Evening cloud forms above the Pacific Ocean coastline near Davenport, California.
This is the first of a pair of abstract images of evening clouds that I photographed earlier this week along the California coastline north of Davenport.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Black and white photograph of a flock of pelicans in flight just above Pacific Ocean surf at Waddell Creek Beach, Big Basin State Park, California.
Every five or ten minutes another flock of northbound pelicans descended to the water just offshore at Waddell Creek Beach at Big Basin State Park along the California coast just north of the town of Davenport. It was late and the light was diffused and subdued by high clouds and the incoming fog bank a this flock skimmed just above the surf.
Black and white photograph of backlit Half Dome framed by steep Yosemite Valley canyon walls including the face of El Capitan.
Allow me one more photograph in the recent sequence of black and white photographs of “Yosemite icons.” On most drives into and out of the Valley I stop and look at this scene and frequently try to photograph it if the conditions are special. In the morning there is often haze here, and this creates an effect of atmospheric recession from the half dozen or so layers in the scene. It is a tricky thing – a bit too much haze and the details of forest and rock can become almost invisible; too little haze and the contrast between brightly lit highlights (like the patch of snow on Half Dome) and the deep shadows can become quite stark. The image I have in mind includes the effect of atmosphere-highlighted distance, the effect of back-lighting on the trees (most obvious here perhaps at the lower left), and the abstract nature of the different intersecting slopes and faces.
A technical note: I used the Canon 5D2 with the EF 100-400mm zoom at 365mm to make this photograph. Some doubt that a zoom like this can produce enough resolution, but at full size I can just barely make out a couple people on the snow bank atop Half Dome. Sharp enough for me!
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Black and white photograph of Bridalveil Fall and the Merced River canyon in morning backlight – Yosemite Valley, California.
This is the classic view of Bridalveil Fall looking up the canyon of the Merced River as seen from highway 120 just below the longest tunnel on the road descending into the Valley. I can’t tell you how many times I’ve driven down this road into The Valley, but I seem unable to resist pulling over and at least having a look.
On this early June morning all of the waterfalls were in full flow and the Merced was only 24 hours away from cresting with spring melt-water. The Merced was full from bank to bank, and the sound of falling water was everywhere in the Valley. (Though I only stayed there a few hours before the crowds drove me to visit Tioga Pass instead.) I wasn’t certain quite how to photograph this as the backlit morning haze created a very low contrast effect in the atmosphere even though the areas where the sun hit the water (on the river and at the top of the fall) were very bright. I had a hunch that it might work best in black and white, and after working on it a bit in post that hunch seemed to be correct.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Technical Data:
Canon EOS 5D Mark II
Canon EF 100-400mm f/4.5-5.6 L IS USM at 360mm
ISO 200, f/4.9, 1/320 second
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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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