Beach and shoreline bluffs above the blue water of Mendocino Bay, California.
This photograph was made on the beach along the shoreline of Mendocino Bay, beneath the tall bluffs that line the area. The land extends to the west and curves a bit to the south, allowing me to photograph back along the curving beach, toward the inlet of the river that drains into the bay and the forested hills beyond. The light was interesting – fog was coming in along the coast and was overhead at my camera position, but clear just inland of me. This created soft and somewhat gray light on the foreground water, but allowed the further hills and forest to be in the light. It also made the interesting reflection on the calm water more visible.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Rugged rocks and surf along the Big Sur coastline at Soberanes Creek.
I’m not certain if this spot has a real name or not, but it seems like it might be something like Soberanes Cove or perhaps Soberanes Bay, since it is at the outlet of the stream that comes down to the Soberanes Canyon from tall, steep coastal hills before entering the Pacific in this rugged, rocky area of the northern Big Sur coast not far below Carmel. Here, as the Coast Highway heads south, it makes a bit of an inland turn to cross the stream and then turns back toward the ocean to rise over another prominence that extends further toward the water. As it does so, a view opens back across the coastal bluff and over this rock-filled section of water toward the rocky coastline.
This was an “interesting” light evening along the coast – in some ways very difficult light, but with short-lived sections of more light that was very beautiful. The fog was hugging the shore line, sometimes extending a bit inland to the coastal hills, cutting off all of the late-day light. But occasionally, where the shore curves inland a bit, as in this cove, the overcast opened up a bit and perhaps even pulled away from the immediately coast and allowed some filtered light to strike the rocks and the water and the shoreline.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Soft sun light on trees and hills above Limantour Beach, as fog bank hovers over Drakes Bay, Point Reyes National Seashore.
Limantour Beach sits along the inner curve of Drakes Bay at the Point Reyes National Seashore north of San Francisco, California, and the area is one of the best-known and most visited in the park. On certain days, the air is clear and the sun is bright and the beach can be warm, and the view includes not only the nearby wildlife and the surf, but the peninsula leading to the tip of Point Reyes and the coast stretching south towards the Marin Headlands and the Golden Gate. One of the first times I visited this place to make photographs it was one of those clear days, and I recall photographing the curve of the Bay leading to the right with the beach and some birds in the foreground. I’ve carried a mental images of how I would like to improve that photograph, and it was with that in mind that I went to Limantour this time.
The weather did not cooperate with that plan. After crossing the ridge between Tomales Bay and Limantour, I could see right away that there was going to be fog along the beach. The shoreline edge of the water still reflected blue sky in a few spots a bit to the south, but at Limantour the fog came a good distance inland from the beach. So as I drove down toward the end of the road, I started looking for some spot that would let me photograph the rounded, grass-covered hills and the bits of forest in sunlight, with the Bay and its fog in the distance. Finding a spot that included all of these things and which made some visual sense was not easy, but with a bit of back-tracking I finally found this spot and made a few exposures.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
“Home Bay, Drakes Estero” — Fog rolls in over Drakes Estero beyond Home Bay, Point Reyes National Seashore
This quick late-July visit to Point Reyes was an opportunity to re-learn a few lessons about going out to make photographs. I drove up to San Francisco, where my wife was to be involved in a music performance — the plan being to drop her off and then drive on over the Golden Gate Bridge to Point Reyes. It is often cold and windy there, even in the summer, but this was a very warm period and it looked like the coast might be clear of fog. With this in mind, I planned to either visit the Limantour Beach or else hike out towards Drakes Bay.
I should have sensed that things were about to evolve in ways that I had not planned for when, during a brief stop at the Point Reyes visitor center, the rangers announced that the road to Limantour was closed since a fire had just started in the area! With that option gone, I figured that Drakes Bay would be my objective, and I had images of afternoon and evening light on this day of little or no fog. I drove on out to the Estero trailhead where it was, in fact, quite sunny, though a bit windy. I loaded up my camera pack with a few lenses and a tripod, and set out towards Drakes Head, thinking I might make it there for late afternoon light. Soon I saw the telltale puffs of incoming fog overhead, and I came around a bend in the trail to see that the fog had already moved in to the west and over Drakes Bay. Fortunately, iin most cases I would rather photograph in “interesting” weather than in supposed perfect blue sky weather.
At a point where the trail descended to cross a dike at the head of Home Bay, I saw this conjunction of near and far forms, with the distant bluffs under the incoming fog, so I stopped to make a few photographs before moving on. To make a potentially long story a bit shorter, the temperature quickly dropped and the wind picked up to levels that made photography increasingly difficult. I managed to work with one other scene that included a curving snag in front of the bay, but it was already becoming difficult to find a calm moment in the wind to click the shutter. I kept going, finally reaching the trail junction that heads off towards Drakes Head, only to realize that I would never get all the way out there in time to return before dark. Cutting the hike short after a bit more than an hour and a half of hiking, I began to retrace my steps back to the trailhead.
In the end, this is really the only photograph that I came away with – despite carrying that fully loaded camera pack out and back! But this reminded me of a first lesson, namely that it is worth the effort even if I only come back with a single shot that I like. This one, to me, evokes the relative isolation and quiet of this spot in the upper reaches of the calm waters of Drakes Bay, with the fog bank beginning to assemble across the distant bluffs. A second lesson is that sometimes on a photographic quest, it is OK to simply enjoy the surroundings. A practical photographer can remind himself or herself that scouting is a good thing, and that things not photographed this time may well be on a future visit. And a long-time hiker can – and did – remind himself that sometimes it is just fine to leave the camera in the pack and just enjoy the wind and the space.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
