Tag Archives: county

Headlands, Pacific Ocean, Dusk

Headlands, Pacific Ocean, Dusk
Headlands, Pacific Ocean, Dusk

Headlands, Pacific Ocean, Dusk. San Francisco Bay Area, California. January 17, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Dusk light silhouettes the rugged Marin headlands above the Pacific Ocean disappearing into distant haze.

On a day that began with a visit to the De Young Museum (the final weekend of the David Hockney exhibit) we ended up with some hours of free time in San Francisco… so we decided to head across the Golden Gate and try to be in position somewhere for interesting evening light. We didn’t really have a concrete plan, and we could have ended up in the headlands, along the bay, or perhaps further north along the coast. We stopped for coffee and killed a bit of time in the mid-afternoon light, and by the time we finished the early winter sunset was closer than we had expected.

Looking at the late hour (hey, it was a “vacation day!”) we realized that we didn’t have nearly as much time as we imagined, so we quickly figured out that our best bet was just to head back into the Marin Headlands on the very popular Conzelman Road – yes, the place where hundreds or thousands of people go almost every evening to watch the sun set or the fog roll in (or, sometimes, just a plain old wall of fog!) over the Golden Gate. We drove up the road and the crowds were, as expected, large enough that there were few places to park. In fact, I had to pass up a few possible photographic subjects since I could not stop. Eventually we found a place to pull over and get out and take a look. It was a pretty evening, but the view of the City was not unusually spectacular and I left my camera equipment in the car and just enjoyed the evening view and crisp air. As I stood there, I saw that the backlight over the Pacific outside the golden gate was starting to produce a beautiful diffused light over the water as the atmosphere became increasingly opaque toward the horizon. So I grabbed the tripod and camera and walked up the road a ways to make a few photographs of the ocean and the steep, rugged Marin Headlands cliffs plunging toward the edge of the water.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

White-Faced Ibis

White-Faced Ibis
White-Faced Ibis

White-Faced Ibis. San Joaquin Valley, California. February 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

White-Faced Ibis feeding in San Joaquin Valley wetlands

As I have pointed out in the past, I’m no bird expert – but I do like to photograph them! For some reason the white-faced ibis has intrigued me for some time. The first time I photographed them it was an accident. I was photographing birds flying overhead on one winter morning when the sky was filled with birds – so many that I mostly just photographed without paying too much attention to the specifics of what I was seeing. Sometime later when I got home and looked at the files I saw that one large group of birds flying in a long row, silhouetted against the brighter sky, had the interesting curved bills that characterize the ibises.

More recently I have learned to look for them, and in some of the places I photograph I now know where to find them, down to the acre in a few cases. In mid-February I went to one of these locations and ended up at a spot where I have seen many of them in the past, often feeding in groups. But this time I saw exactly two. One was behind some reeds and did not make a good photographic subject, but this one was feeding alongside a gravel road right at the edge of the water. I stopped my car – which often serves as an effective blind – and opened a window and waited (somewhat) patiently as the bird worked its way along in the shallow water. The trick is to think of this almost as a portrait – I watch for the bird to turn into the best light, to stand in an interesting position, to face the camera, and to be in a spot that avoids distracting or interfering objects. The egret tends to spend a lot of its time with its beak deep in the water as it looks for food – not a very attractive photographic pose! But it periodically lifts the beak and every so often it briefly stands up straight as seen here. The plumage of this bird is very interesting. It can look just plain dull and almost black in some light. But if it turns its body toward the sun, the feathers become iridescent and have tints of green and red.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Two Cranes, Sunrise

Two Cranes, Sunrise
Two Cranes, Sunrise

Two Cranes, Sunrise. San Joaquin Valley, California. January 1, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Two cranes fly in front the rising sun above San Joaquin Valley wetlands

On New Years Eve 2013 I arrived back in the San Francisco Bay Area from New York after 10:00 PM. 8 hours later (2 hours of unpacking, four hours of sleep, and two hours of driving) I was in the Central Valley, where I met friends to greet the (literal) dawn of 2014 in the company of wild birds. We arrived before sunrise to find light fog drifting about and to hear the sounds of thousands of birds coming from every direction.

We made a few initial photographs before dawn from very close to our meeting location, and then we headed out into this wildlife area to find locations from which the birds (geese, cranes, herons, pelicans, and more) would be more visible. A few minutes later I looked over my left shoulder to see the very first sliver of the sun barely glowing through the layers of fog as cranes and other birds flew across the horizon above the marshland. I quickly found this spot where there was a small tree and where a bit of the further water was visible and I photographed though the sunrise, until the sun rose above the low mist and became to bright to include in the frame. There was a constant flow of birds across the scene – sometimes hundreds of them and sometimes, as in this scene, only a few.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Marsh, Fog, Sunrise

Marsh, Fog, Sunrise
Marsh, Fog, Sunrise

Marsh, Fog, Sunrise. San Joaquin Valley, California. February 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Dawn sun reflected in the surface of a foggy San Joaquin Valley marsh

On a foggy morning like this one, when the fog is dense but not deep, the atmosphere and light can pass through an astounding series of phases in short order as the day begins. We arrived before sunrise, when it was still almost dark, and when we began to think photographically a few minutes later there was little light in the sky at all. The overall toned were mostly blue, and it was difficult to see any detail. Very soon, as the first real pre-dawn light began to illuminate clouds above the eastern horizon and turn them shades of red and pink, the shallow fog layer began to glow with these reflected colors. We had perhaps five minutes of this luminous color, which at times was almost unbelievably saturated, and then the intensity began to fade and the colors became more subtle. At the same time, the brighter sky overhead became more visible through the fog, and we could begin to more clearly see the higher clouds.

The sun was still below the horizon, even though its light was beginning to strike those higher clouds to the east. At about this time we moved on to a different location with a clearer view directly to the east. Very soon the rising sun began to emerge above the distant Sierra and low clouds, and from our position it rose into a slight clearing in these clouds. The orb of the sun became visible through the dense atmosphere and its direct light soon began to reflect off the surface of the wetland pond in front of us. Shooting straight into the rising sun, I closed down aperture and shortened exposure and made this photograph that, to me, captures the depth of the scene as it moves from the nearby reflections and ripples in the water, across a further line of half-submerged grasses, towards a larger expanse of the pond and then further landscape in fog, to finally rise though slightly glowing back-lit fog toward the sky and the sun.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.