Tag Archives: edge

Dawn, Pond and Mountains

Dawn, Pond and Mountains
“Dawn, Pond and Mountains” — Sunrise light strikes Sierra Crest peaks and is reflected in the surface of a subalpine pond.

I recently spent a few days backpacking with long-time friends and few new friends. We headed into the mountains just east of Yosemite and the Sierra crest, spending days in a high place — we were just above 10,000′ the entire time. We camped near this pond, so I was up before dawn to be here for the sunrise show as the first light appeared on the high peaks to our east.

Traveling in the backcountry with non-photographers is always a different experience. During the past few decades I have mostly backpacked by myself or else gone out with other photographers. We photographers have our odd rituals: up in the darkness, breakfast at mid-morning, dinner before the good evening light, then out to photograph and not back until dark. Sometimes I wonder if the others think I’m some kind of ghost.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Fog at Forest’s Edge

Fog at Forest Edge
“Fog at Forest’s Edge” — Morning fog drifts among forest trees after rain, Yosemite National Park.

There is enough of a story behind this photograph that I will eventually post an article about it in my “A Photograph Exposed” series. It involved an afternoon and evening of heavy rain, a subsequent morning of fog and mist, moisture-enhanced colors, and a subject that I have almost intentionally chosen not to photograph much at all for decades. It is, obviously, a scene where a forest meets a wet meadow, photographed on a morning when fog drifted from that meadow and through the trees.

I was up early — likely around 4:00AM — since I suspected that there might be fog and mist on this morning after heavy rain. As I drove over a pass to get here there were piles of hail everywhere from the previous evening’s storm. Soon I came to a familiar small lake — the one that I almost never photograph — and I saw fog rising from the lake and drifting into the trees.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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At the Edge of the Salt Flats

At the Edge of the Salt Flats, Death Valley National Park.
“At the Edge of the Salt Flats” — Panamint mountains tower above as a small wash runs to the edge of the salt flats, Death Valley.

During my late-February visit to Death Valley National Park I spent two early mornings photographing this location. It is generally most interesting at dawn, when the morning light shines on the distant Panamint Mountains, so I was there well before sunrise. In order to find ideal locations here you really have to scout ahead of time. On the first of the two visits I slightly missed my target location in the darkness. I still got photographs, but before my return on the last morning of my trip, I checked it one more time and determined that following this runoff gully would get me where I needed to be.

There was another benefit from following the little gully. The soil on the higher ground to either side is quite soft and walking on it leaves obvious footprints. In many places the bottom of the gully is covered with small rocks, and it is easier (on me and the landscape1) to walk on this harder surface. Distances here are deceiving. If you started at sunrise (and could find a route) it would take you an entire, long day just to get the base of those mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


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Winter Reflections, Central Park

Lake edge with ice and reflections.
“Winter Reflections, Central Park” — Trees reflected in a strip of water at the edge of a frozen lake, Central Park.

I photographed this little scene on a cold morning walk through New York’s Central Park this past December. We were fortunate to have light snow one morning, and that changed the appearance of the city and the park. It had already been cold enough to freeze most of The Lake’s surface, but the light snowfall covered imperfections. In this spot fallen leaves rested on new ice and the reflected the silhouettes of nearby trees.

The concepts of “nature” (and even of “wilderness”) are complex and, I think, not entirely fixed. Sometimes we accept the notion that these things mean “devoid of evidence of humans.” But there’s a problem with that idea — it suggests that humans are independent of the natural world. Finding the natural world in places like this — even if you can perhaps hear car horns in the distance — is a reminder that nature is everywhere and we are a part of it.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” from Heyday Books, is available directly from G Dan Mitchell.

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