Tag Archives: gully

Autumn Ferns, Tree, and Gully

Autumn Ferns, Tree, and Gully
Boulders, autumn ferns and a small tree line a Yosemite back country granite gully

Autumn Ferns, Tree, and Gully. Yosemite National Park, California. September 12, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Boulders, autumn ferns and a small tree line a Yosemite back country granite gully

For me, intimate scenes like this one define the Sierra Nevada experience at least as much as do alpine ridges and grand scenery. While those subjects are highlights, the feeling of smooth granite, stepping across half-buried rocks and through grasses, finding my way up or down a gully are the core experiences of the place. I wonder if I’m the only person who, when he starts thinking about the sensor experience of the Sierra, mostly recalls these things, along with the sound of gravel beneath boots, echoing off of the rock walls, water flowing in creeks, wind in trees and always the light.

This little spot is probably not one that would get the attention of too many people, unless perhaps they spent a week camped a few minutes from such a gully, crossed it daily on travels around a lake, and often paused to look up and eventually decided to explore a bit. A first glance told me that there was a gully. Another look and I began to see the colors of the rocks and their curve. Returning a few more times I noticed the little spruce tree and the ferns growing among the rocks. And after a week this spot become one more piece of the Sierra as I know it.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Autumn Aspens, Eastern Sierra Gully

Autumn Aspens, Eastern Sierra Gully
A “river” of aspen trees in autumn colors snakes its way up an eastern Sierra Nevada gully

Autumn Aspens, Eastern Sierra Gully. Sierra Nevada, California. September 26, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A “river” of aspen trees in autumn colors snakes its way up an eastern Sierra Nevada gully

I believe that I shared this photograph earlier in a different context — rather than a photo-of-the-day post, it was used to illustrate one of my reports on my Sierra Nevada Fall Color page. I made this photograph at an iconic eastern Sierra location in late September, which is a week or so earlier than I would typically expect to see such color in this place. This has been a strange year, the fourth in a series of drought years, and possibly the worst. The effect of Sierra Nevada vegetation is more apparent as we go into the fall, and there have been apparent effects on aspens. First, some of them changed color noticeably early this year, as much as a week or two earlier than what has been typical. Second, some trees seem to have been stressed to the point that they are almost foregoing the brilliant color stage and instead going almost directly from green to losing their leaves — and some groves were already completed bare before September ended. On the other hand, where the trees were perhaps a bit less stressed the color change seems to have come on a more typical schedule, with quite a few low elevation trees still green as of a few days ago. You can see almost all of this conditions in this photograph — trees changing colors early, trees that lost their leaves completely, and some that are still green.

This particular spot is intriguing, and quite a few people show up to photograph here — not just for the “river of aspens” in the photograph but also for some of the surrounding alpine scenery and for other accessible examples of aspen color. I’ve photographed here for quite a few years, so I often forego the chance to re-photograph some of the familiar subjects, but this time I found a slightly different location from which to make this photograph and I wanted to capture the unusual conditions. There were several things that appealed to me about this scene on this day. Obviously, the colorful trees are an attraction at any time, but the bare trees in the middle, between the upper orange trees and the lower yellow/green trees, were an unusual sight. The curve of the grove, as it passes around the hill on the right with its coniferous trees, seemed to enhance the character of the aspen’s s-curve as it descends the gully and transitions from orange to white to yellow and green.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Waterpocket Fold Terrain

Waterpocket Fold Terrain
Deep erosion gullies below an uplifted rock band empty into the valley below, with rugged terrain extending into the distance

Waterpocket Fold Terrain. Capitol Reef National Park, Utah. October 22, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Deep erosion gullies below an uplifted rock band empty into the valley below, with rugged terrain extending into the distance

Until a few years ago, although I had heard the term “waterpocket fold” before, I was almost completely unaware of what this geological feature is. Since that time I have visited it several times. On the first occasion I visited the area, but I still did not understand the geology. I “got it” that there was some sort of uplift — the land rising to the west of Capitol Reef was a pretty good clue — but I did not understand or really see any of the connections. I recall stopping at one road side pullout and seeing a sign about it, registering that it is something important, but not really understanding.

On more recent visits the reality of this huge and striking feature has finally sunk in. I began to see it a few years ago on a trip that took we away from main roads and way up on a rocky ridge from which I could look down into the eastern valley and clearly see some of the larger patterns — sinuous lines of angled rock, the valley twisting gently into the distance in the south. On the most recent visit it began to make a lot more sense, as I noticed features like the shadowed cliff band across the center of this photograph, which more or less represents the remaining underside of a layer that long ago continued on up into what today would be the sky. Its edge overhangs the softer material below, though it still erodes into the bottom of the valley. Further to the east in this photograph the impossibly rugged terrain of arid strata continues, eventually rising to a mountain range in the far distance.


G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Flow Lines, Morning Light

Flow Lines, Morning Light
Flow Lines, Morning Light

Flow Lines, Morning Light. Death Valley National Park, California. April 3, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Soft early morning light illuminates curving erosion patterns of a desert gully, Death Valley National Park

Today I’m back from my annual spring photography visit to Death Valley National Park. I first visited this place a bit more than 15 years ago, though photography was not the purpose of that first trip. My first view of the Valley was magical. We had arrived the night before and set up camp in the dark at the first camping area we found, a tiny campground near below Towne Pass at the turnoff to Wildrose Canyon. I had little idea where I was nor what my surroundings looked like, as I had literally never been in this place before. Early the next morning I stepped out of my tent and was greeted by an astounding and unexpected view down into the huge and rugged landscape of this Valley, a first sight I will not forget.

Since then I have returned many times — much of that landscape has become familiar to me as I’ve pushed the boundaries of my knowledge of the place outwards in all directions. I’ve been into areas that I didn’t imagine existed on that first visit, and I’ve learned to see past the geology and geography of the place and see the human history of the park and the sometimes-hidden beauties of wildflowers and more. Today when I visit I still look for that astonishing and grand landscape, but I also slow down and stop and look for more subtle things that I surely missed nearly completely on that first visit. This little miniature landscape of curving erosion and stones and first light is one that I would have missed completely on that first visit, but which I now know can be found almost everywhere in this park once I slow down to the pace of the desert and take the time to really look.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.