Tag Archives: golden

San Francisco, Golden Gate Bridge, Morning

San Francisco, Golden Gate Bridge, Morning
San Francisco, Golden Gate Bridge, Morning

San Francisco, Golden Gate Bridge, Morning. San Francisco, California. January 6, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

San Francisco skyline and Golden Gate Bridge at dawn as a winter storm passes

I have previously photographed this alignment of San Francisco icons so I know more or less the precise spot to set up in – a slice of landscape about 10 feet wide and perhaps 40 feet long. It has been a few years since I’ve stopped to photograph there, but the opportunity came up on this morning. I had driven up to San Francisco and across the Golden Gate Bridge to meet up with a large group of photographers who were on a so-called “photo walk” devoted to long exposure photography. I had no idea it would be as popular as it turned out to be! Although I arrived at the base of the road to this location well before sun rise, as I ascended I encountered several successive parking areas that were already full… before dawn… on a cold winter day… during a storm!

So I headed on up the road toward the summit, but found that access gates were closed before the top. I parked and thought a bit about what I might shoot, then grabbed my gear and started walking on up the hill. Before long I stopped at this spot – where other photographers were already set up – and set up in “my spot” that aligns the bridge tower with the building and made a few exposures. It was still quite dark – just before dawn and with thick clouds above the city – but this ended up working to my advantage. Photographing this bridge at night is very tricky because the towers are lit rather brightly and the orange color is very “hot” when photographed, making for some truly complicated exposure decisions. However, with just a bit of diffused pre-dawn light filtering in and the lights in the city not yet extinguished, it became possible to get a nice exposure on the bridge and reveal some of the details of the downtown buildings.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Red and Yellow Leaves, Sandstone Wall

Red and Yellow Leaves, Sandstone Wall
Red and Yellow Leaves, Sandstone Wall

Red and Yellow Leaves, Sandstone Wall. Zion National Park, Utah. October 22, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Brilliant red and yellow autumn leaves of oak and red leaf maple against a backdrop of layered and fractured sandstone, Zion National Park

I suppose that I have to be honest and admit that the main reason for making this photograph was the absolutely ridiculous and gaudy colors in this little bit of red rock canyon. You can find red trees in this area, and you can find yellow trees, but it isn’t often that you (or I, anyway) find this combination of leaves, packed so tightly together, and against the intense color of the sandstone wall.

We had probably driven past this spot a few times before we finally came back and pulled over and photographed it. I can’t speak for the others in my group, but in some ways it is almost a bit embarrassing to point a camera at something so colorful and photograph it… just because it is colorful. Compositionally it was a very tricky thing to shoot. The only feature that brings much relief to the shades of red, yellow, and orange is the single arching crack leading up from right to left.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Ross’s Geese, Evening Fly-Out

Ross's Geese, Evening Fly-Out
Ross’s Geese, Evening Fly-Out

Ross’s Geese, Evening Fly-Out. San Joaquin Valley, California. January 1, 2013. © Copyright 2012 G Dan Mitchell – all rights reserved.

Ross’s geese take flight in sunset light above California’s Central Valley

So much of this sort of photography is almost entirely not under the control of the photographer. For example, in this shot it just happened that the foreground group of Ross’s geese lifted off from the nearby pond as the further groups that had left earlier lined up beyond them. The lovely formation of the front group was entirely determined, as far as I can tell, by the geese and not by me! Of all the sky conditions that I had encountered on this day, it was fortuitous that the flock lifted off in the direction of this color gradient and then rose to the right height to be in front of it as they ascended. And it was especially gracious of them to lift off as the last golden hour sun hit them from the west, and on a side where I could see it.

So what does the photographer get to take credit for in cases like these? There are, of course, choices about when and where to park oneself to increase the odds that something interesting will happen in front of the lens. And there is the matter of instincts of various sorts, without which it would be very difficult (or should I say, even more unlikely) to have the camera pointed the right direction at the right time and to click the shutter button at an opportune moment. Exposures must be reasonably close to right, which is a trickier thing than some think. And then there is some combination of recognizing luck when it comes your way, intuitively recognizing and tracking what is happening, and being able to follow the birds and instantly recognize when an interesting visual pattern occurs.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Escalante River, Cottonwood Trees, Autumn

Escalante River, Cottonwood Trees, Autumn - Large cottonwood trees with autumn leaves along the Escalante River, Utah
Large cottonwood trees with autumn leaves along the Escalante River, Utah

Escalante River, Cottonwood Trees, Autumn. Grand Staircase-Escalante National Monument, Utah. October 24, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Large cottonwood trees with autumn leaves along the Escalante River, Utah

In many places like this one along the Escalante, the terrain seems to be largely a continuous repetition of one horseshoe bend after another, and each bend encourages me to want to see what will be ahead. When the river bends one way, the bottom of the canyon may be in sunlight; when it bends the other – and perhaps narrows around the apex of the bend – everything may be in deep shadow from the tall cliffs above the narrow canyon. In these bends it is often necessary to cross back and forth across the stream as the canyon narrows. (That ritual was a new one to me as a long-time Sierra Nevada hiker and backpacker. There a stream crossing or two in a day would typically be about it, and we tend to make a big deal out of them. Here you might cross a stream more than a dozen times in less than a mile!)

The location of this photograph was at one of those crossing points. The trail approached my camera position from up the canyon and around the bend along the right (from this point of view) side of the stream, crossed the river down among the trees, and then headed across a low hill to the left that skirted between the river and the base of the cliffs. When I arrived at this point and walked underneath this wildly colorful group of cottonwoods, I thought I’d like to find a way to photograph them, the river, and the dark upper canyon. So, before wading through the water I went ahead a bit and climbed up on a sort of ledge to this overlook from which I had a good view up the canyon. Because it was a partly cloudy day, the light here was in a constant state of change. When the clouds moved overhead, the canyon and the trees become quite dark. But a moment later the cloud would pass on and the sun lit the golden trees so brightly that it was almost impossible to photograph them and keep any light in the background canyon. So I watched and waited and made this exposure when the clouds partially obscured the direct sun, but still let in enough light to brighten the trees and cast soft shadows on the bank of the stream.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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