Tag Archives: high

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Boulders, Shoreline Reflections

August 25, 2011 G Dan Mitchell Leave a comment

Granite boulders lie in shallow waters of a sub-alpine lake reflecting shoreline trees, Yosemite National Park.

This quiet little lake lies unobtrusively just off of highway 120 across the Sierra Nevada in Yosemite National Park. I’ve posted a few photographs from here before and noted that, as far as I know, the lake doesn’t even have an official name. There is just a small parking loop where you can pull out and then wander down to the lake, typically in complete solitude.

The light is a bit tricky here since the lake is in a depression where ridges to the east block the morning light. However, the wonderful rocks scattered along the shoreline make up for this! I made this photograph, and several others in the sequence, by shooting with a long lens from the other side of the lake. The low camera angle and still water created some very interesting reflections above the barely visible underwater logs and rocks.

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Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Fractured Granite Ledges

August 22, 2011 G Dan Mitchell Leave a comment

Exfoliated and fractured granite ledges form patterns in late afternoon light, Yosemite National Park.

While this particular spot happens to be in the neighborhood of Tenaya Creek, similar features may be found throughout Yosemite and in many other parts of the Sierra. These rocks have probably been eroded in just about every way possible. They have been broken away from the underlying rock via exfoliation. The area was obviously glaciated. No doubt freezing water helped to widen the patterns of cracks and break up the rocks.

I made the photograph in late afternoon light when the sun was just barely above a low ridge beyond the upper edge of the photograph. The zoom was cranked out as wide as it goes in order to capture a good width and density of these wonderfully broken up rocks and the trees and other plants that somehow manage to live on and among them.

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Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada

Eastern Sierra Nevada Near June Lake

August 16, 2011 G Dan Mitchell Leave a comment

Trees ascend sage-covered hills toward the Sierra Nevada crest near June Lake, California.

Near highway 395 in Mono County, the main north-south route east of the Sierra crest, these open stands of large conifers ascend from the high desert sagebrush country towards the peaks of the Sierra crest, which rise much more abruptly on this side of the range than on the gentle west side. The tall ridge is above the June Lakes resort area between Mammoth Lakes and Lee Vining.

While my primary goal on this trip was to photograph in the Yosemite high country along Tioga Pass Road, smoke from a wildfire near Glacier Point in the park was drifting over the Tuolumne area and creating a lot of very non-photogenic haze. I had a hunch that by dropped over to the east side of the range I might be able to get away from the smoke or at least find areas where it wasn’t so thick. The smoke was still affecting the light near Lee Vining, but I didn’t have to drive too far south to get out of its path, though even here there is a bit of haze increasing the effect of atmospheric recession.

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Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Trees and Granite, Morning

August 6, 2011 G Dan Mitchell 1 Comment

Morning light shines on the trees clinging to massive granite domes in the high country of Yosemite National Park.

I’ll write a bit less about this photograph since I posted it already in a color rendition and described some of the background of the image in that earlier post. The basic idea is that I used a very long focal length to isolate the single primary tree against a world of granite that recedes toward the rising sun that is above and out of the frame to the right.

When I made the photograph I had a pretty good idea that it might work as black and white. In fact, though I don’t recall for certain, I think I was leaning towards thinking of the scene in black and white when I made the exposure. (Those last two sentences must seem strange if not almost perverse to people whose primary background is in film!) Sometimes, as with this scene, I end up liking both versions, at least at first. While I may end up leaning toward one or the other more after I live with the prints a while, right now I go back and forth. Of course, when two things are different it is not necessarily the case that one must be better than the other; sometimes they are just different.

Oddly, one thing that inclined me towards black and white ends up also suggesting color. Because so much of the content of the frame is nearly monochromatic I think I originally felt that with so little color to work with that it might make sense to just let it be monochromatic. But then, “with so little color to work with,” the subtle effect of color begins, in some ways, to be even more important.

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