Tag Archives: haze

Beneath Desert Mountains, Morning

Beneath Desert Mountains, Morning
Desert mountains and morning light spreading across an alluvial fan.

Beneath Desert Mountains, Morning. © Copyright 2013 G Dan Mitchell – all rights reserved.

Desert mountains and morning light spreading across an alluvial fan.

This is more or less where I had hoped to be in January, even up until a couple of months ago. At that time, careful travel into lonely places was still a reasonable option, especially since I stop only for gas and would have camped well off the beaten track, barely interacting with anyone at all. But wanting to be part of the solution rather than part of the problem, I’m following the guidelines to not travel more than 120 miles from my home, and I’m also not going to play games and try to sneak into the Death Valley backcountry… regardless of how appealing that sounds and of how badly I miss the place right now.

This photograph is one of those that illustrates the advice to look all around while making photographs. Sometimes the thing you came to see isn’t the only thing to attend to. I had come to this spot before dawn to photograph a subject that lies directly behind the camera position of this scene, and had worked on it as the scene transitioned from soft, pre-sunrise light through a somewhat colorful sunrise to light that was becoming more harsh than I desired. So I turned around. Here the backlit atmosphere glowed in the light streaming over the rugged desert hills to the east.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Dunes and Mountains, Rising Dust

Dunes and Mountains, Rising Dust
A desert sandstorm raises towers of dust against a background of rugged mountains obscured by haze.

Dunes and Mountains, Rising Dust. © Copyright 2013 G Dan Mitchell – all rights reserved.

A desert sandstorm raises towers of dust against a background of rugged mountains obscured by haze.

Continuing here with the 2013 series of Death Valley National Park photographs and, at the moment, a series of photographs made in and around the edges of a big dust storm that swept down the valley late in the day. I made this photograph from a good distance away from the dunes, using a long focal length to bring them a bit closer and to make the more distant mountains fill the background. When the dust is bad, I often work from out along the margins of the worst of it, and here the allowed me to photograph almost straight into the afternoon sun and capture the diffuse and glowing dust-filled atmosphere.

The photograph demonstrates the compositional value of haze and obscured atmosphere in several ways. The generally hazy air glows from the backlight, and it obscures all but the largest forms of the distant mountains — just the barely visible outlines of ridges. Without this haze, the dunes would be overpowered by the structure of those mountains, and the rising towers of dust would be lost against a more complex background.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Cranes, Pond, Autumn Morning

Cranes, Pond, Autumn Morning
A small flock of sandhill cranes stands in a wetland pond in early morning autumn light.

Cranes, Pond, Autumn Morning. © Copyright 2020 G Dan Mitchell – all rights reserved.

A small flock of sandhill cranes stands in a wetland pond in early morning autumn light.

I am a big fan of these flat landscapes of trees and grasses and ponds and birds, especially between the last month or so of autumn and the end of winter. All up and down California (and in many other places, too) migratory and native birds are everywhere, and while it might seem that there isn’t much happening here from the human perspective, the action is almost continuous in the lives of birds. The first thing I do when I arrive in such places before dawn is open the car window or door and listen — the sound may be that of a few far-off birds or it might be the raucous chorus of thousands of them nearby and overhead, but the striking sound of the cranes is almost always somewhere in the mix.

I began photographing before dawn on this morning as I usually do. I slowly worked my way along a levee, pausing to watch for and then photograph birds in the low light. The first big group I spotted was a large flock of snow geese, but they were not in a great spot for photography, so I kept moving. Soon I came upon a huge flock of hundreds of cranes in and around a pond. At first they were mostly standing still in the shallow water, but gradually they began to become restless and then, group by group, take to the air and fly away. I don’t recall now for sure, but judging by their attentive postures, there’s a good chance that this group left shortly after I made the photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Sur Point, Autumn Sky

Sur Point, Autumn Sky
Precursor clouds from an incoming weather front in the sky above Sur Point.

Sur Point, Autumn Sky. © Copyright 2020 G Dan Mitchell – all rights reserved.

Precursor clouds from an incoming weather front in the sky above Sur Point.

The mound at the lower right in this photograph is Sur Point, the site of an old lighthouse facility along the Big Sur coast of California. The historic facility has been there for a long time. From what I understand it was originally so isolated that the families that manned the facility had to grow their own food, and they were resupplied only occasionally and by ship. The point sits on a low peninsula, connected to the mainland only by a low, sandy spit of land.

This photograph embodies several things that attract me to portions of this rugged (though today quite accessible) coastline. It sits at the western edge of a continent populated by a people whose history included (largely but not exclusively) arrival here at the far end of journeys from the east. (Today it just be acknowledged that an increasing number arrived by other paths and that before those of us with shorter histories here arrived others had been here for millennia.) Here, as we look over the eastern edge of the world’s largest ocean, there is a sense of vast, monumental space — something that I like and have not been able to experience as much as I would like during the pandemic.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.