Tag Archives: cliff

Sandstone Towers and Cliffs

Sandstone Towers and Cliffs - Sandstone towers and cliffs in evening light, Capitol Reef National Park
Sandstone towers and cliffs in evening light, Capitol Reef National Park

Sandstone Towers and Cliffs. Capitol Reef National Park, Utah. October 8, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Sandstone towers and cliffs in evening light, Capitol Reef National Park

By comparison to some of the other well-known Utah national parks, it seems to me that Capitol Reef is perhaps a bit more difficult to get to know. Oddly, this might be partially because it is so easy to experience it very superficially. A main highway passes right though the park, and a number of the characteristic and iconic features are visible from the highway or by barely leaving it: the well-known orchards, accessible examples of rock art, large and impressive sandstone walls and towers, the Fremont River. Other features are neatly containing along an impressive “scenic drive” with some popular trails. But it seems that the steps to see additional aspects of the park are bigger than at some other parks. For example, while most Yosemite visitors think of The Valley as the park, it isn’t really all that difficult to drive paved roads to Glacier Point, redwood groves, or even the summit of the Sierra. But to go a bit further at Capitol Reef you might have to drive through a river, have four-wheel drive, ask someone about some relatively unknown canyon, drive for many miles on gravel roads.

My first visit to this park was limited to the most accessible features, as we were passing through on our way to another place. We stopped briefly to see the rock art, and I saw those iconic orchards of Fruita. On the second visit, we had more time – we were in the area of several days – and we spent time on the “scenic drive,” did a few of the hikes, and poked around the fringes of these area. We even drove the dozens of miles down that east side gravel road and took a long drive on less-used roads to return to where we started. On a subsequent trip, we asked around a bit, and ended up poking into a canyon where we were the only visitors and walking along a route high in the mountains on a sub-freezing morning. This photograph comes from the intermediate experience of that second trip. Although there was (and still is!) much that I don’t know about this huge and diverse park, by this point I was starting to get a sense of the rhythms of light and so forth, and this enable us to be at this (accessible) location at the right hour as the day came to an end.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Old Cottonwood Trees, Autumn

Old Cottonwood Trees, Autumn
“Old Cottonwood Trees, Autumn” — Old cottonwood trees against autumn sky, Grand Staircase-Escalante National Monument

This is a photograph that I wish I had seen this way while I was there! On the scene, while wandering into a beautiful section of a big, deep canyon to photograph water, sandstone, and fall colors, I came across these trees (or this tree – they may grow from a common root system) and made the photograph in landscape orientation… and only realized while working on it in post that I really like it in portrait orientation, too. So, yes, this is cropped from a larger original photograph.

I don’t know how others will “see” this, but for me this version recalls a lot of older monochrome photographs of subjects like this from an earlier era – the era in which I first came to be fascinated by photography. Way “back in the day” when I first did photography, with the encouragement and help of my father, virtually all of the photographers whose work inspired me shot black and white. With that in mind, and with my early experience involving how to shoot, develop, and print black and white, I suppose it shouldn’t be a surprise that I still love monochrome. (A number of my personal favorites among my own work are black and white.) In this one I even applied the virtual equivalent of the classic filtering to alter the tonal balance and lighten clouds and foliage and somewhat darken the massive, twisting forms of tree trunks and branches.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Escalante River, Cottonwood Trees, Autumn

Escalante River, Cottonwood Trees, Autumn - Large cottonwood trees with autumn leaves along the Escalante River, Utah
Large cottonwood trees with autumn leaves along the Escalante River, Utah

Escalante River, Cottonwood Trees, Autumn. Grand Staircase-Escalante National Monument, Utah. October 24, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Large cottonwood trees with autumn leaves along the Escalante River, Utah

In many places like this one along the Escalante, the terrain seems to be largely a continuous repetition of one horseshoe bend after another, and each bend encourages me to want to see what will be ahead. When the river bends one way, the bottom of the canyon may be in sunlight; when it bends the other – and perhaps narrows around the apex of the bend – everything may be in deep shadow from the tall cliffs above the narrow canyon. In these bends it is often necessary to cross back and forth across the stream as the canyon narrows. (That ritual was a new one to me as a long-time Sierra Nevada hiker and backpacker. There a stream crossing or two in a day would typically be about it, and we tend to make a big deal out of them. Here you might cross a stream more than a dozen times in less than a mile!)

The location of this photograph was at one of those crossing points. The trail approached my camera position from up the canyon and around the bend along the right (from this point of view) side of the stream, crossed the river down among the trees, and then headed across a low hill to the left that skirted between the river and the base of the cliffs. When I arrived at this point and walked underneath this wildly colorful group of cottonwoods, I thought I’d like to find a way to photograph them, the river, and the dark upper canyon. So, before wading through the water I went ahead a bit and climbed up on a sort of ledge to this overlook from which I had a good view up the canyon. Because it was a partly cloudy day, the light here was in a constant state of change. When the clouds moved overhead, the canyon and the trees become quite dark. But a moment later the cloud would pass on and the sun lit the golden trees so brightly that it was almost impossible to photograph them and keep any light in the background canyon. So I watched and waited and made this exposure when the clouds partially obscured the direct sun, but still let in enough light to brighten the trees and cast soft shadows on the bank of the stream.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Cottonwood Trees and Cloud-Filled Sky

Cottonwood Trees and Cloud-Filled Sky - Massive old cottonwood trees silhouetted against the cloud-filled autumn sky, Grand Staircase-Escalante National Monument
Massive old cottonwood trees silhouetted against the cloud-filled autumn sky, Grand Staircase-Escalante National Monument

Cottonwood Trees and Cloud-Filled Sky. Grand Staircase-Escalante National Monument, Utah. October 24, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Massive old cottonwood trees silhouetted against the cloud-filled autumn sky, Grand Staircase-Escalante National Monument

This photograph was a sort of passing whimsy, in a sense. In this particular canyon that we visited in late October, our attention as mostly focused on avoiding inclusion of the sky in the frame. For the most part, the tall cliff walls were almost the default background for many photographs, so I paid little attention to the sky, for the most part, except to contrive ways to keep its distracting solid blue out of the frame, where it would distract from the colors and shapes and textures of rock and trees and water.

But when I came straight up to this tree just before we entered a narrow section of the canyon, it is was impossible ignore. It is actually a single tree that splits into two twin trunks near its base, with each trunk then sprouting a group of curving, twisting and interlocking branches high above the ground. With this subject, out in the open as it was, photographing it against the background of rock would not have worked, and it was so tall that I was essentially forced to shoot it with the camera pointing up. Fortunately, there were interesting clouds in the sky, and even more fortuitously the lines in the clouds roughly lined up with the left half of the v-shape of the two converging ridges down that canyon. Even better, this shallow “v” of the canyon rims and low peaks beyond echoed and cradled the somewhat similar shape found in the upper branches of the tree.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.