Tag Archives: hike

Lake, Trees, and Mountains at Dawn

Lake, Trees, and Mountains at Dawn
A quiet morning at a High Sierra backcountry lake in Sequoia National Park.

Lake, Trees, and Mountains at Dawn. © Copyright 2022 G Dan Mitchell.

A quiet morning at a High Sierra backcountry lake in Sequoia National Park.

As is often the case, one thing leads to another, and I sometimes end up in a place I did not anticipate. I saw a question online about a particular sort of landscape subject, and I immediately thought of a photograph of mine that was related to that discussion. But after finding my photograph and thinking how it might inform that discussion… I decided not to share it. But looking for that photograph sent me back into an archive of photographs from a wonderful trans-Sierra pack trip I made almost fifteen years ago — and that’s where I found this photograph. (Perhaps not surprisingly, I’m now revisiting that entire archive!)

That trip was a wonderful one. A small group of friends(1) spent almost two weeks on the trail, crossing the range from west to east. On such a long trip some days are devoted to just moving onward toward the eventual goal, and this was one of those days. We selected this camp location because it was conveniently located along our route. This lake is not what I regard as an alpine spectacle — instead it is a quiet place, and a fine spot to just slow down for a moment. I was up early the next day to photograph the first light on nearby peaks in the morning quiet.

1 — Bonus photo! Here’s a picture of our little gang on the summit of Mount Whitney near the end of the trip.

Talusdancers on Mount Whitney, 2008
The Talusdances on the summit of Mount Whitney, August 11, 2008. (L-R: Ernie, Caroline, Owen, Emily, Steve, Dan)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographing the Canyon

Photographing the Canyon
Patricia Emerson Mitchell photographing in a desert canyon, Death Valley National Park.

Photographing the Canyon. © Copyright 2022 G Dan Mitchell.

Patricia Emerson Mitchell photographing in a desert canyon, Death Valley National Park.

My photographs of desert canyon landscapes are virtually always devoid of people. Without some frame of reference it is difficult or even impossible to judge the scale of these places — a cliff could be four feet high or forty, a rock might be a pebble or a boulder. This photograph includes my wife, Patricia Mitchell, at work photographing a section of a narrow desert canyon in Death Valley back in late March.

I often favor longer lenses for landscape photography, but in these canyons I usually use an ultra-wide lens. The canyon walls are only feet apart in the narrowest places, and often the view forward and backward may stretch no more than a few dozen feet. Photographing as a duo in such a place requires teamwork, and each person typically must work alone — or all of the photographs will feature other photographer! She went first as we re-entered this canyon. I followed, and initially photographed back in the direction from which we came. Once she moved forward I turned my attention into the canyon and then kept my distance so that we would not interfere with one another’s compositions.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Canyon Walls, Light and Dark

Canyon Walls, Light and Dark
Contrasting light and dark walls in a narrow canyon, Death Valley National Park.

Canyon Walls, Light and Dark. © Copyright 2022 G Dan Mitchell.

Contrasting light and dark walls in a narrow canyon, Death Valley National Park.

This is a Death Valley canyon that I have visited on numerous occasions, and this particular narrow bend is one I recall from my first visit. Because the foreground section is so narrow and angled away from the light, the contrast with the more luminous wall beyond is striking. That wall receives more light due to its angle as the canyon bends, and the warm-toned light contrasts with the blue toes in the deeply shaded foreground section.

I find this contrast between shadow and brighter light to be a wonderful generator of color contrasts in these canyons. The first such canyons I photographed were in the desert Southwest, where the light picks up the color of the reddish sandstone. But the canyons of Death Valley do not typically have such colorful rocks, and much of the color potential comes from the quality of the light itself.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Canyon Bend

Photo of Death Valley slot canyon
“Canyon Bend” — A bend in the canyon narrows, Death Valley National Park.

Slot canyons and “narrows” are among the most compelling desert landscapes. Desert landscapes tend to be exposed, open to the sky and wind, and blasted by the midday sun. The space seems horizontally oriented, often with a distant horizon and perhaps low mountains rising from playas. The canyons contrast almost every way. They are places of shade, protected from wind, and the distant horizontal views are cut off, replaced by close surfaces covered with angles and curves.

There are many small canyons in Death Valley National Park, and they may be among its least-known and most interesting features. A few are popular, but most are off the beaten path and some are downright difficult to get to. Their lonely quality is part of the charm, and I hope it stays that way. This spot presents a fascinating combination of the blue-light, shadowed stratified walls, the water stained face in the warmer light above, and the canyon floor covered in gravel washed down by flowing water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” from Heyday Books, is available directly from G Dan Mitchell.

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