Tag Archives: coast

Moving Water

Moving Water
A small wave crosses kelp and sand in shallow water at the Pacific Ocean shoreline.

Moving Water. © Copyright 2022 G Dan Mitchell.

A small wave crosses kelp and sand in shallow water at the Pacific Ocean shoreline.

This is the second of a pair of somewhat abstract water photographs I made on a quick visit to the California coast last week. I just had a few hours, so I went up the coast from Santa Cruz to Half Moon Bay, then over the coast range and returned to Silicon Valley. It was an “extremely typical” day in this part of the world, by which I mean that the conditions were “typical” (cool and foggy) for this time of the year, but even more so to the point that I encountered coastal drizzle heavy enough to feel like rain.

I paused at one overlook high above the Pacific, hoping to photograph pelicans that often coast past on updrafts from the incoming ocean winds. I just missed oen flock as I arrived, but I quickly attached the long lens and… waited… for the next flock… which never showed up. Since I had that lens on the camera I decided to point down rather than up and photograph the shallow water at the edge of the ocean far below.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Monterey Cypress, Fog

Monterey Cypress, Fog
A gnarled Monterey Cypress tree tops a rocky promontory on a foggy morning and Point Lobos.

Monterey Cypress, Fog. © Copyright 2022 G Dan Mitchell.

A gnarled Monterey Cypress tree tops a rocky promontory on a foggy morning at Point Lobos.

Finally, this should be the last in the four-photograph series of images that focus on this gnarled and weathered tree standing on top of a rocky prominence along the exposed north shore of Point Lobos. The tree is always impressive, but I was fortunate to catch it on a morning when persistent coastal fog was thinning and creating glowing light that was just slightly directional.

Of the four interpretations of this scene, this one fits with the earlier portrait-mode version as one of the two most conventional views. In both cases the tree is clearly the primary subject, more tightly framed in the portrait mode interpretation and including a bit more background in this landscape mode version. (The other two used wider formats and included additional elements of the larger scene — a clearer view of the white rocks and cormorants in one case, and some nearby trees in the other.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Two Trees, Coastal Fog

Two Trees, Coastal Fog
Two Monterey cypress trees in fog along the rugged north shore at Point Lobos.

Two Trees, Coastal Fog. © Copyright 2022 G Dan Mitchell.

Two Monterey cypress trees in fog along the rugged north shore at Point Lobos.

As promised, here is yet another way of looking at the scene featuring the prominent tree on the left, a beautiful specimen of gnarled and weathered Monterey cypress along the north shore at Point Lobos. For this version I pulled back a bit and took in the larger scene, going with a semi-panoramic aspect ratio that includes a wider view and includes a second tree and the fog-shrouded ocean beyond.

Photographers (and practitioners of other arts) often describe some aesthetic object as being “perfect.” I’m not so sure that the term, at least in a classic sense, really works for such things. It implies that there is one “perfect” and ideal way of seeing or presenting something. It seems to me that there are multiple excellent ways to do such things, especially in the creation of art. If you asked me to select one of the four (yes, there’s still one more!) versions of this photograph as “the best,” I’d find it almost impossible to make a definitive choice.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Windswept Trees, Coastal Bluffs

Windswept Trees, Coastal Bluffs
Rugged trees cling to rocky bluffs above the Pacific Coast shoreline, Point Lobos.

Windswept Trees, Coastal Bluffs. © Copyright 2022 G Dan Mitchell.

Rugged trees clinging to rocky bluffs above the Pacific Coast shoreline, Point Lobos.

This scene gets a different treatment than other recent Point Lobos photographs, something more in line with the tradition of black and white photography at this location. The foreground tree and its nearby associates are influenced by the strong winds at this exposed location. Branches and whole trees are bent away from the open sea, and their angles are mirrored by the slope of the headland on the other side of the foggy inlet.

In a recent post I mentioned that some attractive Point Lobos subjects are often nearly impossible to photograph because dense trees stand between legal (and safe!) camera positions and the open views. While sometimes I can find a way to photograph under, around, or through these barriers, that isn’t always. possible. I initially went to this spot looking for an open view of the inlet, but when I couldn’t find it I decided to make the trees and boulders the main foreground element.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.