Tag Archives: formations

Photographs: Nature, Photographs: Sierra Nevada

Outlet, Morning

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Outlet, Morning
Morning light shines on the formations of a canyon containing the outlet stream of an alpine lake.

Outlet, Morning. © Copyright 2022 G Dan Mitchell.

Morning light shines on the formations of a canyon containing the outlet stream of an alpine lake.

Don’t hold me to this… but this may be the final photograph in the series from the August Eastern Sierra backcountry trip. A group of us entered the wilderness, set up a base camp, and photographed the area for a week. The group included Michael Frye, Claudia Welsh, Franka Gabler, David Hoffman, Jerry Bosworth, Patty Mitchell, and me — a fine group of colleagues and friends with whom to spend the week! We survived a torrential rain storm on our first day or two, then explored the area around our camp and on up into the high, alpine country nearby.

If you have been following my posts from the trip, this subject perhaps seems familiar by now. The outlet stream from the lake where we camped empties suddenly into a fairly narrow and rugged canyon that descends to a larger valley beyond. The morning light here was often quite beautiful, coming from beyond and somewhat to the right. On this morning a bit of haze, likely from wildfires, glowed in the backlight and slightly muted the details of more distant features.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Light and Dark

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Light and Dark
Highly contrasing geological formations in morning light, Death Valley National Park.

Light and Dark. © Copyright 2022.G Dan Mitchell.

Highly contrasing geological formations in morning light, Death Valley National Park.

To be honest, much of the Death Valley landscape, as remarkable as it is, tends to feature somewhat neutral tones and colors — many grays and tans and light browns. This is particularly true outside the early and late hours of the day, when warm light often intensifies the subtle colors of the terrain. This neutral quality is actually one of the virtues of the landscape in most cases, particularly in the way that lets light and shadow emerge as primary visual components.

But sometimes a bit more contrast in the landscape can be a good thing, so when I find it here I almost always look for ways to photograph it. This simple scene is a fine example. The early morning sun was just beginning to strike the white colored hill, lining its right flank with rim light. Meanwhile the background slope, composed of much darker material interrupted by lighter strata, was still in shadow.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Layers, Sunset Dunes

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Layers, Sunset Dunes
layers of desert sand dune formations in the last sunset light of the day.

Layers, Sunset Dunes. © Copyright 2022 G Dan Mitchell – all rights reserved.

Layers of desert sand dune formations in the last sunset light of the day.

When photographing dunes that are new to me, I have little to go on when I first venture into them. I typically have to start walking toward them when the light is still somewhat flat and harsh, or before dawn when it is dark. It is difficult to imagine the details of how that light will evolve. I make some guesses based on the direction of the sun, how I think distant ridges may affect the arrival of shadows, and what I can see of the dunes’ features in the less-than-ideal light. In the end, I’m almost always surprised by how these first visits play out.

I had approached these dunes in the late afternoon in preparation for sunset and evening light. I picked out a destination along the base of a particular dune where I saw some potentially interesting plants. Because the ridges to the west are quite low here, I guessed that I’d have a bit longer period of colorful light and longer shadows later on. Initially I walked past the location of this photograph because the textures of the successive ridges had little contrast in the daytime light. Later, as I finished photographing other nearby features that fell into shadow, I happened to look back in this direction, where the very last bit of colorful light was now delineating these shapes as evening shadows approached.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Tree, Red Rock, Morning Light

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Tree, Red Rock, Morning Light
A lone tree in morning backlight against a backdrop of red rock formations, Zion National Park.

Tree, Red Rock, Morning Light. © Copyright 2021 G Dan Mitchell – all rights reserved.

A lone tree in morning backlight against a backdrop of red rock formations, Zion National Park.

We recently managed to get away for our first long road trip in a very long time. We started in the Eastern Sierra Nevada, where the annual autumn aspen color show was well underway. From there we headed to Utah — which I have not visited since before the previous presidential administration — where we spent several days photographing in Zion National Park. From there we moved on to spend some time on one of the less-travelled Utah backroads before heading south for a very quick visit to the North Rim of Grand Canyon. (The story of that part of the trip is a bit too long to relate here. Perhaps later…)

Our visit to Zion was divided roughly into two sections. We spent the first part of the visit exploring and photographing sections of Zion Canyon on foot. Then we spent a day in the “high country” along the Mount Carmel highway, an area with an infinity of photographic opportunities that change with the light throughout the day. That is the area where I made this photograph of a solitary tree standing atop a sand stone formation in the brilliantly bright morning back-light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.