Tag Archives: brilliant

Aspen Color, South Fork Bishop Creek

Aspen Color, South Fork Bishop Creek
Aspen Color, South Fork Bishop Creek

Aspen Color, South Fork Bishop Creek. Eastern Sierra Nevada, California. October 15, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Brilliant peak autumn color in aspen groves along the south fork of Bishop Creek, eastern Sierra Nevada.

One week earlier I had visited this same area only to find a mixture of trees that had lost their leaves during a series of early fall snow storms and trees that were essentially still fully green. What a difference a week made! This fall it seemed that once the color change started, it moved quickly. Not only were these middle elevation trees in full autumn color, but in many places the color extended all the way down to the edge of Owens Valley.

These trees are along the south fork of Bishop Creek, off of the road to South Lake, and not far from so-called “Mist” or “Misty” falls. (I’m skeptical about this waterfall – it gives every appearance of having been constructed by redirecting water to a place where it would not likely flow naturally. I’ll welcome accurate information about that.) Perhaps because these trees grow in a fairly open and wide valley, many of them have managed to grow rather tall and quite straight, in contrast to a number of other Sierra groves that consist of small and often twisted trees. The rows of trees angle up slopes from the creek in the valley bottom and seem to be arranged in diagonal groves that ascend the hillside.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Aspen Groves, Conway Summit

Aspen Groves, Conway Summit
Aspen Groves, Conway Summit

Aspen Groves, Conway Summit. Eastern Sierra Nevada, California. October 16, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Late afternoon sun backlights the immense aspen groves near Conway Summit, California.

As the sun dropped toward the peaks of the Sierra crest to the west of Conway Summit, beams of light occasionally broke through the partly cloudy skies and backlit these brilliantly colored aspen groves alongside highway 395. I’ve shot here enough times over the past few years to understand how the light works here – though I admit that every time I think I understand, I discover something new! For me, the ideal is to go to Conway Summit right at the peak of aspen color, or perhaps a bit earlier when a few green trees remain, and to shoot in late-afternoon light, aiming almost directly into the sun. The color of the light coming through these leaves is almost unbelievably intense and saturated – and, in fact, is a bit of a tricky thing to photograph!

There are many attractive things about Conway Summit when it comes to aspen viewing. (There are also, admittedly, a few less attractive things, such as shooting from the edge of a four-lane highway!) The stands of aspens are extensive here, covering many acres. Because of the slightly elevated viewpoint, the observer can look down into and across the trees as they follow the slope gently rising toward the Sierra. There are actually a large number of separate groves that stand mostly in lines stretching from left to right, and each of them is often in a different stage of color development at this point in the season, with the result being that trees of almost every shade from green to brilliant red can be seen at once.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Aspen Groves, Afternoon Light

Aspen Groves, Afternoon Light
Aspen Groves, Afternoon Light

Aspen Groves, Afternoon Light. Conway Summit, California. October 16, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Late afternoon sun backlights the brilliant fall colors of aspen groves along the eastern slope of the Sierra Nevada near Conway Summit.

This is one of what is likely to be a series of very gaudy and colorful photographs of autumn aspen color, much of it photographed at Conway Summit along highway 395 just north of Lee Vining and Mono Lake. Keep your sunglasses handy!

If you happen to arrive at the Conway Summit area at the right point in the fall color season, you can be treated to an astonishingly large and brilliant show of aspen color. (It isn’t a sure bet though. Some years it is not nearly as spectacular. ) This year the trees seemed to turn quite suddenly. A week earlier there had been a lot of very green trees at this elevation along the east side of the Sierra, and many of us expected that the most striking colors would not come until as much as a week later. But nature wasn’t listening, and one week after I had seen so much green, the aspens all along the eastern escarpment of the range were turning golden and many other shade, frequently all the way down to the level of Owens Valley.

After shooting in the early morning out in Owens Vally and then hiking up to Parsons Lake in the middle of the day, I finally made my way up north to Conway Summit just before what I regard as the ideal time to photograph aspen color here, namely during the last hour or so before the sun drops below the peaks of the Sierra to the west. During this period the trees are back- and side-lit in very dramatic ways. While shooting almost directly into the sun can be tricky, the backlit trees really light up. At first I was a bit concerned when I arrived since clouds over the crest threatened to end the light show early, and they actually did interfere at times. But they also broke up the light a bit and provided a combination of ever-changing light and shadow patterns. One moment the light would strike one area and I would shoot in that direction. A moment later that light was gone, but shortly it would appear in another spot – and I’d swivel the camera around and work that subject for a moment.

This little pair of groves is one that I’ve watched and photographed for several years. I like the way that it stands apart from the much larger main groves and has the plain grass and sagebrush covered hills as background. I made a series of exposures of this subject, and in this one the light crossing from left to right not only struck the colorful trees but also lit up some of the gentle ridges of the slopes beyond.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Tree, Granite Slabs, Evening Storm Clouds

Tree, Granite Slabs, Evening Storm Clouds
Tree, Granite Slabs, Evening Storm Clouds

Tree, Granite Slabs, Evening Storm Clouds. Yosemite National Park, California. September 20, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

A tree and granite slab are lit by brilliant sunset light from a dissipating evening thunderstorm, Yosemite National Park.

This was another of those sometimes-surprising bursts of evening Sierra color that results in effects so gaudy that they almost seem unreal – but this is real. I was camped down in a valley among trees so I wasn’t initially expecting much in the way of spectacular sunset photography. Instead, I planned to take advantage of the early shadows in the valley and get some evening photographs under soft light without any direct sun at all. I first worked some moving water where the nearby river flowed across granite slabs, and then I contemplated photographing some small plants in deeply cracked and patterned granite. As a worked my way across this granite, I remembered a small tree on the other side of the bowl that had looked like an interested photo subject a few days ago, so I walked over to that area where the tree stands in a shallow granite bowl.

Earlier in the afternoon I could see huge thunderheads building up to my east, but they did not move far enough west to affect me with anything more than a bit of gray sky. However, as the clouds built up to higher elevations, their tops began to take on the familiar “anvil” shape and the upper portions of the “anvils” began to spread to the west and out over my position. This is a classic setup for potentially spectacular evening sky color. Near sunset the clouds can pick up intense red/orange coloration from the sun setting in the west. At the same time, the storms begin to dissipate, creating semi-transparent “curtains” of virga (falling rain that doesn’t reach the ground), unusual shapes along the bottoms of the clouds, clouds emerging out of the gray murk as the sunset light picks them up.

As I arrived at my little tree, I quickly lost interest in that subject as the cloud light show began. First the bottom of the thunderhead began to turn brilliantly orange and red. Then the lower reaches of the small storm began to produce very unusual cloud shapes including mammatus clouds. Virga produced a brightly colored by semi-transparent scrim. It quickly became so bright that the red/orange colors began to wash the granite bowl, and I turned my camera from the little tree to the uphill granite surfaces and the clouds above.

In this vertical format image the tip of a small tree extends above the top of a dome-like area above me, and the brilliant light from the clouds washes the dome with color. The colors here have not been “amped up” in post – in fact, I’ve actually toned some of them down a bit!

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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