Tag Archives: home

Photographs: Abstract, Photographs: Structures and Objects, Photographs: Textures, Photographs: Urban/Street

My Kitchen Window

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My Kitchen Window
My Kitchen Window

My Kitchen Window. San Francisco Bay Area, California. March 16, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The view through blinds hanging outside my kitchen window.

Yup. My kitchen window. Why, you might wonder, did I make this photograph? I think there might be three reasons.

First, I’ve often said that I believe that I can find something to photograph within a few feet of anyplace I might find myself. A few photographer friends could tell you stories about me shooting from basically one spot for, on occasion, hours. Right now I’m recalling a meeting with a friend in Death Valley. We went to photograph a beautiful canyon area that I had overlooked and which she wanted to show me. We set up to shoot – I was on top of a small rise. As she ran around discovering this and that and the other fascinating thing, I continued to shoot from my original spot, perhaps for as long as an hour. It’s not that I don’t like to move. I can hike as well as the next photographer. But sometimes I can find so much in a small area that I don’t want to move. And I sure didn’t have to move much at all for this shot. I didn’t even have to leave the house!

Second, and speaking of house, there is a bit of a tradition among some photographers of making photographs in their immediately living environment. Here I’m thinking of a post from, if I recall, Cole Weston that I saw recently in which he shared photographs from seemingly mundane places… including his house and maybe even his bedroom. I believe that Huntington Witherill made the initial photographs for many of his beautiful digital manipulations of flowers in a spot in his home. And on and on. So, what the heck, a shot from my home. (Compared to these other photographers, I have to admit that my “home-grown” photographs have a way to go!)

Third, I had a new camera and I was anxious to try it out. The camera is a bit of a departure from the gear I usually use. (Typically I shoot with a full-frame DSLR system.) Because of some situations in which I want to travel and shoot light and fast, I decided to pick up a Fujifilm X-E1 along with a small set of lenses. This is a small mirrorless “rangefinder style” camera with similarly small lenses. (You can read more about the camera and my initial impressions here: “Fujifilm X-E1: From DSLR to Mirrorless. Hint: I like it.”) So this was probably just about the first photograph I made with that camera.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: Northern California, Photographs: Structures and Objects

Weathered Blue Building, Fences, and Plants

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Weathered Blue Building, Fences, and Plants - A weathered blue building with fences and plants in evening light, Mendocino, California.
A weathered blue building with fences and plants in evening light, Mendocino, California.

Weathered Blue Building, Fences, and Plants. Mendocino, California. August 28, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A weathered blue building with fences and plants in evening light, Mendocino, California.

I had been thinking that I really should photograph some of the old, weathered buildings in Mendocino while we were there, but it just seemed like I was never quite in the right spot in the right light with the right amount of time – so, for the most part, while we were there recently I mostly just talked about how “sometime I should really photograph some of these old buildings.” Sound familiar? The village is full of various kinds of interesting places: severe-looking old churches, badly weathered older buildings, neatly restored and updated homes and businesses, old shops, and vignettes of old windows, fences, gates, and more.

In the evening we decided to walk out toward the coastal bluffs southwest of the village, with the plan of photographing the bluffs, coastal rocks, surf, and ocean in golden hour light. As we walked along a boardwalk toward the water I looked to my right and saw this very weathered old building, with its surrealistic garden of very strange shaped, well, what exactly? Trees? Bushes? Whatever they are, with their conical shapes, their twisting trunks, and odd angles they seem like they could be the model for some of the plants in a Dr. Seuss book. I was a block away when I spotted the scene, and the low angle side light was about to be cut off, so I simply set up where I was and made a few photographs – using a very unusual architecture lens, a 100-400mm zoom! This actually turned out to be a good choice – and not just because I would have lost the light if I had switched to a shorter lens and run toward the building. The long focal length flattens the depth of the elements of the image and draws them together. It also eliminated the perspective convergence that often causes walls and other vertical elements to slant inward. Do I worked quickly, and managed to get this shot while the side light was still illuminating one of the odd plants and highlighting parts of the worn fences in the foreground.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Gated Doorway, Wall

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Gated Doorway, Wall - Gated entryways and exterior walls, San Francisco.
Gated entryways and exterior walls, San Francisco.

Gated Doorway, Wall. San Francisco, California. July 15, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Gated entryways and exterior walls, San Francisco.

As an Official Aficionado of Geometry, I found this more or less nondescript front of some San Francisco housing fascinating. The location is nothing special, being perhaps a few blocks up from the touristy Fishermans Wharf are and down an anonymous side street that I happened to turn onto for reasons that I can no longer recall. At street level, the walls are less walls than places to contain other things: gated entry-ways to apartments, garage doors, windows and so on. Little space is left empty.

The shapes include lots of vertical and horizontal lines and almost nothing (aside from the edges of the metal “thing” above the central gate and a bit of the concrete next to the garage door) that isn’t moving in one of those two directions. The central gate of rust colored metal dominates the scene. While I imagine that behind the gate is someone’s nice, comfortable home, the gate itself reminds me of something I might expect to see in a prison! To the left is another security gate, thought its bars are horizontal. There are a couple of surprising bits of color, too. The red at the bottom of the main gate, which I assume is there for the safety of people who might trip on that bit of a step, is matched by the bright red of the small extended window that is just barely intruding into the upper left corner of the frame.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Home Bay, Drakes Estero

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Home Bay, Drakes Estero - Fog rolls in over Drakes Estero beyond Home Bay, Point Reyes National Seashore
Fog rolls in over Drakes Estero beyond Home Bay, Point Reyes National Seashore

Home Bay, Drakes Estero. Point Reyes National Seashore, California. July 21, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Fog rolls in over Drakes Estero beyond Home Bay, Point Reyes National Seashore.

This little late-July visit to Point Reyes was an opportunity to re-learn a few lessons about going out to make photographs. I had driven up to San Francisco, where my wife was to be engaged in a music performance that would take the full afternoon and evening, with the plan being to drop her off and then drive on over the Golden Gate Bridge and out to Point Reyes. Point Reyes is often a cold and windy place, even in the summer, but this was a very warm period and it looked like the coast might be clear of fog or at least see the fog bank lurking just offshore until the evening. With this in mind, it seemed like it might be a good time to either visit the Limantour Beach area or else hike out towards Drakes Bay.

I should have sensed that things were about to evolve in ways that I had not planned for when, during a brief stop at the Point Reyes visitor center, the rangers announced that the road to Limantour was closed since a fire had just started in the area! With that option gone, I figured that Drakes Bay would be my objective, and I had images of afternoon and evening light on this day of little or no fog. I drove on out to the Estero trailhead where it was, in fact, quite sunny, though a bit windy. I loaded up my camera pack with a few lenses and a tripod, and set out on the trail towards Drakes Head, thinking I might be able to make it there for late afternoon light. As soon as I started hiking I began to see the telltale puffs of incoming fog clouds above me, and soon I came around a bend in the trail to see that the fog had already moved in to my west and over Drakes Bay. Fortunately, I like for, and in most cases I would rather photograph in “interesting” weather than in so-called perfect blue sky weather. At a point where the trail descended to cross a dike at the head of Home Bay, I saw this conjunction of near and far forms, with the distant bluffs under the incoming fog, so I stopped to make a few photographs before moving on. To make a potentially long story a bit shorter, the temperature quickly dropped and the wind picked up to levels that made photography increasingly difficult. I managed to work with one other scene that included a curving snag in front of the bay, but it was already becoming difficult to find a calm moment in the wind to click the shutter. I kept going, finally reaching the trail junction that heads off towards Drakes Head, only to realize that I would never get all the way out there in time to return before dark. Cutting the hike short after a bit more than an hour and a half of hiking, I began to retrace my steps back to the trailhead.

In the end, this is really the only photograph that I came away with – despite carrying that fully loaded camera pack out and back! But this reminded me of a first lesson, namely that it is worth the effort even if I only come back with a single shot that I like. This one, to me, evokes the relative isolation and quiet of this spot in the upper reaches of the calm waters of Drakes Bay, with the fog bank beginning to assemble across the distant bluffs. A second lesson is that sometimes on a photographic quest, it is OK to simply enjoy the surroundings. A practical photographer can remind himself or herself that scouting is a good thing, and that things not photographed this time may well be on a future visit. And a long-time hiker can – and did – remind himself that sometimes it is just fine to leave the camera in the pack and just enjoy the wind and the space.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.