Tag Archives: bend

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Little Sur River, Pacific Ocean

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Little Sur River, Pacific Ocean
Little Sur River, Pacific Ocean

Little Sur River, Pacific Ocean. Big Sur Coast, California. January 19, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The Little Sur River meets the Pacific ocean along the Big Sur coastline of California in evening light

On this weekend near the middle of January, the local news and weather reports announced the arrival of very large winter surf along the central and northern California coast. This typically happens a few times every winter, when very distant storms far to the north in the Pacific Ocean near the Aleutian Islands send huge swells south towards California. For those whose experience with the California coast has mainly been to experience the usually gentle surf on summer, these waves can be stunning. When I heard about these conditions I knew I had to make it over to the coast. The setup this weekend was special in another way – the period between large waves was rather long and the larger sets of waves were separated by many minutes. We saw this process in action when we first arrived to find what looked like surprisingly calm seas, with only rather normal looking waves. But within minutes a set of the larger waves began to come ashore and we were astounded at their size and power.

This weekend was doubly special. Not only was the monumental winter surf running, but we had a spell of that weather than can make people from other places envy Californians! We went south from Monterey and into the upper reaches of the Big Sur coastline, where it was beautifully sunny and close to 70 degrees! (For those who think this is actually typical… not quite! In the summer this area is often blanketed by thick fog for days on end.) The waves and the weather drew thousands to the shoreline, and I can’t recall the last time I saw so many people along the coast highway. We joined them and made quite a few photographs during the afternoon hours. At the same time I was scoping out possible locations for that final golden-hour photograph. As the end of the day approached we were very close to Big Sur itself, and I remembered stopping at this spot a bit earlier in the day and thinking about how to compose a photograph of the peninsula separating the curving Little Sur River from the steep cliffs and ocean beyond.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Base of the Organ, Morning

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Base of the Organ, Morning - Autumn foliage begins to change along the base of the Organ and on the slopes of the Great White Throne, Zion Canyon
Autumn foliage begins to change along the base of the Organ and on the slopes of the Great White Throne, Zion Canyon

Base of the Organ, Morning. Zion National Park, Utah. October 30, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Autumn foliage begins to change along the base of the Organ and on the slopes of the Great White Throne, Zion Canyon

During three visits to Zion National Park and Zion Canyon during the past year, the area around “Big Bend” in the canyon has become a bit of a fixation for me. There is a lot to see and photograph here, and the lighting changes a lot during the course of the day. The bend in the canyon creates a sort of closed-in effect, and it is possible to focus both on the very small features and on the very large, including the canyon walls and more distant examples of vegetation climbing up the cliff walls.

Two major features make an appearance in this photograph. The near, darker columns are the base of a feature called “The Organ” that sits near the apex of the horseshoe bend that the canyon makes here as the Virgin River goes downstream. Beyond that are the huge walls of “The Great White Throne,” a towering feature in this portion of the canyon whose color is lighter than that of some of the other reddish rock cliffs nearby. I made this photograph fairly early in the morning before any direct sunlight had begun to affect the scene and when a certain amount of haze was still in the air. The foliage at the base of The Organ is just beginning to show the tiniest bit of autumn color, but higher on the cliffs of The Great White Throne there are trees that are well along on this transition.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Escalante River, Early Fall

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Escalante River, Early Fall - Early fall colors begin to come to the trees lining the Escalante River, Utah.
Early fall colors begin to come to the trees lining the Escalante River, Utah.

Escalante River, Early Fall. Grand Staircase-Escalante National Monument, Utah. October 6, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Early fall colors begin to come to the trees lining the Escalante River, Utah.

If I have any regrets about this photograph, it might be that if I had been there a few days later the entire cottonwood-covered river bottom might have been the color of the leaves on the one brilliant foreground tree. But seriously, it was a stunningly beautiful scene. The trees here ranged from regular old green to quite brilliant yellow and gold, and the partly cloudy skies sent alternating cloud shadows and sunny breaks hurrying across the landscape. As I set up on this hill above the river valley, I would look back over my shoulder to spot the next break in the clouds, try to predict where and when it would cast its light, and then make several exposures as the light traversed the scene from near to far, first illuminating the foreground trees, then the red cliff faces, and finally the towers at the far end of the valley.

The terrain in this area is truly stunning. After dropping down a steep descent and traversing rolling waves of sandstone, the road makes a brief descent to the river bottom. It then begins to rise and is soon traveling along a length “hogback” with sheer drop-offs on both sides, and the river valley far below.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Tuolumne River, Alpenglow

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Tuolumne River, Alpenglow - The Tuolumne River curves through Tuolumne Meadows as alpenglow colors that landscape, Yosemite National Park.
The Tuolumne River curves through Tuolumne Meadows as alpenglow colors that landscape, Yosemite National Park.

Tuolumne River, Alpenglow. Yosemite National Park, California. July 7, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The Tuolumne River curves through Tuolumne Meadows as alpenglow colors the landscape, Yosemite National Park.

I have written previously about several topics that connect to this photograph. For one, I have described a certain type of atmospheric condition in the Sierra that may bring astonishingly intense evening colors when clouds above the mountains end to the west of the range, allowing the final sunset light to illuminate the clouds from beneath. On this evening it looked like all the pieces were in place for such a show, but I know that while these conditions make the light possible, they do not guarantee it – and on this evening there was a wonderful, subtle glow just after sunset… but not the imagined overwhelmingly brilliant light.

For another, I have written about scoping out a shot ahead of time, sometimes earlier the same day and sometimes weeks, months, or even years earlier. Earlier on this day I decided to take a walk in the meadow without my camera gear, with precisely the task of “scoping out” in mind. I wandered around somewhat aimlessly, following my nose this way and that to investigate lots of interesting things and places that I might have passed by on a more purposeful hike. Before heading back to camp for an early dinner I had selected three possible subjects that I thought might work well.

I have also written about how little control we have over our subjects when shooting landscape. We can anticipate and guess and be fortunate enough to be in the right place at the right time with the right gear and the skill to know how to use it, along with the ability to see what is happening – but in the end, in many ways, we take what we can find and work with it. When I arrived back in the evening an hour or so before the time of interesting light, I had a feeling that the first subject I had seen earlier might be the most promising. This was a scene that placed Lembert Dome between a couple of groups of trees and a bit of the river when viewed from the middle of a footbridge crossing the Tuolumne. I arrived and set up and began the planned wait for what I hoped would be very interesting light. However, as sunset approached, I could see that the shot I had planned was not going to work in the light that I found myself working with. So, on the spur of the moment and acting essentially intuitively, I picked up the tripod and camera and moved to a nearby spot and rather than making a tightly focused shot of the dome, I zoomed way out to include a gentle curve in the Tuolumne, a sandbar, and a line of foreground trees, and I made this photograph of the much subtler-than-expected post sunset light.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.