Tag Archives: clearing

Winter Sky, Birds, Sun

Winter Sky, Birds, Sun
Winter sunlight momentarily breaks through winter high clouds and tule fog as migratory birds pass, Pacific Flyway.

Winter Sky, Birds, Sun. © Copyright 2022 G Dan Mitchell – all rights reserved.

Winter sunlight momentarily breaks through winter high clouds and tule fog as migratory birds pass, Pacific Flyway.

This photograph holds one brief instant of nearly miraculous light… from a morning on which the light was generally much less than miraculous. I was in California’s Central Valley largely because I wanted to photograph in foggy conditions. These are common here at this time of year, when tule fog rises overnight and creates a thin but often very dense layer of fog. Most people prefer to not be out in these conditions — the driving can be nerve-racking — but the landscape can be very beautiful when it all works out just right.

The potential was certainly there as I drove to my destination. The fog suddenly became very dense perhaps twenty minutes before I arrived, but it was shallow enough that the setting full moon was clearly visible in the pre-dawn sky. However, a higher layer of clouds spread over the sky and fog that might have glowed in sunrise light simply went gray. Eventually the thinning tule fog lined up with a few momentary breaks in the higher clouds and some light shone through. During this one brief instant the sun was visible, surrounded by a halo of lighter clouds, and a pair of geese flew past, barely visible in the photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Edge of the Pacific

Edge of the Pacific
Boulders and surf under clearing fog along the Big Sur coast.

Edge of the Pacific. © Copyright 2021 G Dan Mitchell – all rights reserved.

Boulders and surf under clearing fog along the Big Sur coast.

This photograph likely looks a bit… ambiguous. In fact, it was that sort of day along this section of the California coast. I’m generally a fan of fog when I go to photograph there, but getting just the right amount of fog in the right places takes a bit of luck — we don’t control that! I was hoping for the kind of day that starts with thick, mysterious fog but then transitions to clearing, gradually revealing features as the sun begins to appear. But that fog never fully cleared. (At one point as I was photographing a disappointed tourist stopped and more or less asked me where the Pacific Ocean was and whether or not he might be able to see it.)

Later in the afternoon the fog did begin to diminish a bit, but it remained right up against the coast. In many places when I positioned myself to photograph over the ocean, the sun was shining on the hills directly behind me as I pointed the camera into the murk at the edge fo the land. In this spot the fog had sufficiently thinned right at the coast and I was able to make out rocks right at the water’s edge… but the fog obscured and muted the more distant ocean. That distant, fuzzy line near the top of the frame is some vague, opaque combination of the horizon and fog.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Sea Stacks and Bluffs, Fog

Sea Stacks and Bluffs, Fog
Thinning morning fog above sea stacks and bluffs along the Big Sur coast.

Sea Stacks and Bluffs, Fog. © Copyright 2021 G Dan Mitchell – all rights reserved.

Thinning morning fog above sea stacks and bluffs along the Big Sur coast.

Because I am fortunate to live close to some rather famous places I often find myself at certain photographic icons. Over time I have developed an odd relationship with such places — a sort of love/hate relationship. I recognize why they have become icons, and acknowledge that in many circumstances they are truly amazing places, locations that any visitor to these various parks and other locations will want to see. But over a long period of time two things changed in my thinking about them as a photographer. First, there are so many photographs of such locations that it is probably not a good use of my time to rephotograph them. (To new photographers, it certainly can be a good exercise to photograph them, if for no other reason that to think about how the great photographs of these places were made.) The second change is that, to a certain extent, they start to seem less special.

I have written before about, for example, how I most often drive past the famous tunnel view in Yosemite without even stopping. (I’ve also written about a memorable occasion when witnessing someone else’s reaction to seeing this view for the first time reminded me of what an astonishing thing it is.) Because I have visited the Big Sur coast for decades, I’m less and less inclined to stop for icons… and I’m more likely to stop at random, odd turn-outs just to see what new thing I might find. But this week as I drove past this spot and looked to my right the combination of blue water, drifting fog, and thin light on the foreground rocks persuaded me to quickly pull over and photograph this… icon.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Point Reyes, Clearing Fog

Point Reyes, Clearing Fog
Morning fog clears aove the hills and bays of Point Reyes National Seashore.

Point Reyes, Clearing Fog. © Copyright 2013 G Dan Mitchell – all rights reserved.

Morning fog clears aove the hills and bays of Point Reyes National Seashore.

Living in the greater San Francisco Bay Area, the Point Reyes National Seashore is merely a longish day trip for me. I haven’t been there since the onset of the pandemic, but in more normal times I make up there during every season of the year — mostly to photograph, but also to see the elephant seals, to escape inland heat… and to stop for morning pasty and coffee at Point Reyes Station.

The park mostly wraps itself along and around Drakes Bay, with the “point” being the furthest terminus of a long peninsula extending into the Pacific Ocean. To make this photograph I stopped near the base of that peninsula and drove up a narrow road toward a high point on the ridge that runs roughly parallel to Tomales Bay. From here I could look across nearby tree-covered hills, past the lower rolling hills, over Drakes Estero, and toward Point Reyes, barely visible in the thinning morning fog.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.