Tag Archives: basin

Meltwater, Ice, and Cloud Reflections

Meltwater, Ice, and Cloud Reflections
Meltwater, Ice, and Cloud Reflections

Meltwater, Ice, and Cloud Reflections. Yosemite National Park, California. June 29, 2010. © Copyright G Dan Mitchell – all rights reserved.

Pools of water between sections of melting ice reflect evening clouds above Gaylor Lake, Yosemite National Park.

I continue to mine the vein of photographs from this early summer afternoon and evening visit to a lake not far from the Sierra crest at Tioga pass. In my defense I’ll point out that the conditions were variable and that I shot this subject in a number of different ways – close up views of ice and water, images that focus on the clouds, some that take in the more distant landscape of the surrounding ridges and peaks, others that focus on just the patterns of water and ice, and all shot as the light transitioned toward evening and was occasionally interrupted by clouds.

It is very unusual for me to get to visit a large lake with quite this combination of conditions. Sometimes in the early season I might encounter a lake that is still covered with ice, and later I often pass by lakes that are mostly clear but have snow banks and ice coming down to the shoreline. But in this case the lake was still covered completely in ice, but the ice was melting and creating pools of blue water on top of the remaining ice, and this water reflected the sky and passing clouds. I think the first things that might catch your attention in this photograph are the white areas of ice and the blue areas in between. But if you look a bit closer you see that the blue areas are anything but uniform. The shades of blue vary tremendously, sometimes approaching black in the shadows along the edges of the ice, spanning a range of shades in the open water, and then heading towards white in areas that reflect the clouds floating above the lake.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Melting Ice, Gaylor Lake and the Cathedral Range

Melting Ice, Gaylor Lake and the Cathedral Range
Melting Ice, Gaylor Lake and the Cathedral Range

Melting Ice, Gaylor Lake and the Cathedral Range. Yosemite National Park, California. June 29, 2010. © Copyright G Dan Mitchell – all rights reserved.

The distant Cathedral Range rises above the melting ice of Gaylor Lake, Yosemite National Park.

Near the end of June last summer I hiked up here late in the day with my friends Mike and Karl. This was a somewhat unusual season in the Yosemite Sierra, in that there had been a lot of snow during the winter season and it had continued right on into spring. Consequently, the high passes opened up later than usual, and on a very late June day when things would typically be a bit more summer-ish, it looked more like late winter up here when we arrived.

I’ve visited this place quite a few times, but had never seen quite this scene before. More typically, the snow and ice are completely gone by the time I manage to get up there, and a typical visit usually entails arriving late on a warm afternoon and then hanging out in the sun while waiting for the evening light to come on. This time we were in snow before we crossed the ridge before the lake, and we had to think a bit about just how to head down toward the lake since the usual path was covered in snow. The lake itself was (obviously, judging from the photo!) still covered in ice, though melting was underway and the surface was a jigsaw puzzle of alternating blue pools and white ice.

We found a location near clumps of trees on rocky talus slopes above the lake to do our photography. In this photograph I shot down the length of the lake to mostly fill the frame with the melting ice. Beyond a small rocky rise at the end of the lake, the terrain drops off towards the meadows of the Tuolumne region, and beyond rise the peaks of the Cathedral range in early evening light.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Desert Pool, Panamint Range, Morning

Desert Pool, Panamint Range, Morning
Desert Pool, Panamint Range, Morning

Desert Pool, Panamint Range, Morning. Death Valley National Park, California. February 21, 2011. © Copyright G Dan Mitchell – all rights reserved.

A salt spring pool on the salt flats in Death Valley reflects winter dawn light on the east face of the Panamint Range.

Sometimes I hear people describe how they think or imagine that landscape photography is done, and I wonder where they get their ideas. I will acknowledge that there are many ways to shoot landscape, ranging from working very slowly and carefully to produce a single image, to shooting like crazy and seeing what you end up with. But often people dismiss approaches closer to the latter and assume that the former is the “right way” to shoot landscape.

In my experience it isn’t quite that simple. Sometimes the experience is like certain others in which long stretches of time during which one seemingly accomplishes nothing or perhaps just looks and thinks are suddenly followed by quick and intense spurts of work that come almost as a surprise and may be over as quickly as they begin. This little morning shoot in Death Valley along the edge of a the salt/mud flats where the water from a small salt spring spreads across the flats and forms shallow pools was one of these. Very early in the morning, well before dawn, it was difficult to know what the best shooting option might be. There were clouds in the sky that promised to block the dawn light and everything seemed gray and flat. I wandered a bit, not sure where or what to shoot, and finally, more or less by chance, ended up at this spot that I had visited earlier on this trip. It occurred to me that even if the light wasn’t great I could possibly find a photograph that included this water. So I stopped and began to unpack in no particular hurry.

As I walked across the wash toward the area of the spring, much to my surprise it began to appear that there might be some interesting dawn light after all. I quickened my pace and headed toward the area of the shallow pools, and when I arrived there a moment later I could see some color on the top of the Panamint range. I quickly found a decent foreground pool and as the surprising light worked its way down the front of the range I began photographing. I first made several exposures at much shorter focal lengths, including a larger portion of the sky and the foreground. Then I quickly moved the tripod to place this pool in the center of the frame and hold the reflection of the range. I had little time to contemplate as the light was changing very quickly. I had just enough time to find my composition and make a few exposures, and within moments the light was gone.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Branch, Water on Salt Flats

Branch, Water on Salt Flats
Branch, Water on Salt Flats

Branch, Water on Salt Flats. Death Valley National Park, California. February 21, 2011. © Copyright G Dan Mitchell – all rights reserved.

A forelorn branch sits near pools of reflecting water on salt flats of Death Valley National Park.

After the brief dawn light on the Panamints ended (see the photograph I posted yesterday) and the world went gray over in that direction, I noticed this odd log or branch sitting out on the mud in the salt flats between some of the ponds that streak this section of the flats. While the two minutes of beautiful color on the Panamints had ended, the increasing light was transforming what had been a fairly solid covering of gray into a transparency that revealed interesting layers and patterns of clouds in the morning sky.

I moved a bit closer and made one final sequence of Death Valley photographs before heading back to Stovepipe Wells to take down my camp and start the long drive home. I tried a couple different compositions, including some in which I was closer to the log, but in the end I prefer this one that put some distance between it and me and, I think, suggests the huge spaces that are among of the most compelling characteristics of this landscape.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.