Tag Archives: great

Photographs: Nature, Photographs: People, Photographs: Sierra Nevada

Backpackers Near Milestone Basin

August 21, 2010 G Dan Mitchell 3 Comments

Two backpackers descend through sub-alpine meadows toward the peaks of the Great Western Divide near Milestsone Basin, Sequoia National Park.

My two friends, Caroline and Owen, head through a lovely sub-alpine meadow toward the peaks of the Great Western Divide and the upper Kern River drainage of the Sierra Nevada in early August. (When doing backpacking photography it is always good to be accompanied by friends with colorful gear! My clothing color scheme is not conducive to photography, consisting mostly of colors that match the rocks, grasses, and dirt…)

This is a spectacular and less-visited area of the Sierra, being very high and at least two days from any trailhead – and those trailheads lead over very high Sierra crest passes. We hit it at perhaps the peak of its seasonal beauty – despite the clouds of mosquitoes, everything was tremendously green. Even in the late morning hour – not typically the time for photography – the scene was quite something. Our trail here passed through a succession of small, intimate meadows surrounded by rolling hills and filled with scattered glacial rocks, occasionally passing by small lakes and tarns — perhaps my favorite kind of Sierra terrain!

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

Evening, Unnamed Lake and the Great Western Divide

August 20, 2010 G Dan Mitchell 1 Comment

Evening sky over the Great Western Divide reflected in an unnamed alpine lake, Sequoia National Park, California.

I don’t know quite what to say about this area of the Sierra located just east of the Great Western Divide in the upper reaches of the Kern River drainage – I’ve been very close to here on many previous trips, but I never quite managed to hop the intervening ridge even though I’ve thought vaguely about visiting this area for decades and I once passed through the lower reaches of it, more or less by accident and completely unaware of what was just upstream.

A group of us traveled over Kearsarge Pass (11,700’+) and Forrester Pass (13, 200′) to arrive in the upper Kern at Tyndall Creek along the JMT. (I think the general area is also known as the “bighorn plateau.”) I’ve been here on several previous occasions while heading to or circumnavigating Mt. Whitney. While I’ve gone east (to exit over the very rough Shepherd Pass at 12,000′) I’ve not really explored west and north of this area. Our general plan on this trip was to rectify that, specifically by visiting remote and very high Lake South America. After wandering up a mosquito-infested valley, climbing its headwall, and then dropping to a lake just below the saddle we made it to Lake South America. We had originally planned to stay here overnight, but the very barren and rocky surroundings didn’t attract us in the end, so we decided to head on to the west and south.

After a bit of a walk on a somewhat rough trail (which got much rougher later on) we arrived at a series of timberline lakes overlooking the Great Western Divide, which towered above us to the west. There is much I could say about this area, but I’ll limit myself to a few comments… and not name the specific location we visited. We finally found a sandy camping spot between a few lakes and tarns – it was surrounded by stunning alpine views ranging from the lakes themselves and the surrounding rocky meadows and clumps of trees to the jagged and high peaks to our west. The next morning we followed a very faint trail down the canyon, passing almost continuously through astonishing scenery featuring intimate, granite-surrounded meadows and small lakes.

I must go back. It won’t be easy. I’ll want to carry a bit more photography gear than I carried on this trip, and I’ll want to stay a day or two longer. And the location is two to three days from the nearest trailheads, all of which take you over some very high passes.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast, Photographs: San Francisco

Ocean Beach, Winter Surf

February 19, 2010 G Dan Mitchell Leave a comment

Black and white photograph of winter surf along Ocean Beach, San Francisco, California.

On a day like this one it was hard to resist shooting from an obvious spot like this – right by the Cliff House, looking south along the incoming winter surf at San Francisco’s Ocean Beach. With the strong backlight coming through the ocean spray and overcast and fog, the light was very diffused, and it made it possible to shoot directly into the otherwise impossibly bright direct reflections of the sun on the surf. A lot of what is in this photograph is subtle, and you might miss it in this small on-screen image – but look for the very faint outline of the distant hills of the San Francisco Peninsula and the subtle differences in tonality in the cloudy sky.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Ideas

What Does “Purist” Mean?

October 21, 2009 G Dan Mitchell 8 Comments

So, let’s say you happen to be spending some time in a popular place doing photography and other things. In the course of your day you wander down to a spot that is very popular with tourists, and you discover an interesting and impressive-looking gallery of photographs. You go inside and read about the photographer – a self-described “purist” who says the photographs show the scenes as they were at the time of the exposures and don’t use fancy and artificial post-processing.

But all but a few of the photographs look like the saturation slider in Photoshop was pushed up to about 100. (OK, I exaggerate… a bit! :-) Highlights in clouds and such are blown out. Shadows are blocked. And colors are pushed in odd and impossible directions.

You understand why such an approach is appealing to folks unfamiliar with fine photographic work, especially when the presentation and pricing of the prints screams “This is Great Photography!” But you’ve seen really, really fine photographs that did not depend on heavy-handed post-processing. In fact, among the photographs in this collection you see a few that take the high road and don’t go over the top, and which remind you of some of those other fine and subtle and sophisticated prints – and which even inspire you a bit.

The artist’s statement keeps coming back to you – the business about being a “purist” and about not post-processing and about presenting in the photographs an unadulterated and real vision of the original subjects.

What do you do? Do you get mad? Do you laugh? Do you try not to think about it? Something else?

Just wondering…

BTW: A few things for the record:

I am not criticizing any specific photographer, but rather thinking about an issue that we might all have to deal with.
You do not know what photographer (or “popular place!”) I might be writing about – and since the specifics don’t matter I won’t confirm or deny anyone’s guesses.
Consider the possibility that I might have just made up the whole story as a literary device for this post… :-)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.