Tag Archives: cliff

Detail, Granite Face

Detail, Granite Face
Detail view of a section of a Yosemite Valley granite cliff face

Detail, Granite Face. © Copyright 2018 G Dan Mitchell – all rights reserved.

Detail view of a section of a Yosemite Valley granite cliff face

Yosemite, and especially Yosemite Valley, is famous for its “granite” (quotation marks for any geologists reading this post…) cliffs, towers, domes, slabs, and other formations. While we tend to think of this rock as being “gray,” the coloration varies quite a bit depending on the nature of the rock itself, the presence of lichens or plants, and on the light. Almost everywhere the expanses of granite are cut through by intrusions of different colored rocks. I don’t usually think of this particular face as being all that colorful, but on this morning the light somehow brought out the rust-colored tones on many sections of the rock.

I did just enough rock climbing many years ago to have developed memories of the sensations of such rock, from the cold and smooth slabs, to sharp edges of cracks, and rough surfaces (you hope!) on some friction routes. A close look at this section of cliff reveals an amazing variety of surfaces and irregularities. Perhaps most obvious is the large, curving vertical crack towards the left. The dark water stains are also striking, as is that rust colored rock. A closer look reveals other patterns, including a diagonal rising from left to right.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Oak Trees, Snow, Clouds

Oak Trees, Snow, Clouds
Tall winter oak trees silhouetted against granite cliffs and snow-storm clouds

Oak Trees, Snow, Clouds. © Copyright 2018 G Dan Mitchell – all rights reserved.

Tall winter oak trees silhouetted against granite cliffs and snow-storm clouds

Recently I spent a few more days in Yosemite, mostly in Yosemite Valley, working on my Yosemite Renaissances artist-in-residence project. We have settled on a theme for the exhibit, which will open on June 2, with a June 9 public reception. Since the timeline extended, I’ve decided to go beyond winter images and instead look at the transition from winter to spring. Hence, the title: “Transitions: Winter To Spring.” A group of friends and fellow photographers will also be part of the exhibit, and I’ll share more information very soon.

This week probably (though you can never be totally certain) marked the final real winter weather of the season in the Valley. A quick weather front swept through with surprising amounts of precipitation over a brief period, and it was cold enough for snow in the Valley. The snow wasn’t deep, but the cold temperatures allowed it to cover everything, including these lovely old black oak trees, photographed here against the background of clouds and mist and some of the rocky walls of The Valley.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Trees In Sun, Cliff In Shadow

Trees In Sun, Cliff In Shadow
Sun from behind an ice-rimmed granite monolith lights a row of trees at the edge of a meadow

Trees In Sun, Cliff In Shadow. © Copyright 2018 G Dan Mitchell – all rights reserved.

Sun from behind an ice-rimmed granite monolith lights a row of trees at the edge of a meadow

I made this photograph on a day of somewhat ephemeral conditions. There had been snow the day before — light snow, but in very cold conditions. On this morning the storm had passed, but it was so cold that a thin layer of snow was still there. It was in the meadows, on the branches of trees, and collected on every small irregularity on the granite cliffs above Yosemite Valley. At the moment I made this photograph the sunlight, shining through thin clouds, had just arrived on the closest trees, while those in the distance remained in cold shadows.

The light and the snow patterns on the face of the granite monolith are remarkable. The small amount of snow — perhaps only and inch or two — brought the patterns of cracks and small ledges into relief, making visible features that we might overlook on a warmer day And the light on the cliff is rather blue since the face is illuminated not by direct sunlight, but instead by the giant “light panel in the sky,” which happens to be very blue!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Cliff in Sun, Trees In Shadow

Cliff in Sun, Trees In Shadow
The edge of a granite face caught in morning sun, with snow-covered trees in shadow

Cliff in Sun, Trees In Shadow. © Copyright 2018 G Dan Mitchell – all rights reserved.

The edge of a granite face caught in morning sun, with snow-covered trees in shadow

The little bit of sunlit granite cliff on the right side of this photograph has long intrigued me. When the light hits it a highlight is added to a scene that is often otherwise almost completely in shadow. The light only happens for a short period, since the sun has to rise above the thousands-of-feet-high cliff above and then find its way down at just the right angle. Basically, it is only going to happen in the morning at this time of year, and for a short time at that. On this day I photographed it just after new snow had fallen the night before, coating trees and granite with a thin layer of snow.

The color of this scene is perhaps also worth mentioning. I decided to “go with the blue” on this image. Deeply shaded areas that are illuminated by open sky are often far bluer than we might think, something that photographers soon learn to recognize. When we look at such a scene with our eyes and our brains visual processing system, our brain tells us that, for example, the snow in this scene is white. But objectively speaking it is very much NOT white — it is the blue of the sky. In many cases photographers — including me — will adjust the color of the blue shadows in post to make them a bit closer to how we recall the scene, but another option is to leave it just as blue as it actually is… which is what I’ve done here.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.