Tag Archives: fog

Launch For Hire Building

Launch For Hire Building
Launch For Hire Building

Launch For Hire Building. Tomales Bay, California. March 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The “Launch For Hire” building, docks, and Tomales Bay as remnants of morning fog drift above the water

I shared a color version of this photograph back in March, not too long after I made the photograph. The building is an old wooden structure that sits on pilings above the waters of Tomales Bay, and is probably familiar (especially with its “LAUNCH FOR HIRE” sign) to almost anyone who passes by on the way to Point Reyes. In fact, that is precisely where I was headed. I had gone up there quite early, hoping to arrive early enough to be at Drakes Bay for sunrise. However, other sites along the way distracted me, and after I finished photographing them I found myself delayed, and the sun was rising over the Marin County hills as I drove around the bay. This photograph was made a few minutes later, after the very first light had already come and gone.

The “black and white or color?” question is a new one for those of us who started out photographing on film “back in the day.” Some of you reading this no doubt think that this context is obvious, but in a world in which some actually don’t understand, for example, how a rotary dial telephone worked, this context will likely soon become as unfamiliar as using a horse and buggy. Whether to shoot color or black and white was, only a bit more than a decade ago, a decision what was made well before clicking the shutter. Put black and white film in the camera and shoot black and white, or put color media in the camera and shoot color. (In most cases – with sheet film it was possible to choose, though that didn’t tend to be the work process of such photographers.) Now we have the odd advantage – or, sometimes, the burden – of having to decide based on the nature of the subject and how we see it. Quite a few photographers using digital media will tell you that they don’t always know for sure whether a shot will work best in black and white or color at the time of exposure. (Sometimes you do, but not always.) So we “capture” the scene in color and put off the final decision until the post-processing stage. Even there it can occasionally be hard to decide. This was one of those cases – and both the color and black and white versions live on for now.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

San Francisco Skyline, Bridge Cables

San Francisco Skyline, Bridge Cables
San Francisco Skyline, Bridge Cables

San Francisco Skyline, Bridge Cables. San Francisco, California. March 31, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Golden Gate Bridge Cables silhouetted against hazy morning light on San Francisco Bay and city skyline

Back in March I took a day to go up into Marin County to do some early spring photography, thinking about the possibility of shooting in the redwood forest at Muir Woods – which was, in fact, where I ended up. I left well before dawn, and crossed the Golden Gate Bridge right about the time the sun was coming up. Being a big fan of shooting in atmospheric haze of all sorts, the very thin layer of fog spreading across the entrance to the bay was enough to make me pull over and make a few photographs of the bay and the city.

This was an unusual sort of fog. We are more familiar with the banks of thick fog coming in off of the Pacific and flowing in through the Golden Gate, covering the bridge and rising over the shoulders or even the summits of the hills, often with a fairly sharp boundary between fog and clear air. This fog, however, was thin and more widespread and did not form the familiar “bank.” It was closer to translucent than to opaque, and the outline of the downtown San Francisco skyline was visible, though all details were muted. The identity of the foreground structure probably needs no explanation!

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Marsh and Fog

Marsh and Fog
Marsh and Fog

Marsh and Fog. San Joaquin Valley, California. November 25, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Water plants disappear into the fog.

On this late-November day, I had initially gone to a Central Valley wildlife refuge in hopes of photographing migratory birds. When I arrived the fog was so thick that birds were just about impossible to see. I went ahead and made a slow circumnavigation of the refuge, stopping to try to photograph birds from time to time. The first that I found – by hearing rather than seeing – were a group of Ross’s geese that were just barely visible through the fog, but not really photographable in the ways that I had in mind. A bit further along the perimeter road, an egret stayed put long enough that I could point the lens out the car window and make a few photographs, and shortly after that I came upon a group of white-faced ibises. I photographed these, too, but in the thick fog the results were not very exciting. I continued on around the refuge, finding nothing.

At this point I was starting to think that I might simply have to wait for the fog to clear, but instead I decided to make one more circuit and see if there was any way to photograph the landscape in this fog. As I did this, and temporarily let the bird photography idea slip aside, I started to see some interesting subjects in the plants growing in the water and on small drier clumps surrounded by the marsh. This simple photograph was made shooting handheld from the car, with the camera pointed into the thick fog which caused the landscape to fade into gray no more than 100 yards away.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Tree, Fog, Dawn Sky

Tree, Fog, Dawn Sky
Tree, Fog, Dawn Sky

Tree, Fog, Dawn Sky. San Joaquin Valley, California. March 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A lone tree on pasture land of a foggy late-winter morning with pre-dawn clouds, San Joaquin Valley

Back near the beginning of March in this year that seems to have brought an early end to winter I headed out to the Central Valley to do what was likely my last migratory bird photography of the season. When I left the San Francisco Bay Area well before dawn for the trip out to the valley the skies were clear, and I was just a bit disappointed in that I prefer at least a bit of fog for this subject. The fog gods must have heard me, since as I neared my first location in a low-lying and often wet area of the valley, fog began to collect just before sunrise. It was that wonderful sort of fog that is almost opaque, but which moves around and changes enough that at least some of the time nearby subjects are visible and it is possible to see early morning clouds in the sky above.

Although my plan was to photograph birds, at first I didn’t see the birds I was most interested in (sandhill cranes and Ross’s geese), so I kept moving and eventually ended up in this flat pasture area where a few isolated trees stood along on newly green ground, with groves of trees beyond and the soft shapes of early morning clouds overhead. This soft light is a special feature of this area in the cool, damp season, and it characterizes my experience with this place. Before long the fog began to thin, the sun came out, and I found birds to photograph.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.