Tag Archives: fog

Two Gulls, Ocean and Horizon

Two Gulls, Ocean and Horizon
Two Gulls, Ocean and Horizon

Two Gulls, Ocean and Horizon. California Coast North of Santa Cruz. July 12, 2010. © Copyright 2011 G Dan Mitchell – all rights reserved.

Two sea gulls glide along the top of coastal bluffs above the Pacific Ocean north of Santa Cruz, California.

Since I’ve related the basic story previously – more than once – I’ll keep it short this time. Since I live within an hour or less of the California coast, I head over that way frequently to photograph. Among my favorite subjects are the pelicans that travel up and down (but mostly, for some inexplicable reason up) the coast, riding the updrafts along the tops of coastal bluffs. I had some free time on this day, so I headed over with photographing the birds as one of my possible goals.

When I got to this familiar spot, there were no pelicans. (Eventually a few did fly past, but this was not a good day for pelicans.) Before moving on to other subjects I thought I’d at least stay here a while and practice the skills involved in photographing these birds in flight since even though there were no pelicans, there were plenty of other obliging birds. Most of the time it is difficult to get two gulls in the frame once they get close and start to fly past, but these two hung close enough together to be in the same frame, and their low trajectory placed them right in front of the deep blue water, with the fog-softened horizon near the top of the frame.

G Dan Mitchell Photography
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Gull, Sky, and Fog

Gull, Sky, and Fog
Gull, Sky, and Fog

Gull, Sky, and Fog. Pacific Coast Near Santa Cruz, California. July 12, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

A solitary gull flies above California’s Pacific Ocean coastline with a fog bank and blue sky beyond.

With some free time earlier this week, and the excuse of driving my son to a summer-session class at UC-Santa Cruz, I headed north from Santa Cruz looking for things to photograph. Because there was a lot of fog, even in the middle of the day, fog was one of my general subject ideas. And I almost always make at least a quick stop at a couple of bluff-top locations that I know of where shore birds often glide by very close as they ride the updrafts from the ocean winds. It turned out that my first stop was precisely one of these locations. With nothing else specific in mind at this midday hour, I figured I would at least spend a bit of time honing my skills and tracking and photographing birds in flight.

Although sea gulls are not necessarily my favorite subjects, there sure were plenty of them to practice on! At the spot I picked, they first become visible perhaps 10-15 seconds away as they come around the edge of a bluff to the south. As they approach they tend to vary their altitudes, with some dropping low enough that they disappear behind the cliff and others going so high that only their shaded undersides are visible. But a few come very close at almost eye level.

I almost always learn something new when I photograph birds in flight and this session was no exception. While in retrospect it seems like one of those “Well, duh!” realizations, I figured out that really strong winds tend to upset the birds ability to remain level, and for this reason they are constantly adjusting to remain level. From moment to moment the wings move into interesting positions or they find themselves tilting wildly to get back on course. This is much more interesting than what they do in benign conditions, where they often seem to just… coast.

So, add one more thing to watch for as they fly past. This isn’t an easy thing, and I have the greatest admiration for those who are really great at photographing birds in flight – or “BIF,” as some call them. The first challenge is simply to keep the moving birds in the viewfinder when using a long focal length lens. (I advise practicing the process of simply following the birds without even firing the shutter at first.) But that’s not enough. You must also attempt to keep the bird(s) in a position within the frame that is aesthetically interesting and which will position the target under the active AF points on the camera. Easier said than done! Then there is the matter of trying also be aware of what the bird is doing – watching wing and head position and so forth. On top of that, you ideally also want to be aware of the what else is in the frame – sky, clouds, water, other birds – and factor that into the decision about when to press the shutter. There are exposure challenges, too, especially with birds like this gull that have white on their backs… and this portion of the bird is in direct sun.

Let’s just say that – for me at least – it takes a lot of exposures to get a few shots that I like.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Pier, San Francisco Waterfront, Morning

Pier, San Francisco Waterfront, Morning
Pier, San Francisco Waterfront, Morning

Pier, San Francisco Waterfront, Morning. San Francisco, California. July 8, 2011. © Copyright G Dan Mitchell – all rights reserved.

An old pier along the San Francisco Bay waterfront, morning light.

When I take the train to San Francisco early on summer mornings, it is frequently the case that the sun is out as I walk along the Embarcadero waterfront, and the light greats a bright glowing atmosphere as the haze and light fog above the bay are backlit. It can be almost too bright to look at. Often the buildings of the east bay and the cranes of the Port of Oakland are faintly visible on the horizon, as they are in this photograph. There is actually a range of east bay mountains above these structures, but they are not quite visible through the glowing atmosphere in this photograph.

The Embarcadero, the road that runs along the waterfront of the bay on the east side of The City, is lined with many old piers. They range from those that have been restored and turned into tourist areas (think of Pier 39 with its souvenir shops), others that house businesses and even a museum or two, some that are primarily parking areas, and a few others that have been left to rot in the sun. In some ways, those in the latter group are the most interesting to photograph, though there are fewer of them now that the value of this waterfront real estate has once again been recognized. Originally, this was a working port with passenger and freight ships. Now most of that business has gone across the bay to Oakland. However, today the bay front properties are probably more valuable for other purposes anyway.

I have photographed this particular pier before, but this time I liked the very bright sky, barely visible structures across the bay, and the morning light that is just hitting the left side of the buildings on the pier.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Pelican Flock, Waddell Creek Beach

Pelican Flock, Waddell Creek Beach
Pelican Flock, Waddell Creek Beach

Pelican Flock, Waddell Creek Beach. Waddell Beach, California. May 30 2011. © Copyright G Dan Mitchell – all rights reserved.

A flock of pelicans turns toward Waddell Creek Beach along the Pacific coast of California.

This group was photographed a few seconds before I photographed the single overhead pelican that I posted a couple of days ago. Here the flock had turned back towards the land in preparation for rising to the edge of a much higher bluff just to the north.

Since I so recently described the circumstances of this shoot, I’ll keep this text short!

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.