Tag Archives: california

Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Egret, Blue Hour Fog

February 5, 2018 G Dan Mitchell Leave a comment

An egret hunting in blue hour fog

For those who don’t know the term, “blue hour” is that twilight period when the light tends to become soft and blue, most likely because the primary illumination is from the blue sky itself, with no assistance from direct sunlight. You might not notice the depth of the blue color of the light if you don’t think about it carefully or look at a photograph. Our eyes adjust to the color and see things as being “normal,” but the camera records (more or less) “what is.” Most often when people refer to blue hour they are referencing that period of early twilight — just after the red sunset tones have faded, but before it becomes extremely dark. Of course, there are two “blue hours” every day – one before sunrise and one after sunset.

I usually start my bird photography before it becomes light, and I frequently have to wait a bit before starting to photograph. On this morning it was exceptionally murky — not only was it still dark, but the tule fog was very thick. Eventually I looked for subjects that I could photograph in this challenging light. You are never far away from an egret in places like this, and it wasn’t long before I came upon one that was hunting in the nearby vegetation. In many cases I might try to compensate for the blue tones and the darkness, but here I instead decided to “go with the blue” and produce a photograph that feels more like such mornings actually feel.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature

Winter Fields

February 4, 2018 G Dan Mitchell Leave a comment

A flock of sandhill cranes flies through an evening winter sky about the San Joaquin River

During winter I travel to California’s Central Valley somewhat frequently, ostensibly to photograph birds but, to be honest, also to photograph the landscape — one that often features fog, fields and trees on the trajectory between winter and spring, unusual effects of light, and those birds. In mid-January I was there one afternoon, on my way to an opening reception at the Carnegie Arts Center in Turlock. The drive would usually take me about two hours, but I left early to create some time to explore areas along the San Joaquin River as it approaches the delta and eventually San Francisco Bay.

It was an interesting weather day. It was range when I left the San Francisco Bay Area, but I got ahead of the front as I crossed into the valley, and it was partly sunny as I headed east on country roads towards this destination. Out here by the river it was hazy and foggy, as it so often is this time of year, and before long the clouds of that front caught up with me and produced an interesting and evocative “atmospheric soup” that was occasionally illuminated subtly when the clouds above the fog to the west thinned. The photograph looks across fallow and muddy fields where sandhill cranes were collecting and towards the scattered trees that grow nearer to the river, above which a flock of cranes flies past.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: San Francisco

South Beach Harbor, Morning

February 3, 2018 G Dan Mitchell Leave a comment

Morning light on South Beach Harbor and buildings of downtown San Francisco

On this late-January morning I was up — you know the drill… “hours before dawn” — to catch a train up the Peninsula to San Francisco for a morning of street photographer and a visit to the San Francisco Museum of Modern Art, where an extensive show of Walker Evans photography was nearing the end of its run. (At some point I should write a bit about my response to the show. A quick summary: great show, some brilliant work, some work I identify with personally, some work that makes me wonder why it is on the wall.) For these trips I’m usually up around 4:00 AM, giving me a half hour for coffee and a quick breakfast before I walk to catch a bus to the train station, where I catch one of the “baby bullet” express trains that has me in San Francisco an hour later.

The weather was in flux, and when by the time I arrived it was clear that a dome of solid high clouds was over San Francisco. However, as I left the train just before sunrise I was able to see some light on the underside of the clouds that was apparently coming from a gap in the cloud cover across the Bay to the east. I quickly headed over to the nearest shoreline location and ended up at the South Beach Harbor. I found some unusual light here as the sun rise. The light was coming through a narrow gap between the western edge of the cloud shield and the low, East Bay hills. Meanwhile, the clouds over and to the north of San Francisco kept the sky there somewhat dark. As the light hit the shoreline area where I had gone, the foreground boats and buildings and so forth were lit by this lovely filtered light and set off against that darker sky. The conditions did not last long — soon the sun rose above that cloud gap and the light soon became gray and flat.

Photographs: Central California, Photographs: Nature

Island With Trees, Thinning Fog

February 2, 2018 G Dan Mitchell Leave a comment

Sunlight begins to illuminate a small wetland island as San Joaquin Valley tule fog thins

We all know that (apparently false) story about the number of words that Inuit people have for the myriad types of snow. I suspect that it would be possible to have a similarly diverse vocabulary of descriptions for fog, dependent upon its thickness, temperature, quality and color of light, tendency to move, effect on sound, time of day, season, persistence, and much more. Photographing in California is something of a laboratory in the nature of fog, in that we have so many types. Living in the San Francisco Bay Area I am very familiar with the type of fog created by the marine influence — often cold and gray and damp, and frequently a feature of the late-spring and summer months. Photographing Central Valley birds (and driving across the great valley while traveling to and from the Sierra Nevada) has given me ample opportunities to know the tule fog, mostly a winter phenomenon caused by cool and damp conditions over land.

On winter days when I photograph in the valley I experience transitions though many different types of fog and fog-light. I often start before dawn, when the fog and darkness can close the world down to what I can (barely) see in my headlights, or by the glow of commercial signs and streetlights as I pass through towns. Before sunrise the fog can glow in colors ranging from sky blue to the gaudy reds, oranges, yellows, and purples of first light on clouds above the fog. Eventually that color dissipates and the fog can simply become gray. Then, as it things (often from the top down), and light begins to filter down to the ground level, the colors of grasses and trees and water being to appear faintly.

G Dan Mitchell Photography

Tag Archives: california

Egret, Blue Hour Fog

Winter Fields

South Beach Harbor, Morning

Island With Trees, Thinning Fog

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.