An oak tree and a laurel tree grow next to a granite face along the north side of Yosemite Valley, California.
I have visited this small, gnarled oak tree before. It grows right at the base of a granite face along the north side of Yosemite Valley, seems to face a pretty rugged life living beneath the shadow of the cliff and among fallen boulders. When I visited in early May the tree was just starting to get its new growth of leaves, though the laurel tree right next to it was already quite green.
The last time I photographed this tree it was autumn, and the leaves were also colorful then. It seems a bit odd that the leaves of this oak take on similar yellow and red colors at both the start and end of their season. (Though they do go more toward brown than yellow in the fall.)
The light was interesting on this day, which had started out clear. As the day wore on a weak Pacific weather front approached, and by evening things were pretty well socked in. But here, at perhaps 4:00 or 4:30, if I recall correctly, the incoming clouds were thing and broken enough to just soften the light without turning it completely gray.
An early dogwood blossom and leaves in Yosemite Valley, California.
There is not a lot to add to the previous post that came along with the black and white version of this photograph – but for anyone who didn’t see the earlier post I’ll offer a short description. I had been at the Ansel Adams Gallery reception for Michael Fry’s exhibit there in the middle of the afternoon, and after a very enjoyable hour and a half or so viewing his wonderful prints and schmoozing with various folks who came for the reception, I decided to wander off to the east along the base of the north walls of Yosemite Valley, at first heading in the general direction of the Ahwahnee Hotel. Near there I stopped at a tree that I have photographed previously, when I shot the autumn colors of the leaves draped across a large boulder. The new flowers were just starting to appear, so I climbed up on the boulder and spent some time photographing before continuing my wandering out towards the Merced River.
An early dogwood blossom and leaves in Yosemite Valley, California.
This is another plant that I’m on a first name basis with. I know this particular dogwood rather well, having first been attracted to it one fall while walking along the north side of Yosemite Valley looking for leaves against rock. At that time the fall-color leaves of this dogwood tree were draped across the top of a low, flat boulder. When I’m in this part of the Valley, I often walk past this tree to see what it is doing. On this first weekend of May, the tree was just getting its first blossoms of the spring season, and I was able to clamber up on top of the boulder, set up my tripod, and make a few close-up photographs of the flowers.
I originally figured it would be a color photograph but as I worked on it I started to think it might be interesting in black and white, too. (You’ll get to decide – the color version will appear tomorrow.) Besides having to wait for the slight breeze to pause so that I could make a 1/8 second exposure, another challenge was the dynamic range between the bloom and the rather dark background. I tend to slightly underexpose the highlights, since digital capture is not kind to over-exposed whites. Then I work in post to bright the brightest parts back up to where I think they should be, but without letting anything blow out.
For dogwood fans, the “word on the street” had been that these flowers were coming along a bit later than usual this year. But on this day it seemed like they were suddenly starting to appear in many of the usual places in the Valley. I’m expecting them to peak between now and perhaps a week or so from now, and later on at higher elevations. One potential wrinkle is the possibility of snow in the Valley on Sunday!
The springtime morning sun shines through a pair of oak trees in the Calero Hills south of San Jose, California.
On the final day of April and for the first time this season, I found to go for a hike at my favorite local park, a place where I have walked just about every available trail (and invented a few routes of my own) and photographed for a number of years. The park would not seem like anything all that special by comparison to some of the other places I visit, but it is close and I’ve gotten to know it in a way that makes it more special. The place is called the Calero County Park, part of the Santa Clara County Parks system.
The entrance to the park is in a broad valley that is largely occupied by stables. (Or, used to be – it looks like the stables must have closed since last season.) Rising from this valley are the typical grass-covered hills of central and northern California, with oaks and other trees scattered around and, in places, thicker trees and brush. At this time of year, the hills turn what I call “impossibly green” – and if you have seen them on a late-winter or early spring morning you know what I mean.
I started this hike a bit after dawn, so the golden hour light was more or less gone. I had a general idea of photographing some wildflowers (which didn’t happen – it was too windy) and some oak trees that grow alone or in small groups on the grass-covered hills. I passed a small lake – where a single egret often hangs out, but not on this morning – and topped a rise and descended into a small valley from which I have made quite a few photographs of oaks. It didn’t look too promising at first, but at the far end of this area I noticed that a pair of trees were still obscuring the sun and that I might be able to shoot straight into the sun with the trees blocking its disk, and get a photograph including the tree shadows on the hillside grasses.
This turned out to be another of those all-too-common ephemeral photographs in that the sun was starting to rise above the top branches of the tree and would soon be “out in the open,” making it much too bright for what I had in mind. So I worked quickly to set up tripod and camera and select a lens, then frame a composition, focus, and make a series of exposures that might be needed to deal with the huge dynamic range between direct sun and backlit tree trunks. By the time I had everything set up and was ready to shoot the sun had already risen above the upper branches, so I ended up looking for a slightly better shadow and putting the tripod down very low – and this gave me must enough time to make the series of exposures I figured I would need.
In the end, I got lucky. One single shot somehow managed to not blow the sun out too badly yet hold enough detail in the grass that a bit of work in post could bring it back. With all of the potential for lens flare – which I had to some extent in every shot – this one only had two small bits of it, and they were easily dealt with.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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