Tag Archives: black and white

Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Rocks and Fog, Point Lobos

July 27, 2011 G Dan Mitchell 2 Comments

A rocky peninsula drops into the ocean on a foggy morning at Point Lobos State Reserve.

On this morning it was foggy and drizzling at Point Lobos and there was a surprising amount of surf for a summer morning. When I arrived shortly after the park opened, there were few other people about. With the moving water and the low light conditions, I decided that this was a good time to do some work with long daytime exposures, so I got out my 9-stop neutral density filters and went about looking for compositions.

After shooting down closer to the water in the cove to the left of these rocks, I wandered up a trail along the shoreline that took me to a point that was a bit higher above the water. As I looked back I saw that the rocks that defined the cove that I had been shooting appeared to head straight out into the water towards a distant peninsula and then submerge – a rather different take on this feature.

By using this filter I was able to get an eight-second exposure in this light. Longer would have been better, but the light was beginning to come through the fog a bit and I didn’t have much choice. With an exposure this “short” I had to be a bit careful about timing the shots, trying to get the right amount of water breaking over the rocks.

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Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Urban/Street

Juxtaposed Buildings With Shadows and Reflections

July 11, 2011 G Dan Mitchell Leave a comment

The overlapping structures of downtown buildings covered with reflections and shadows, San Francisco.

I made this photograph while walking up Market Street in San Francisco on this early July morning, dodging fast-walking pedestrians and bunches of tourists. I wasn’t certain of what I would shoot here on this day, and I was actually equipped more for shooting street level scenes than this sort of thing, in that I was traveling light with only a few basic prime lenses. But when I visit here, I’m almost always fascinated by the juxtapositions of different types of architecture, patterns of shadows and reflected light, the effect of perspective when looking up from the street, and the odd similarities to some of the rugged landscapes that I also like to photograph.

I’m not good about paying attention to the identity of the buildings, so while I could certainly locate them again quickly I’m afraid I can’t name them! I’ve photographed both before, and I was already very aware of the reflection patterns that appear in the windows of the darker building on the left, creating a criss-cross pattern against the lines of its own windows. There are more subtle effects of light on the lighter surface of the building on the right. Reflections from windows above and to the right cast diagonal lines of faint light down and across this part of the building, and below that there is a faint pattern of darker lines which are shadows from the light reflecting through the horizontal structure at the far right margin. (Being a fan of such things, I also like the fact that this open structure creates dark shadow patterns beyond and to its right and lighter shadow patterns across the whole face of the building. Yet other buildings are reflected, slightly distorted, in the large windows set in the bright wall.

Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Saint Patrick’s Church

July 10, 2011 G Dan Mitchell Leave a comment

Black and white photograph of walls, windows, and roof lines of the side of Saint Patrick’s Church, San Francisco.

I don’t know the full history of this church in downtown San Francisco, but I do know that it is visually interesting. It has the appearance of an old cathedral, with the emphasis on old. Parts of the structure appear to be made of reinforced concrete, parts of brick, and a few sections of newer construction. Bits and pieces of all of that appear in this photograph, with some rather old and weathered materials in much of the structure, but with a much more modern-looking outbuilding at lower right.

While there is a large park (Yerba Buena Park) right across the street, much of the other surrounding architecture is quite modern for the most part. Most striking is the deep blue cubic structure of the Contemporary Jewish Museum right next door, but all around much taller and vastly more modern buildings are found. (Some of the light filling the shadows in this photograph is reflected from those buildings.)

I think that this photograph has a lot in common with a number of my photographs of mountains, especially the Sierra Nevada. In fact, I don’t think it is too hard to find parallels to some of the recent photographs of Mount Conness towering above the shorter Polly, Pywiack, and Medlicott Domes near Tenaya Lake along Tioga Pass Road.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Mist, Trees, and Boulders – Cascade Creek

July 5, 2011 G Dan Mitchell Leave a comment

Mist and spray from spring runoff fill the air in the boulder-strewn canyon of Cascade Creek, Yosemite National Park.

Making this photograph was an “interesting” experience! I visited Cascade Creek on June 18, probably near the peak flow of the spring runoff season, and the creek was a full-blown torrent. After photographing some familiar rock formations below the bridge that crosses the creek, I decided to try a photograph from the upstream side of the bridge. In this direction, the creek is more or less half waterfall and half cascade as it plunges down a very steep and narrow section of the hillside. The whole scene was in deep shade and mist and spray filled the air.

I made a guess that a 135mm lens might give me a tight enough framing of the scene, so I briefly stepped away from the creek and the spray-filled air to switch lenses. Leaving everything else behind, I took the camera, tripod, and this single prime lens and walked to the wet side of the bridge. There was enough spray that I and my gear began to get wet pretty fast, so I worked quickly. I got everything in what I figured would be about the right position before I uncovered the lens, then quickly uncovered and finalized the composition and manually focused. I knew that I couldn’t really stay in this spray all that long so I spent a couple minutes bracketing a series of exposures as the mist surrounded me, hoping that water on the lens and in the air in front of the camera would not interfere with the shot.

The main decision was about shutter speed and with other decisions regarding aperture and so forth to follow on that. The idea was to use a slow enough shutter speed to allow the water to blur a bit, but not so slow as to turn it to formless mist. I managed to get to a 1/5 second exposure by shooting at f/20, an aperture a bit smaller than I would typically want to use, as apertures smaller than about f/16 can begin to introduce a bit too much diffraction blur. But in a shot like this one where mist is obscuring a great deal of the detail anyway, that seemed like a reasonable compromise that let me lengthen the shutter speed just a bit.

G Dan Mitchell Photography
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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.