on to the East Bay Hills.

This is a long lens landscape shot, for several reasons. First, the somewhat longer lens – though 159mm isn’t all that long – compresses distance a bit, both bringing Oakland’s downtown buildings a bit “closer” and foreshortening the very large distances a bit. It also lets me “edit” out some potentially distracting elements close to my shooting position and limit the scope of the image to just those elements that I wanted to include.

Photographs: Nature, Photographs: Northern California

Bird, Flooded Fields

January 31, 2011 G Dan Mitchell 4 Comments

A bird wades in a flooded Central Valley winter field in front of a receding line of power poles and some farm buildings on a levee.

This is (yet another!) photograph of the flooded fields along a country road near the Cosumnes River in California’s Central Valley. I was shooting almost directly into the sun through remaining fog and haze near the middle of a winter day. The building sits on a levee between the fields and the bird was kind enough to pose for me while I made the photograph.

Given one of the subjects subject that I’ve been discussing at the blog during the past few days, it seems reasonable to point out that this image involved significant work during the post-processing phase – what we used to refer to as “the darkroom,” but which we now refer to as “photoshop.” I used a variety of techniques to push this image towards what I had in mind – a very high key interpretation that I hope evokes the sensation of looking into a backlit hazy atmosphere that is so bright that you can barely look at it. (In fact, it was very much like this when I made the photograph – as you can see it required a 1/1000 second exposure at f/8 and ISO 100. That’s bright!) In general I brought the overall brightness up to nearly pure white in the lightest portions of the image, and I employed some other techniques to lower the amount of contrast in the sky yet keep the building, the poles, and the levee fairly dark. Although all of this was accomplished in the “digital darkroom,” all of the processes are equivalent to those that might have been applied by photographers working in the traditional darkroom.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.