Tag Archives: desert

Hikers, Titus Canyon

Hikers, Titus Canyon
Hikers, Titus Canyon

Hikers, Titus Canyon. Death Valley, National Park. March 28, 2010. © Copyright 2011 G Dan Mitchell – all rights reserved.

Hikers in Titus Canyon, Death Valley National Park.

There are essentially two ways to get to this portion of Titus Canyon in Death Valley National Park – you can either do a very long drive from near Beatty on gravel roads or you can walk a short distance up from the base of the canyon along the eastern side of Death Valley itself. I’ve done both. The road is quite an experience – in any other park it would probably be regarded as a very special thing, especially the last portion above Death Valley where it twists and turns down a slot canyon that is in places barely wide enough to a vehicle yet so tall that it can be hard to see the tops of the canyon walls. (It is not exactly a bad road, but it isn’t trivial either. There are some very exposed sections where it crosses the mountain ridge and descends past Leadville. Although there are reports of people using lesser vehicles, take seriously the recommendations for reasonably high ground clearance and some from of all-wheel drive.)

However, on this visit I simply parked my car at the base of the canyon, shouldered my camera equipment, and walked up the canyon a ways. There is, of course, much that you probably won’t see if you enter the canyon this way, largely because the road is so long that you won’t likely cover much of it on foot. However, I think that you can more clearly sense the scale of the lower slot canyon when traveling of foot. I included two hikers who happened by to give a sense of that scale to the landscape.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Morning Light, Zabriskie Point, Detail

Morning Light, Zabriskie Point, Detail
Morning Light, Zabriskie Point, Detail

Morning Light, Zabriskie Point, Detail. Death Valley National Park, California. April 2, 2009. © Copyright 2009. G Dan Mitchell – all rights reserved.

Detail of eroded gullies and hills at the edge of Gower Gulch in morning light, Zabriskie Point, Death Valley National Park.

This photograph focuses on a small section of the contorted and folded geological shapes along the edges of Gower Gulch at Zabriskie Point in Death Valley National Park. These details fascinate me, not only for the amazing variety of forms that they present but also because they change continuously as the light changes. Here they are illuminated by fairly stark light from early morning sun light that has just appeared as the sun rose above the hills to the east. The contrasts between the brightly lit tops of the small hills and the deeply shadowed gullies is clear, but if you look closely you may be able to see that the shadows are lit, as well, by the light reflected into them from the obscured sunlit faces of the gullies that are not visible from this position.

When I return to Zabriskie, I may take a few moments to make photographs of momentary soft light as the first sun strikes Manley Beacon, but I have become much more interested in photographing these small details of the scene. I usually work with a very long lens, and continue to shoot long after the “golden hour” sunrise light has gone since some of the small subjects are better lit by higher light.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dust Storm, Death Valley

Dust Storm, Death Valley
Dust Storm, Death Valley

Dust Storm, Death Valley. Death Valley National Park, California. April 3, 2009 © Copyright 2009 G Dan Mitchell – all rights reserved.

A building dust storm begins to obscure the sky above Death Valley, California.

In retrospect, there were hints that this tremendous dust storm was coming prior to its actual arrival. Very early in the morning I had been photographing at another location and the light and atmosphere were a bit unusual. The dawn and very early morning light was beautifully warm, but the distant peaks were slightly obscured by a sort of atmospheric haze that is hard to describe but which I now recognize as being associated with incoming dust storms. Soon, large and impressive clouds began to appear high in the deep blue sky, but at about the same time the air closer to the bottom of Death Valley started to look increasingly opaque.

I left my early morning shooting location and began my trip home from Death Valley. After a stop at Furnace Creek – to treat myself to a real breakfast after days of camping – I headed north towards Stovepipe Wells. As I headed north I began to see the obvious clouds of blowing dust accumulating along the Grapevine Mountains, and shortly before the turn to Stovepipe I encountered the boundary between the relatively clear air and the murk of the dust storm that was growing directly ahead and off to my left.

Before entering the cloud – I had not choice since my route went that direction – I pulled over within perhaps a quarter-mile of the edge of the storm. Not wanting to risk dust getting into my camera, I unpacked my gear inside the car and decided to just use the lens that was already fitted to the camera. I stepped outside to find that lines of wind-blown dust were already streaming along the ground and that the atmosphere had taken on the strange and electric feel of these storms. Off to my left, the dust was beginning to kick up among some low, dark hills across a nearby wash, while a gap in the dust clouds momentarily left open a window to the bright sky and high clouds above.

Related: See my posts on Photographing Death Valley

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Red Cathedral, Zabriskie Point

Red Cathedral, Zabriskie Point
“Red Cathedral, Zabriskie Point” — Early morning light on the Red Cathedral and eroded terrain at Zabriskie Point, Death Valley National Park.

This photograph was made at what may be the most famous location in Death Valley, the overlook area at Zabriskie Point. The photograph does not include the famous view of the spire of Manley Beacon, which is just out of the frame to the left in this image. Instead, the photograph focuses on the “Red Cathedral,” a ridge to the right of Zabriskie that rises above the rest of the surrounding eroded hills, is a darker and reddish color, and presents a deeply eroded face.

It is not an easy subject to photograph, and I still have some additional ideas on how else I might approach the feature as a subject. Exposure is a challenge when shooting the Red Cathedral. At first, as light comes to other nearby areas, this feature remains dark. When the sun does finally arrive here – as it is in this photograph – it rakes across the foreground gullies, brightly illuminates the light-colored ridge to the right, and picks off a few small areas of the Red Cathedral while leaving others in deep shade. To add insult to injury, there is a good chance that a photographer will be set up in a position that eventually gives very flat front lighting to the ridge. I may this exposure very shortly after the sun hit Manley Beacon and just as it was starting to light up the foreground gullies and small hills.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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