Forest along the rocky shoreline of Whalers Cove with Big Sur hills rising in to the fog in the background, Point Lobos State Reserve.
At the far point on my hike last weekend I made it to the rocky point above Whalers Cove. Although it was still foggy – and it remained so all day – the light at the edge of the fog was just barely visible along the inland hills above Point Lobos. The diffused and soft light allows more of the details of the forest to be visible (rather than being lost in deep shadow) and the water of the cove was almost completely still on this very calm day.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Black and white photograph of dawn virga above mountains ringing Mono Lake.
Before dawn clouds formed by tropical moisture streaming up from the south had formed to the east of the Mono Basin and virga (rain that doesn’t make it all the way to the ground) was falling from them as the sky began to lighten. As I photographed alone from a high vantage point above the lake I was struck – how could you not be! – but the vast scale and the immense stillness and quiet of this landscape.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Technical Data:
Canon EOS 5D Mark II
Canon EF 70-200mm f/4 L USM at 200mm
ISO 100, f/8, 1/15 second
keywords: mono, lake, county, california, usa, north america, virga, rain, clouds, morning, dawn, reflection, mountains, ridge, hills, shore, line, tufa, towers, still, landscape, nature, eastern, sierra, nevada, desert, high, black and white, monochrome, stock
Panoramic photograph of oak trees with new spring growth above the Santa Cruz Mountains descending towards Monterey Bay – Castle Rock State Park.
This is the first (in order of posting) of a few stitched panoramas I made last month. I’ve thought about this shot for a while. It is from at the top of a staircase section of trail at Castle Rock State Park in California, alongside Goat Rock. From this spot you can see all the way to Santa Cruz, the Monterey Bay, and the Monterey Peninsula hills beyond. On this early spring morning the oak trees were just getting their new leaves, so it was still possible to shoot between the branches and see the distant scene where fog filled the bay.
One idea I’m currently working with – among many others – is creating very wide panoramic stitched images of subjects that would usually be shot in a taller format – especially trees. Instead of photographing the entire tree, this feels to me more like looking through the trees at the scene beyond, closer to how I might actually look at this scene if I were there.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Technical Data:
Canon EOS 5D Mark II
Canon EF 70-200mm f/4 L USM at 131mm
ISO 100, f/16, 1/60 second
three image stitched panorama
keywords: oak, tree, grove, forest, trunk, branch, silhouette, spring, season, growth, new, leaves, santa cruz, monterey, mountains, hills, ridge, valley, summit, county, bay, distance, haze, goat, rock, castle, state, park, california, usa, red, green, nature, scenic, travel, stock, landscape, flora, foliage, plant, north america, west, coast, bay, area, stitched, panorama
Black and white panoramic format photograph of a moving rock at Racetrack Playa, Death Valley National Park, California.
This photograph probably belongs in the “trying to turn lemons into lemonade” file. I’ve had wonderful luck with great light on all of my previous visits to the remote Racetrack Playa in Death Valley, the site of the “moving rocks” that have left tracks in their wake across the playa surface. However, my string luck seemed to run out on this late March visit. Earlier in the day as I contemplated whether or not to head out there I noticed some budding lenticular clouds to the north and made the decision to go. My preference is to have some clouds at the Racetrack, as perfectly clear sky isn’t as interesting in my view. Plus I always have in mind a particular previous visit when I photographed the playa at dawn with beautiful lenticulars building over the mountains to the north of the playa, and I think I’m always hoping for similar conditions again.
The plan on this visit was to arrive in the mid-afternoon to shoot the Grandstand, a formation near where the road first arrives at the playa, and to then photograph the beautiful evening light, the full moon (in the evening and then again before dawn) and finally the dawn light. The conditions continued to look great as I did the long washboard drive to the playa, and I arrived and photographed the Grandstand as planned. However, as I finished up here a high band of clouds moved across the sky and flattened out the light. As evening came on I was out on the playa, but the clouds remained and the light was not remarkable. I finally wandered back off the playa after dark, hoping that the clouds would clear and allow full moon photography. This never happened, and when I returned to the playa early in the morning the overcast was still present, with only a thin area of blue sky far to the west.
But I photographed anyway. Softer, overcast light has its potential, and since I was there I was certainly not going to waste the opportunity. In the end, I wasn’t thrilled with what I brought back for the most part, though I do like the effect of the overcast and the softer light on this black and white photograph of one of the more recognizable rocks. (By the way, the rest of my Death Valley visit went much better than this one night!)
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
