Tag Archives: hills

Aspens and Sage

Aspens and Sage - Aspens grow against sage covered hills near Conway Summit in the eastern Sierra Nevada, California
Aspens grow against sage covered hills near Conway Summit in the eastern Sierra Nevada, California

Aspens and Sage. Eastern Sierra Nevada, California. October 16, 2011. © Copyright 2012 G Dan Mitchell – all rights reserved.

Aspens grow against sage covered hills near Conway Summit in the eastern Sierra Nevada, California.

If you want colorful aspen photographs, there are several things that may help. First, you need to be where the aspens are when they turn colors! (Obvious, huh?) In the eastern Sierra Nevada, this means roughly the first two weeks of October in a typical year, though you can often find some color a week or so either side of that period – but be aware that every aspen season is different, so there are no guarantees. And where are they? They can be found all up and down the east side of the Sierra. At their peak, you can find them by simply driving along highway 395 along the eastern slope of the range and looking west. For somewhat more specific information, take a look at this post of mine. Second, you’ll need to look around a bit for great trees. Photographs of aspen color can often make it seem like there is astonishing color everywhere – but the reality is often a bit more complicated. Trees will often be in various stages of transition, and the timing varies according to such things as elevation and local soil moisture. On top of that, not just any aspen trees will do – so you can count on doing a bit of searching to find that perfect tree or grove or colorful slope. Third, it helps a lot to consider the light. Often grove of trees that may look fairly drab when front lit can turn into an amazingly colorful wonder when the light comes toward you from behind the trees.

That is precisely what is happening in this photograph, taken at one of the well-known aspen color spots near Conway Summit just north of Lee Vining. On the right few days each fall, there are huge swaths of wonderful aspen color on the eastern slopes of the Sierra here. I often shoot here in the late afternoon, just before the sun drops behind the crest. This may mean that I’m shooting almost directly into the sun, but it also means that the leaves are brilliantly lit by light that comes from behind and passes through the leaves. This photograph captures a type of grove that always intrigues me, namely one that sits apart from the iconic alpine scenery and instead is in rangeland and sage brush country.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dawn Light, Alkali Lake and the Minarets

Dawn Light, Alkali Lake and the Minarets - Pink dawn light illuminates the surface of an Alkali Lake and the Minarets, and Mounts Ritter and Banner
Pink dawn light illuminates the surface of an Alkali Lake and the Minarets, and Mounts Ritter and Banner

Dawn Light, Alkali Lake and the Minarets. Eastern Sierra Nevada, California. October 9, 2011.© Copyright 2011 G Dan Mitchell – all rights reserved.

Pink dawn light illuminates the surface of an Alkali Lake and the Minarets, and Mounts Ritter and Banner

Although it has been almost a year since I made this photograph, I recall the morning very well. I had stayed at a cheap motel in Mammoth Lakes the night before, and when I got up well before dawn I had no specific shooting plan other than to head in the general direction of places where I would find aspens, most likely somewhat south of Mammoth. I drove down to highway 395 from Mammoth and spotted the steam from the hot springs along with some fog in Long Valley. Figuring that I wasn’t certain where I would find the aspen color I was looking for but that I was certain that interesting stuff was happening out in the valley, I changed plans and headed there instead.

I drove to small lake where I have photographed a number of times in the past, pulled off the road, grabbed my gear, and headed out to the bank of the lake opposite the still relatively dark Sierra crest. This was an unusual early October, and three relatively large winter-type storms had passed through during the previous week, dropping substantial early season snow all along the upper reaches of the Sierra. As a consequence, at a time of year when it usually looks more like summer, the range had taken on a very wintry appearance. As the first pre-dawn light came to the sky, it turned the slightly hazy atmosphere a beautiful shade of pink and this light was reflected in the surface of the small lake.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Island, Coastal Bluffs, and Distant Shore

Island, Coastal Bluffs, and Distant Shore - A steep and rocky island backed by coastal bluffs and a distant shoreline, northern California coast, Mendocino County
A steep and rocky island backed by coastal bluffs and a distant shoreline, northern California coast, Mendocino County

Island, Coastal Bluffs, and Distant Shore. Mendocino County Coastline, California. August 29, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A steep and rocky island backed by coastal bluffs and a distant shoreline, northern California coast, Mendocino County.

The last time I passed by this section of the California coast highway in Mendocino County, I also stopped to photograph this scene – but was less happy with the result. This section of the coastline, like much of the meeting between California and the Pacific Ocean, consists largely of high coastal bluffs, interspersed with the steep canyons where creeks and rivers meet the ocean, with many rocky islands ranging from tiny to huge. The two-peaked island in this large cove fits more into the huge category and it is backed by two fingers of land where the high bluffs extend toward the ocean. In the far distance, a section of curving coastline is barely visible through the haze.

Recently someone asked me about how I decide whether a photograph will be black and white rather than color. I admitted – and it turns out that many feel the same – that often I am not certain when I make the exposure. Roughly speaking, the black and white photographs come about in perhaps three ways. Sometimes I like the subject but the color rendition just isn’t working the way I had hoped, so I try it in black and white and “discover” that I like it that way in post. On other occasions, at the time of exposure I sort of wonder if it might work in black and white and I make mental note to try it that way in post. In the third case, I “know” (with only a small amount of doubt) that the image is going to end up in black and white and I shoot the scene with that in mind. This is one of those photographs – I was almost certain that it would end up in black and white as I stood high on a bluff next to highway 1 making the exposure.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Hills and Trees Near Limantour, Drakes Bay

Hills and Trees Near Limantour, Drakes Bay - Soft sun light on trees and hills above Limantour Beach, as fog bank hovers over Drakes Bay, Point Reyes National Seashore.
Soft sun light on trees and hills above Limantour Beach, as fog bank hovers over Drakes Bay, Point Reyes National Seashore.

Hills and Trees Near Limantour, Drakes Bay. Point Reyes National Seashore, California. August 18,2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Soft sun light on trees and hills above Limantour Beach, as fog bank hovers over Drakes Bay, Point Reyes National Seashore.

Limantour Beach sits along the inner curve of Drakes Bay at the Point Reyes National Seashore north of San Francisco, California, and the area is one of the best-known and most visited in the park. On certain days, the air is clear and the sun is bright and the beach can be warm, and the view includes not only the nearby wildlife and the surf, but the peninsula leading to the tip of Point Reyes and the coast stretching south towards the Marin Headlands and the Golden Gate. One of the first times I visited this place to make photographs it was one of those clear days, and I recall photographing the curve of the Bay leading to the right with the beach and some birds in the foreground. I’ve carried a mental images of how I would like to improve that photograph, and it was with that in mind that I went to Limantour this time.

The weather did not cooperate with that plan. After crossing the ridge between Tomales Bay and Limantour, I could see right away that there was going to be fog along the beach. The shoreline edge of the water still reflected blue sky in a few spots a bit to the south, but at Limantour the fog came a good distance inland from the beach. So as I drove down toward the end of the road, I started looking for some spot that would let me photograph the rounded, grass-covered hills and the bits of forest in sunlight, with the Bay and its fog in the distance. Finding a spot that included all of these things and which made some visual sense was not easy, but with a bit of back-tracking I finally found this spot and made a few exposures.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.