Tag Archives: big

Coastline, Dusk

Coastline, Dusk
Coastline, Dusk

Coastline, Dusk. Big Sur, California. January 31, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Dusk light falls across the rugged Big Sur coastline, California

This was a very special bit of end-of-day light. Earlier we had spent about nine hours driving south between Monterey and Piedras Blancas on the Big Sur coast, stopping frequently along the way to make photographs of the beautiful winter light. At the southern end of our drive we spent time photographing the elephant seals at their “nursery” alongside the road – a popular place for observing this amazing creatures, especially at this time of year when the females are giving birth and the beach is crowded with all sorts of elephant seals: bulls, females, new babies.

Finishing here, it was time to turn the car north again and head back the way we had come. We started up the Pacific Coast Highway and very soon began the first climb into the coastal hills. We kept an eye out for potential gold hour photographic subjects. There are, of course, no shortage of them along this spectacular coastline, so we figured that we would find something no matter where we were during the last hour of light even though we had no specific plan yet. Eventually we came to a place where we had stopped earlier on the southward drive and we pulled off. Earlier, closer to the middle of the day, the light had been very bright here, illuminating coastal haze and reflecting off the ocean surface in a way that reminds me of molten metal. But now the light was lower and coming in at a more direct angle, and the atmosphere softened and the colors warmed in the late-day light. At first the light was more intense and I made a few photographs with the scene brilliantly colored. At one point I looked away to photograph something else, and when I looked back the sun had dropped behind a semi-transparent band of clouds near the horizon, significantly muting the brightness and color of the light on the base of the hills, but still leaving a few intense spots higher up.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sunset Light, Big Sur

Sunset Light, Big Sur
Sunset Light, Big Sur

Sunset Light, Big Sur. Pacific Coast Highway, California. January 31, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Winter sunset light on the rugged Big Sur coastline

On the final day of January we took a long drive down and then back up the Pacific Coast Highway between the Monterey Peninsula and Piedras Blancas, where we knew we could see and photograph the elephant seals that gather here on the coast every winter. We took our time on the southward drive, taking nearly nine hours to reach our southern destination – and stopping frequently along the way to make photographs. (OK, for coffee and meals, too…) After photographing the elephant seals in the late afternoon, it was time to start our return trip.

There is so much to see along this coast that it is unusual to be left wondering what to photograph, so the general – and somewhat vague – plan was to take stock of where we found ourselves during the hour or so before sunset and to then find a suitable golden hour and dusk subject to photograph. Perhaps 45 or 50 minutes before sunset we came to an overlook where we had photographed much earlier in the day and decided that this would be the place. Here the coastline arcs south, with rugged mountains dropping right down to the shoreline with its sea stacks, rocky prominences, and hidden beaches. Our overlook was high enough to provide an expansive view of this scene, and it didn’t hurt that a couple of large rocky islands, one with a natural arch, were located right below. You never know how a sunset and evening will turn out in photographic terms and you must more or less take what you get. On the plus side, there were thin, high clouds to the west that wrapped around to the south, and these clouds can produce a lot of color if lit from below right at sunset and shortly after. There was also some haze to the west to soften the light. On the other hand, there also appeared to be a somewhat thicker band of clouds and for right near the horizon, and this can “turn the lights out” at just the wrong moment. I made this photograph as the golden hour light began to intensely color the shoreline. I quickly made a series of photographs in landscape and portrait orientation, moving a bit in between to change the juxtaposition of elements a bit. At one point I looked away for a moment… and when I looked back the color had almost gone as the sun passed behind those thicker clouds. Yes, it happens that quickly and imperceptibly sometimes.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sea Stacks, Big Sur Coastline

Sea Stacks, Big Sur Coastline
Sea Stacks, Big Sur Coastline

Sea Stacks, Big Sur Coastline. Pacific Coast Highway, California. January 31, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

The receding ridges of the Big Sur coastline arc southward into winter haze beyond a pair of large sea stacks.

On the final day of January we did the “down and back” drive through the Big Sur area of California’s Pacific Coast Highway. This is my favorite time of year in this part of California. At one point along the drive I made a comment (as I often do while passing through here at this time of year) about how this weather felt more like a “typical summer day” than like a “typical winter day” – and then I quickly caught myself and recalled that “typical summer days” here often feature thick fog, wind, and cold. On the other hand, between Pacific storms – or during a dry year like this one – a typical winter day may feature brilliant sunshine and long vistas and temperatures that are as warm as those of summer here.

As the day developed I shifted from looking for the effects of first and early light coming over ridges and into canyons, or the thinning offshore clouds. Instead I started to think about the long coastal vistas, the intense reflection of the ocean seen from high places (which always makes me think of molten metal), and the way that the backlit atmosphere highlights receding ridges as they disappear into the distance. As we came over one of the high points and around the corner the road began to drop and this view appeared in front of us, with two sea stacks in the foreground (one of which contains a natural arch) and the rugged coastline curving toward the south.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Maple and Sorrel, Redwood Grove

Maple and Sorrel, Redwood Grove
Maple and Sorrel, Redwood Grove

Maple and Sorrel, Redwood Grove. Muir Woods National Monument, California. August 1, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

An old maple tree leans above a bed of redwood sorrel in a redwood grove at Muir Woods National Monument

Of the group of photographs I made on this early August morning at Muir Woods National Monument, this may be the darkest scene of all. Almost no direct sunlight had yet penetrated down into this section of the forest, with the exception of a few odd beams striking here and there among the higher branches, and one coming across the forest floor from the right side of the frame.

Redwood trees here are generally quite straight and bulky. With the exception of those that have fallen or are leaning over, they forma a continuous pattern of vertical lines. Breaking up this verticality are the curving shapes of trees like the laurel, and in this scene a thick, old maple tilts wildly to the right at a 45-degree angle, and is the form that initially attracted me to this spot. The forest floor here is almost covered with redwood sorrel, a clover-like plant that puts out small blossoms earlier in the year. The light, of course, is soft and the whole scene is in deep shade.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.