Tag Archives: cliff

Red Rock Outcropping

Red Rock Outcropping
A variety of plantlife growing on a red rock outcropping, Zion National Park.

Red Rock Outcropping. © Copyright 2021 G Dan Mitchell – all rights reserved.

A variety of plantlife growing on a red rock outcropping, Zion National Park.

Utah red rock country is full of little vignettes like this one, no matter where you are. the photograph comes from Zion National Park, but it could have been made in any number of other locations where the sandstone formations appear. This California photographer, used to the relatively gray tones of Sierra granite, cannot get enough of the wild colors of this state.

I made this photograph on a morning when we drove across Zion National Park highlands on the Mt. Carmel Highway. Changes along this route, which can only assume the park service regards as improvements, have made photography considerably more difficult here. Many places where I used to be able to pull over and photograph are now off limits. That problem aside, we still did find places to stop and photograph in the brilliant morning sun, a very different experience than photographing in Zion Canyon or other deep and shaded places.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Cottonwoods and Red Rock Canyon

Cottonwoods and Red Rock Canyon
An old cottonwood and a grove of smaller trees in front of the sandstone walls of Zion Canyon.

Cottonwoods and Red Rock Canyon. © Copyright 2021 G Dan Mitchell – all rights reserved.

An old cottonwood and a grove of smaller trees in front of the sandstone walls of Zion Canyon.

There are at least two stories behind this photograph — maybe more. The first one involves a situation familiar to many photographers. When we go into these places carrying a backpack of gear, with a big camera on a tripod hanging over our shoulder, we aren’t exactly in stealth mode. And because lots of people in such places are trying to figure out how to make photographs to record their wonder… sometimes our presence draws them in our direction. I had wandered over to the bank of the Virgin River to photograph something and, sure enough, lots of other folks started showing up in what had been a pretty empty spot. I finished photographing there and headed back toward where I came from, looked back, and saw this big old tree towering above and decided it was worth a photograph. But now there were a few dozen people among those trees!

I made a mental note to remember the tree and come back to it later on as I continued up the canyon. When I did return the crowd had departed and I was able to get the scene I wanted. I’m generally not big on shooting with wide angle lenses, often preferring to limit the composition by using longer lenses and their narrower angle-of-view. But in the confines of a red rock canyon, a large tree like this cottonwood often towers above you, even if you have some space to move back. These big, old cottonwood trees fascinate me, and their varieties of form and setting seem almost infinite.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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The Last Leaves

The Last Leaves
An aspen tree with a few remaining autum leaves, against a cliff face wtih snow.

The Last Leaves. © Copyright 2021 G Dan Mitchell – all rights reserved.

Aspen trees with a few remaining autumn leaves, against a cliff face with snow.

The Sierra Nevada experience of the past year-and-a-half or so has been… strange. Everything has changed since our world was turned upside down in March of 2020, and my ability to visit and photograph my favorite mountain range has not been an exception. During the first summer we saw many locations simply shut down, and I didn’t really get into the Sierra until the very end of that summer — but only for very brief visits and one aborted pack trip that I had to cancel as a result of the intense wildfire smoke. By last winter I was again able to more comfortably get to non-Sierra locations including Death Valley, where it was possible to work in relative isolation, but the Sierra remained difficult to access. I got up there a few times later in the season, but it wasn’t until this fall that I felt that I was beginning to reconnect with this landscape.

In mid-October we put together an actual road trip. It began with a couple of nights in the Eastern Sierra before continuing on to Southwest Utah, another location that I hadn’t been to in far too long. This brief autumn Sierra visit (which followed another visit a week earlier) was a bit later than usual, and we ended up visiting a few places that I usually overlook… and heading to a few “old friends” even though they were past their prime. I made this photograph in one of those places, a location where the colors are usually spectacular a bit earlier in the season. I knew that wouldn’t be the case this time, so we went there a bit later in the day after photographing more promising morning subjects. We arrived, made a quick stop, and I spotted this small group of trees in the shadow of a cliff. They were nearly at the end of their color transition and most of the leaves were gone, but those that remained glowed in the bit of light arriving over the top of the cliff.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Towers and Shadows, Sunrise

Towers and Shadows, Sunrise
Red rock towers cast shadows on a cliff face in sunrise light, Zion National Park.

Towers and Shadows, Sunrise. © Copyright 2021 G Dan Mitchell – all rights reserved.

Red rock towers cast shadows on a cliff face in sunrise light, Zion National Park.

We have not visited Utah since before the 2016 election. I love Utah’s diverse and beautiful landscape, but once the state joined in the process of dismantling public lands I felt that the ethical — though painful — choice was to stay away until things were once again set right. Earlier this month we made it back and I can report that the state is as beautiful as it was before… and that I’m very glad to have been able to return. To a Californian, used to the mostly-gray landscapes of my beloved Sierra Nevada, the technicolor landscape of Utah is a revelation.

This photograph is another intuit combines planning and dumb luck. We got up a bit later on this morning. There was no need to catch the first shuttle into the canyon since our plan was to drive to higher country. This particular subject was on my list of sunrise possibilities, but when we arrived at the spot where I thought I could set up I could not find a place to pull over. That turned out to be good luck, as a few minutes later I figured out that a more elevated perspective was possible a bit further up the road. We found a place to pull over just. before the sun/shadow line reached the pinnacles, and I worked quickly to set up as the light continued to descend. I made a series of exposures starting with the first glimmer of direct light on the highest tower, and then I kept photographing as the light moved lower on the face, projecting the shadows of the ledge and towers on the cliff wall.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.