Tag Archives: fresh

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Snow-capped Panamint Mountains

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Snow-capped Panamint Mountains
Fresh snow forms patterns on the sparse forest along the crest of the Panamint Mountains.

Snow-capped Panamint Mountains. © Copyright 2023 G Dan Mitchell.

Fresh snow forms patterns on the sparse forest along the crest of the Panamint Mountains.

After all these years of seeing snow on desert peaks, it still catches my attention when wintry weather comes to this landscape. At first it seems strange, but then I remember that desert temperature swings are huge and snow is actually common at higher elevations. This very recent snowfall had not really begun to melt yet — and the white snow set off the shapes of the juniper trees and ridges criss-crossing the slopes of this summit.

Most often when I’ve photographed this area late in the day the temperatures have been comfortable or even warm. But on this late-March evening it was distinctly cold, with wind blowing and the snow nearby. We bundled up and photographed for an hour or so as the day came to and end.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Morning, Fresh Snow

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Morning, Fresh Snow
The previous night’s new snow covers the trees of this conifer forest

Morning, Fresh Snow. © Copyright 2018 G Dan Mitchell – all rights reserved.

The previous night’s new snow covers the trees of this conifer forest

This is another photograph from my recent week in Yosemite Valley in late February — and a cold and snowy week it was! But that was good news during a winter that had previously bene characterized by nearly a month of no precipitation and by well above-average temperatures. Yosemite Valley is always more picturesque after (or during) snow, but the climatological backdrop made this even more true this year.

I drove down into the Valley on this morning after snowfall the night before. There wasn’t a lot of snow — perhaps 4-5 inches where I had stayed overnight and no more than an inch or two in most of the Valley. But in many ways that was just about the perfect amount. On this very cold morning the snow stayed in the trees, and the thin layer still allowed the darker colors and shapes of the branches and tree trunks to be visible. As I came to this spot I noticed that the snow-lined trees were back-lit, so I stopped, wandered into the forest, and photographed… and before long the sun passed behind the upper edges of high cliffs, the area was in shade, and the opportunity was gone.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Snowflakes, Grass, and Frozen Lake

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Snowflakes, Grass, and Frozen Lake - Fresh snowflakes among leaves of grass on the frozen surface of Siesta Lake, Yosemite National Park.
Fresh snowflakes among leaves of grass on the frozen surface of Siesta Lake, Yosemite National Park.

Snowflakes, Grass, and Frozen Lake. Yosemite National Park, California. January 16, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Fresh snowflakes among leaves of grass on the frozen surface of Siesta Lake, Yosemite National Park.

This past week we had the opportunity to do something that we’ll probably not get to do again – drive over Tioga Pass through Yosemite National Park in the middle of January. Until this year, the latest the road had been open was December 31. This year it was still open on January 17, though scheduled to close as I write this. It has been a very unusual weather year in many parts of California, including the Sierra. While the season began with earlier and heavier than usual snow storms way back in early October, this promising start to the snow season was just a tease. A month or so later, the tap was turned off and there was little rain through the end of the calendar year and on into January of 2012.

So with this once-in-a-lifetime opportunity about to end with the promise of snow this week, we drove up the night before and then headed over Tioga Pass Road to Lee Vining and back, stopping frequently along the way. The weather in the morning was a bit of a surprise. I knew that a weak weather system – that had not brought any rain – was departing the Sierra, but we were surprised when we encountered very light snow flurries as we drove up Crane Flat Road to the junction with highway 120, and this continued as we started up Tioga Pass Road. When we arrived at Siesta Lake we found it partly sunny but still trying to snow just a bit. I set up to make a photograph of some trees in cloud-softened light, but as soon as I was ready to shoot the light died! I waited for a while, but finally decided that the light wasn’t returning. I decided to wander over to this small lake and see what I could find along the shoreline – and I found these dormant grasses, half-submerged in winter ice, with a sprinkling of snowflakes on the surface of the ice.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Desert Pool, Panamint Range, Morning

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Desert Pool, Panamint Range, Morning
Desert Pool, Panamint Range, Morning

Desert Pool, Panamint Range, Morning. Death Valley National Park, California. February 21, 2011. © Copyright G Dan Mitchell – all rights reserved.

A salt spring pool on the salt flats in Death Valley reflects winter dawn light on the east face of the Panamint Range.

Sometimes I hear people describe how they think or imagine that landscape photography is done, and I wonder where they get their ideas. I will acknowledge that there are many ways to shoot landscape, ranging from working very slowly and carefully to produce a single image, to shooting like crazy and seeing what you end up with. But often people dismiss approaches closer to the latter and assume that the former is the “right way” to shoot landscape.

In my experience it isn’t quite that simple. Sometimes the experience is like certain others in which long stretches of time during which one seemingly accomplishes nothing or perhaps just looks and thinks are suddenly followed by quick and intense spurts of work that come almost as a surprise and may be over as quickly as they begin. This little morning shoot in Death Valley along the edge of a the salt/mud flats where the water from a small salt spring spreads across the flats and forms shallow pools was one of these. Very early in the morning, well before dawn, it was difficult to know what the best shooting option might be. There were clouds in the sky that promised to block the dawn light and everything seemed gray and flat. I wandered a bit, not sure where or what to shoot, and finally, more or less by chance, ended up at this spot that I had visited earlier on this trip. It occurred to me that even if the light wasn’t great I could possibly find a photograph that included this water. So I stopped and began to unpack in no particular hurry.

As I walked across the wash toward the area of the spring, much to my surprise it began to appear that there might be some interesting dawn light after all. I quickened my pace and headed toward the area of the shallow pools, and when I arrived there a moment later I could see some color on the top of the Panamint range. I quickly found a decent foreground pool and as the surprising light worked its way down the front of the range I began photographing. I first made several exposures at much shorter focal lengths, including a larger portion of the sky and the foreground. Then I quickly moved the tripod to place this pool in the center of the frame and hold the reflection of the range. I had little time to contemplate as the light was changing very quickly. I had just enough time to find my composition and make a few exposures, and within moments the light was gone.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.