Tag Archives: beach

Three Elk, Point Reyes

June 6, 2011 G Dan Mitchell 2 Comments

Three tule elk grazing on hills above Drakes Beach at Point Reyes National Seashore, California.

This is one more – and possibly the last – in the series of tule elk photographs that I made at the Point Reyes National Seashore on Memorial Day. A group of perhaps eight or ten bull elk were grazing along the top of the hills above Drakes Bay when we encountered them in beautiful late afternoon light. As soon as I got out with my camera they moved just a bit further away, but still well within photography range.

There is a typical sequence in how I usually photograph creatures such as these. Because I never know how long they will stick around, I begin my just shooting them in any way that seems even somewhat interesting, perhaps muttering to myself, “At least I have tule elk shots in my portfolio now!” But after getting a few “insurance” shots right off the bat, I start to be more selective and more observant. Initially, I’m looking for a variety of interesting individual shots. These might include a single animal separate from the group, perhaps the full group, and perhaps sub-groups of two or three. I also pay a lot of attention to their positions, watching to make sure that faces are visible. (In this shot, the leftmost elk is partially obscured, but because his eyes are still visible and because of the way his antlers align with those of the front animal, on balance I don’t think this is a big problem.) I also watch for distracting elements, and may stop shooting if they are present. For example, the rear end of an elk is bright white and, uh, not the most photogenic part of the beast – so I wait until an animal presenting its backside to the camera either moves out of the frame or rotates into a better position.

I also try to think the same way I think when photographing a group of people. Their faces and eyes are the most important things, with the relationships their positions create among them being a very close second. Here two of the elk are looking almost at me, but slightly past my left shoulder. The third animal seems to be looking more toward the other two, creating a different sort of relationship among the animals. These things are so fleeting that I sometimes don’t see them until they have happened, so I have learned to not be conservative about exposing a lot of frames!

To the extent that I have control over such things, I also like to think about the angle of the light on the subjects. Sometimes you have no choice – you simply have to shoot from where you are. However, with these elk I did have some range of options. They were along a road, and I chose to stop a bit before their position because the light coming from the left would light them in a more dramatic and interesting fashion than if I had gotten closer and shot them with the light right behind me. In addition, I try to look beyond the animals themselves and be aware of how they position themselves against background subjects. This particular shot isn’t a great example, but in others I might wait for the moving animals to position themselves in a place where the background elements relate to them in some interesting way.

With all of this detail, you might get the idea that I’m standing there making a series of careful and logical calculations about how to shoot these guys. That’s not really what happens at all. Much of it turns out to happen in a quick and intuitive and almost subconscious manner “in the moment.” I’ve probably written here before about my belief in the important of “practice” (something I learned from my musical background) when it comes to being able to work and see quickly and effectively.

G Dan Mitchell Photography | Flickr | Twitter (follow me) | Facebook (“Like” my page) | LinkedIn | Email
Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Ocean & Coast, Photographs: Wildlife

Three Pelicans, Blue Sky

June 5, 2011 G Dan Mitchell 1 Comment

Three pelicans fly along the California Pacific coastline under clearing fog and blue sky.

To my surprise, I got to feed my pelican obsession on Memorial Day. As we drove up the coast north of Santa Cruz, where the road frequently follows the edges of coastal bluffs where they drop off into the Pacific, we started to notice larger than usual groups of pelicans heading north and riding the updrafts next to the cliffs. Having watched these birds many times before, I have learned a bit about their “traffic patterns,” so I suspected that if we went a bit further north to where the road comes down at a beach where a creek enters the ocean that we might encounter the same birds as they, too, dropped down to the water’s edge.

My hunch turned out to be right, and a few minutes after we arrived I caught a glimpse of the distant flock coming around the edge of the bluffs to the south and starting to descend toward the beach. They approached over the edge of the surf, but then turned toward the land as they started to climb again to rise above the next bluff to the north – and for a few seconds I was able to track and photograph them against the thinning fog and blue sky.

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Pacific Coast Near Bixby Creek

May 16, 2011 G Dan Mitchell Leave a comment

The blue Pacific Ocean and rugged fog-topped coastal hills meet along the Big Sur coastline at Bixby Creek.

On a nearly perfect spring morning – despite the ominous sounding Friday the 13th date! – I spent a morning along the upper Big Sur coast below Monterey, California. The brilliant sun was modulated a bit by some atmospheric haze over the ocean and occasional fog clouds clustered around the tops of the coastal hills. Since I made quite a few stops along the way, I only went as far south as the iconic Bixby Bridge. This photograph was made from very near the spot where thousands (including me!) have photographed the bridge itself – it is out of the frame to the left. On this morning, the bridge didn’t interest me much at all, so I instead photographed the wild and steep coastline, with its spring green contrasting with the brilliant blues of the coastal waters below the rugged cliffs. At the very lower left corner, Bixby Creek flows across the beach and into the Pacific Ocean. Above, the coast highway rises across the top of the coastal bluffs on its way south.

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Sea Stacks, Big Sur Coastline

May 14, 2011 G Dan Mitchell 3 Comments

Sea stacks line the rugged California Big Sur coastline below the Pacific Coast Highway.

I had some free time on Friday morning, so I decided to head over to the coast below Monterey. I had some discussions with someone earlier this week about photographs featuring coastal fog and hills, and I think that may be what planted the idea in my mind, though it turned out that conditions were not quite ideal for that particular sort of thing. However, it was a beautiful spring morning along the Big Sur coast, with the bright sun somewhat modulated by some atmospheric haze and a bit of fog here and there along ridge tops.

For those who may not have heard, driving this section of the Coast Highway is a bit tricky right now due to washouts and closures. I had to wait for a pilot vehicle to lead scores of us through one large section, and in another spot the road was reduced to a single lane by a large landslide. I understand that further south the road is actually closed completely, necessitating an inland detour.

The unusual traffic situation did create one advantage for me, however. Usually there is enough traffic on this famous route that driving along at very slow speeds annoys other drivers – so I sometimes have to keep going right past places I might otherwise want to stop and investigate. However, yesterday I quickly figured out that with 20-30 minutes between waves of traffic as the road opened and closed, all I had to do was pull over after passing one of the blockages, wait for the other cars to pass, and then drive in a more leisurely way with plenty of opportunities to stop.

So as I drove past this area that I had not really looked at closely in the past – it is between a couple of other spots that I know well – I was able to drive slowly, pull over to look more carefully, backtrack, and generally get to see it more than in the past. I first pulled off near this spot simply to turn around to go back and check a spot I had just passed. As I did so I noticed a painter packing up his gear. I did my “turn around,” looked at the spot I had passed, decided it wasn’t promising after all… and came right back to the spot where I had seen the painter. A short trail led down to the edge of the bluff and provided this view along the coast to the south.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.