Tag Archives: cliff

Little Sur River, Pacific Ocean

Little Sur River, Pacific Ocean
Little Sur River, Pacific Ocean

Little Sur River, Pacific Ocean. Big Sur Coast, California. January 19, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The Little Sur River meets the Pacific ocean along the Big Sur coastline of California in evening light

On this weekend near the middle of January, the local news and weather reports announced the arrival of very large winter surf along the central and northern California coast. This typically happens a few times every winter, when very distant storms far to the north in the Pacific Ocean near the Aleutian Islands send huge swells south towards California. For those whose experience with the California coast has mainly been to experience the usually gentle surf on summer, these waves can be stunning. When I heard about these conditions I knew I had to make it over to the coast. The setup this weekend was special in another way – the period between large waves was rather long and the larger sets of waves were separated by many minutes. We saw this process in action when we first arrived to find what looked like surprisingly calm seas, with only rather normal looking waves. But within minutes a set of the larger waves began to come ashore and we were astounded at their size and power.

This weekend was doubly special. Not only was the monumental winter surf running, but we had a spell of that weather than can make people from other places envy Californians! We went south from Monterey and into the upper reaches of the Big Sur coastline, where it was beautifully sunny and close to 70 degrees! (For those who think this is actually typical… not quite! In the summer this area is often blanketed by thick fog for days on end.) The waves and the weather drew thousands to the shoreline, and I can’t recall the last time I saw so many people along the coast highway. We joined them and made quite a few photographs during the afternoon hours. At the same time I was scoping out possible locations for that final golden-hour photograph. As the end of the day approached we were very close to Big Sur itself, and I remembered stopping at this spot a bit earlier in the day and thinking about how to compose a photograph of the peninsula separating the curving Little Sur River from the steep cliffs and ocean beyond.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Davenport Bluffs, Dusk

Davenport Bluffs, Dusk - Dusk light on a series of bluffs marching south from Davenport, California
Dusk light on a series of bluffs marching south from Davenport, California

Davenport Bluffs, Dusk. Near Davenport, California. December 8, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Dusk light on a series of bluffs marching south from Davenport, California

This photograph comes from early December, 2012, when I attempted to join a group of folks on a “photowalk” in the Santa Cruz, California area. I was originally supposed to meet up with them at Henry Cowell park (for photography of redwoods), but missed that mid-morning rendezvous due to my own scheduling issues. I knew they would be heading over to the area near Davenport, just up the coast from Santa Cruz, a bit later in the morning. So I headed over there… and ended up eating my lunch along in a restaurant about 100 yards north of the restaurant where they were all meeting! Then I somehow missed the next rendezvous almost directly across the street, and instead ended up on nearby coastal bluffs to do my photography.

This photograph was the last one I made that evening, well after the sun had set. It was quite dark by this point, so much so that after I finished and packed up it was becoming difficult to see the path back to my car. Exposures were getting quite long – this one was, I believe, about 30 seconds long, and I had been successively opening up my aperture in order to keep the exposure time down to a reasonable half-minute. Often some of the most interesting and evocative light can come after sunset, sometimes well after sunset. The light softens and diffuses, as it comes from large areas of the sky and not from the point source of the sun. The colors change, heading toward blue but also including other subtle tones such as the pinks seen in the clouds in this photograph. And the longer exposures allow me to create a sort of fantastical effect by letting surf and spray blur out over the long exposures. (For a night photographer like me, such images also raise interesting questions about where the boundaries between “night photography” and just plain photography lie.)

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sandstone Towers and Cliffs

Sandstone Towers and Cliffs - Sandstone towers and cliffs in evening light, Capitol Reef National Park
Sandstone towers and cliffs in evening light, Capitol Reef National Park

Sandstone Towers and Cliffs. Capitol Reef National Park, Utah. October 8, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Sandstone towers and cliffs in evening light, Capitol Reef National Park

By comparison to some of the other well-known Utah national parks, it seems to me that Capitol Reef is perhaps a bit more difficult to get to know. Oddly, this might be partially because it is so easy to experience it very superficially. A main highway passes right though the park, and a number of the characteristic and iconic features are visible from the highway or by barely leaving it: the well-known orchards, accessible examples of rock art, large and impressive sandstone walls and towers, the Fremont River. Other features are neatly containing along an impressive “scenic drive” with some popular trails. But it seems that the steps to see additional aspects of the park are bigger than at some other parks. For example, while most Yosemite visitors think of The Valley as the park, it isn’t really all that difficult to drive paved roads to Glacier Point, redwood groves, or even the summit of the Sierra. But to go a bit further at Capitol Reef you might have to drive through a river, have four-wheel drive, ask someone about some relatively unknown canyon, drive for many miles on gravel roads.

My first visit to this park was limited to the most accessible features, as we were passing through on our way to another place. We stopped briefly to see the rock art, and I saw those iconic orchards of Fruita. On the second visit, we had more time – we were in the area of several days – and we spent time on the “scenic drive,” did a few of the hikes, and poked around the fringes of these area. We even drove the dozens of miles down that east side gravel road and took a long drive on less-used roads to return to where we started. On a subsequent trip, we asked around a bit, and ended up poking into a canyon where we were the only visitors and walking along a route high in the mountains on a sub-freezing morning. This photograph comes from the intermediate experience of that second trip. Although there was (and still is!) much that I don’t know about this huge and diverse park, by this point I was starting to get a sense of the rhythms of light and so forth, and this enable us to be at this (accessible) location at the right hour as the day came to an end.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Old Cottonwood Trees, Autumn

Old Cottonwood Trees, Autumn
“Old Cottonwood Trees, Autumn” — Old cottonwood trees against autumn sky, Grand Staircase-Escalante National Monument

This is a photograph that I wish I had seen this way while I was there! On the scene, while wandering into a beautiful section of a big, deep canyon to photograph water, sandstone, and fall colors, I came across these trees (or this tree – they may grow from a common root system) and made the photograph in landscape orientation… and only realized while working on it in post that I really like it in portrait orientation, too. So, yes, this is cropped from a larger original photograph.

I don’t know how others will “see” this, but for me this version recalls a lot of older monochrome photographs of subjects like this from an earlier era – the era in which I first came to be fascinated by photography. Way “back in the day” when I first did photography, with the encouragement and help of my father, virtually all of the photographers whose work inspired me shot black and white. With that in mind, and with my early experience involving how to shoot, develop, and print black and white, I suppose it shouldn’t be a surprise that I still love monochrome. (A number of my personal favorites among my own work are black and white.) In this one I even applied the virtual equivalent of the classic filtering to alter the tonal balance and lighten clouds and foliage and somewhat darken the massive, twisting forms of tree trunks and branches.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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