Tag Archives: distant

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Far Desert Mountains

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Far Desert Mountains
“Far Desert Mountains” — High desert mountain ridges sretch toward the horizon under morning clouds.

I know I am repeating myself, but one of the most impressive things about Death Valley National Park is the sheer scale of the place — the distances are huge. The only place I’ve experienced that impressed me the same way was the near-arctic in the Yukon Territories and Alaska. Here mountains go on, range after range, into the far distance. (As a friend of mine might point out, the haze here is an obvious example of “atmospheric recession.)

This photograph is also an example of why I’m a big fan of long focal lengths for landscape photography. Some will tell you that “landscape lenses” have short to normal focal lengths, and that wide-angle lenses should be your standard tools. I beg to differ. The truth? While I own ultra-wide lenses, I use them sparingly… and my favorite landscape photography lenses are often telephotos. Here I used a very long lens to compress the distance and to isolate a small, interesting section of much larger terrain.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Death Valley and Black Mountains, Evening

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Death Valley and Black Mountains, Evening
“Death Valley and Black Mountains, Evening” — A long evening view across Death Valley toward the distant Black Mountains and Badwater.

Early morning and evening are often the times of best light for photography in Death Valley. It isn’t that you cannot photograph throughout the day, especially if you get into the right kinds of canyons. But then the light can be harsh, the atmosphere hazy, and the colors and details washed out. So I usually follow a strange schedule when I go there to photograph — up well before dawn, back in camp by late morning, breakfast at 11:00AM, then off to photograph again in the late afternoon before I come back to camp after dark.

On this afternoon I had made a long drive up into the mountains, with my plan being to return this direction for the evening light. My timing worked out, and I got here just before the best colors appeared, found a good location, and was set up as the shadows stretched across the valley toward the Black Mountains.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographs: Central California, Photographs: Nature, Photographs: Sierra Nevada

Morning Fog and Haze, Distant Mountains

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Morning Fog and Haze, Distant Moiuntains
“Morning Fog and Haze, Distant Mountains” — The Sierra Nevada seen through sunrise winter haze and fog in the Central Valley.

You may need to look closely at this photograph to understand what you are seeing. The foreground is perhaps obvious — a tule fog covered area of Central Valley winter landscape just before sunrise. Beyond that there is a slightly darker band of mountains. These are the Sierra foothills. But look above that. You are not seeing clouds. You are seeing a section of the distant Sierra Nevada crest.

It isn’t every day that the crest is visible from the Central Valley. In particular, foggy and stormy winter days often obscure the range from view. But at dawn — and on through the day when it is exceptionally clear — the range rises in striking fashion to the east and stretches as far as you can see from north to south.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographs: Central California, Photographs: Nature

Winter Sunrise Reflections

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Winter Sunrise Reflections
“Winter Sunrise Reflections” — Winter sunrise over the distant Sierra Nevada reflected in a Central Valley wetland pond.

This is another photograph in the (very!) “not pastel” series, contrasting with some of the subtler winter photographs I have shared this winter. It was a very intense sunrise — as another photographer there said, it was almost too intense. I arrived before sunrise, and the cloud shield from a weather front approaching from the west extended over and past me toward the sunrise. This left the eastern sky quite bright, and the edge of the clouds glowed in morning light.

The view looks toward the Sierra Nevada from the Central Valley. While the fog and haze in the valley often obscure the range, in clearer conditions you can see virtually all of it along the eastern horizon. This gives a sense of the scale of these mountains, and the fact that we see light in the sky beyond them reinforces the extraordinary distances that are in view.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.